Day 1 Reviewer G11 2nd Q PDF

DAY 1 REVIEWER by carylle♡ It has proven that... ORAL COMMUNICATION In support to this claim, (source) indicates that... SPEECH CONTEXT Th...

DAY 1 REVIEWER by carylle♡ It has proven that... ORAL COMMUNICATION In support to this claim, (source) indicates that... SPEECH CONTEXT There is a growing body of evidence that – 1.) Intrapersonal - communicating with one's own self 2.) Interpersonal - communicating with another According to (source).... person or a group 3.) Conclusion a. Dyad - between two people a. Restatement of claim b. Small group - among three to 12 people b. Summarize your reasons c. Call for an action (Persuasive) 3.) Public - speaking in front of a crowd 4.) Mass - communication through types of media PRINCIPLES OF SPEECH WRITING SPEECH STYLES 1.) Speech Writing Process: 1.) Intimate – used in very close relationships a. First Step 2.) Casual – informal with groups and peers Conducting an audience analysis 3.) Consultative – semi-formal and standard Determining the purpose of the speech communication with professionals Selecting a topic Narrowing a topic 4.) Formal – one way straightforward speech Gathering data 5.) Frozen – most formal, cannot be changed, used in b. Second Step solemn ceremonies and events Selecting a speech pattern TYPES OF SPEECHES Preparing an outline 1.) According to Purpose: Creating the body of the speech a. Informative or Expository - mainly performed for Preparing the introduction the purpose of educating the audience Preparing the conclusion b. Persuasive - given solely for the purpose of c. Last Step convincing the audience c. Entertainment - aims to share laughter and Editing and/or Revising enjoyment to the audience Rehearsing 2.) According to Delivery 2.) Components of Speech Writing Process a. Manuscript - word-for-word iteration of written a. Audience Analysis - looking into the profile of your message using visual aids target audience. b. Memorized Speech - recitation of a written Demography [age-range, male-female ratio, message that the speaker has committed to memory educational background, affiliations, degree program, c. Extemporaneous Speech - presentation of a nationality, economic status, academic or corporate carefully planned and rehearsed speech, spoken in a designations] conversational manner using brief notes Situation [time, venue, occasion, size] d. Impromptu Speech - presentation of a short Psychology [values, beliefs, attitudes, preferences, message without preparation cultural and racial ideologies, and needs] PARTS OF SPEECH b. Purpose: 1.) Introduction Informative Persuasive Entertainment a. Catchy hook – questions, statistics, punch line, c. Topic quotations, narrative/story Focal point of your speech which can be b. Background information to introduce your topic determined once you have decided on your purpose. 2.) Body If you are free to decide on a topic, choose one a. Format that really interests you. Reason + Explain it + Evidence Strategies used in selecting a topic: personal Reason + Explain it + Evidence experiences, free-writing, listing, asking questions, or Reason + Explain it + Evidence semantic webbing. b. Reason d. Narrowing down a topic - General to Specific To begin with/ Firstly, Purpose (narrowing down a topic through listing) Additionally, Pursuing this further, e. Data Gathering - stage where you collect ideas, Lastly/Another reason why information, relevant or related to your specific topic. c. Evidence This can be done by visiting the library, searching  DAY 1 REVIEWER by carylle♡ the web, observing a certain phenomenon, or event 1.) Nomination - proposing/suggesting a subject to or conducting an interview or survey. start a conversation f. Writing Patterns - structures that will help organize 2.) Restriction - limiting the topic or subject in the ideas related to your topic conversation Examples: Biographical, Categorical/Topical, Causal, 3.) Turn Taking - allowing others to talk in a Chronological, Comparison/Contrast, Problem- conversation Solution 4.) Topic Control - regulating or manipulating the g. Outline - hierarchical list that shows the topic of conversation and how long we want another relationship of your ideas person may talk. Purpose -> Specific Purpose -> Topic -> Pattern -> 5.) Topic Shifting - changing the subject in a Introduction -> Body -> Conclusion conversation. h. Body of the Speech - actual content of the speech 6.) Repair - correction by the speaker of a Provides explanations, examples, or any details that misunderstood utterance. delivers your purpose and explains the main idea 7.) Termination - participants' close-initiating Only have one central idea to avoid confusion expressions that end a topic in a conversation. Parts: Introduction (striking), Body (substantive), 21ST CENTURY LITERATURE Conclusion (remarkable) SKIMMING VS SCANNING SPEECH DELIVERY - actual presentation of speech. SKIMMING SCANNING Tools for Effective Speech Delivery Definition Skimming is a Scanning is a 1. Articulation – how well and precisely you form method of method for vowels and consonants to form the sounds to speak. hurried reading extensively 2. Modulation - control or adjust the tone or volume in which a reading a book of your voice reader or article to 3. Stage Presence - speaker's ability to get and concentrates find specific secure the audience's interest in listening to him/her simply on the information. Every time the speaker faces his audience, he is passage's core encouraged to keep his poise, posture, gestures, and idea or movements since they may make or break the message to gain a broad presentation. understanding 4. Facial Expressions, Gestures and Movements - to of the material. effectively communicate emotions and enthusiasm Objective The main Its objective is while speaking objective of to have a Gestures should appear spontaneous but skimming is to thorough purposeful. take a quick lookout for Movements from the waist down should be read-through specific decisively used to emphasize a point or as a to get a bird- information. transition during a speech. eye view of the content. Facial expressions are essential in setting the Method of Quick Selective emotional tone for a speech. Reading Share your experiences, use body language and Advantage Reading Finding out all eye contact maximum text the required 5. Rapport - have everything in concordance or in less(limited) information. harmony: your discourse is correct; crowd gets it well time. and appreciate tuning in to it as conveying it. Include Skimming Scanning Rapport builders are: dressing suitably for the includes includes event, prepared, know who your audience are, reading reading the evading jargon unless everyone understands it introduction, whole COMMUNICATIVE STRATEGIES - plans, ways or heading, text/article subheadings, carefully. means of sharing information which are adopted to and conclusion. achieve a particular purpose.  DAY 1 REVIEWER by carylle♡ INTENSIVE VS EXTENSIVE READING Analysis of grammar, word choice, syntax. Intensive Reading involves learners reading in Disregard to cultural or historical influences detail with specific learning aims and tasks 2.) Marxism analyzes literature through the social, Extensive Reading involves learners reading texts political, and cultural context in which the work was for enjoyment and to develop general reading skills. created. BASIS FOR EXTENSIVE INTENSIVE Karl Marx (1818-1883), a German philosopher, and COMPARISON READING READING Friedrich Engels (1820-1895), a German sociologist Meaning Extensive Intensive was the joint founders of the school of thought now reading is an Reading is a known as Marxism. approach to reading method 3.) Feminism focuses on the role of women (or language wherein gender) in a literary text. learning in learners are which long text supposed to According to Bressler, “methods of feminist and a large read the short criticism is its focus on patriarchy, the rule of society amount of text carefully and culture by men” (168). material are and deeply to Feminist criticism is useful for analyzing how read by the gain maximum gender itself is socially constructed for both men and students for understanding. women. general 4. Reader-response suggests that the role of understanding. the reader is essential in examining, explaining, and Nature Supplementary Comprehensive defending your personal reaction to a text. Purpose For acquiring For a. Your critical reading of a text asks you to explore: information or understanding why you like or dislike the text. for pleasure. the literal explain whether you agree or meaning of the disagree with the author. text. Covers Reading of Reading of identify the text’s purpose; and novels, textbooks critique the text. magazines, GENRES OF 21ST CENTURY LITERATURE newspaper. - refers to a type of art, literature, or music Material Reading Reading characterized by a specific form, content, and style. Selection material is material is 21st Century Literature is composed of literary works selected by the decided and created within the last decade. individual recommended 1.) Illustrated novels - an extended narrative with himself. by the teachers. multiple images that, together with the text, produce Involves Reading a Reading of a meaning. number of book again and 2.) Graphic novels a narrative work in which the story books on a again to extract is conveyed to the reader using comic form. similar concept its literal or subject. meaning. 3.) Manga - Japanese word for comics Use of No Yes 4.) Doodle fiction - author incorporates doodle dictionary drawings and handwritten graphics in place of the Helpful in Developing Developing traditional font. reading fluency reading skills, 5.) Flash fiction - extreme brevity that still offers vocabulary and character and plot development. grammatical 3 Characteristics of Flash Fiction knowledge. Brevity; A complete plot; Surprise CHICK LIT VS SCI- FI LITERARY CRITICISM Chick Lit are women-centered narratives that focus 1.) Formalism form of literary criticism that focuses on the trials and tribulations of their individual on a text’s use of structure. protagonists a. Characteristics of Formalism Speculative fiction - narratives concerned with Focus on a literary work’s formal elements. science or technology fiction: sci fi  DAY 1 REVIEWER by carylle♡ DIGITAL STORYTELLING the practice of using digital 2.) PRINCIPLES OF SOUND DESIGN tools to tell a story. a. Mixing – the balance, combination, and control of It blends multimedia elements such as images, numerous sound elements audio, video, and text-to create a narrative that is b. Pace – the editing and the time control of sound visually and emotionally engaging. design 1.) Traditional often relies on spoken or written Linear – the sounds that are permanent, used once, words to tell a story. and will be in the same place 2.) Digital uses multimedia elements to convey the Non-Linear – the sounds that are much more open story, making it more immersive and dynamic. in comparison to linear sounds 3.) Features of Digital Storytelling Multi-Linear a. Script and Storyline – a clear structure (beginning, c. Transition – the process of getting from one middle, end) that guides the viewer through the element or fragment of sound design to another narrative. Segue – an uninterrupted movement from one b. Visuals - images, graphics, animations, or video piece of music to another clips that help set the scene, convey mood, and Cross-Fade – the smooth transition of a sound illustrate key points. between two side by side audio files on the same c. Audio - background music, sound effects, and/or track narration that enhance the storytelling experience. V-Fade – a switch from one volume level to another d. Transition and Effects - smooth transitions, effects, softer or louder level and animations to make the story visually cohesive Fade to Black – a type of V-Fade which has some and engaging. silence between the elements of sound design e. Emotional Connection - uses a combination of d. Stereo Imaging - the feature of sound visuals and audio to elicit an emotional response documentation and duplication concerning the from the audience. supposed spatial locations of the sound sources, both sideways and in depth. MEDIA AND INFORMATION TYPES & CATEGORIES OF AUDIO INFORMATION LISTENING VS LEARNING BY ROSENBLAT (2009) 1.) TYPES OF AUDIO FILE: a. Hearing is simply the act of perceiving sound by Radio Broadcast – act of sending a live or recorded the ear. audio through radio waves meant for a large group b. Listening requires concentration so that your brain of listeners processes meaning from words and sentences. Music – artistic form of auditory communication CHARACTERISTICS OF A SOUND incorporating instrumental or vocal tones in a Volume - the force of a sound Tone - the musical structured and continuous manner. or vocal sound of a definite quality Sound Recording – the encoding or procedure of Pitch - the degree of highness or lowness of a making a record of a certain sound from the sound surroundings. Loudness - the feature of a sound that determines Sound Clip/Sound Effect – sound aside from the degree of the auditory sensation produced dialogue and music, artificially made to create an SOUND DESIGN is the vivid use of sound during a effect in a movie, play, or other broadcast production in connection to the images and contents production. of the story to create an emotional response. Audio Podcast – an episodic series of digital audio 1.) ELEMENTS OF SOUND DESIGN or video file or recording that can be downloaded by Dialogue – a composition in the form of a user from a website to a media player or computer conversation between two people to listen. Sound Effect - the sound, aside from dialogue and 2.) WAYS OF STORING AUDIO FILES: music, made to create an effect Tape – a magnetic tape sound recording format on Music - an instrumental or a vocal sound that which sound can be documented. conveys emotions and ideas through color, harmony, Compact Disc – a plastic-fabricated, circular tool on melody, and rhythm which audio, video, and other digital information is Silence – the complete absence of noise or sound recorded, stored, and played back  DAY 1 REVIEWER by carylle♡ USB Flash Drive - an external hard disk drive, small 1.) FORMATS OF MOTION MEDIA enough to fit on a keychain, that can be plugged into a. Film – a series of moving graphics or images, with the computer’s USB port accompanying of a recorded sound Memory Card – a small, flat flash drive used to save b. Television – a telecommunication system for data such as audio files, pictures, texts, and videos transmitting and receiving visual images and sounds for use on small, portable, or remote computing that are reproduced on screens devices c. Interactive Video – a kind of digital video that Computer Hard Drive – a secondary data storage involves the user’s interaction and participation device for saving digital data d. Others such as Internet and Mobile Phone Internet/Cloud – a wide network of remote servers 2.) SOURCES OF MOTION MEDIA: in the internet meant to operate as storage and a. Internet - a universal computer network that retrieval of audio files and other computer data delivers a variety of information and communication 3.) AUDIO FILE FORMATS: facilities MP3 (MPEG Audio Layer 3) - a coding format for b. Film and Television Studios - a place where films, consumer audio, as well as a mean of sound television shows, and broadcast productions are sequence compression for the transmission and produced playback of music on most digital audio players c. Broadcast Channels - a terrestrial frequency or M4A/AAC (MPEG-4 Audio/Advanced Audio Coding) computer-generated number over which a broadcast - a file extension for lossy digital audio compression station or broadcast network is disseminated WAV (Waveform Audio File Format) - the Microsoft d. Video Channels - an account on an online media audio file format standard used for the storage of sharing or streaming service from which one can digital audio data on personal computers create media content, such as videos, accessible to WMA (Windows Media Audio) - a file extension other people who are also using the service developed by Microsoft and used with Windows e. Library - a building or room that contains Media Player collections of books, periodicals, and sometimes MOTION INFORMATION AND MEDIA movies and recorded audio for people to read, Motion is described as the act or process of moving borrow, or refer to. from one place to the next or changing position. 3.) METHODS ON DETERMINING THE CREDIBILITY OF Motion media is a media communication that MOTION MEDIA: provides the presence of spatial movement of texts a. Validity of the information – we need to know if and images. the information was peer reviewed and provable Motion Information is the file or clip that is created b. Source – we need to identify the types of sources using motion media and is utilized as a support to used to generate the information; we also need to the visual tracking of a certain thing or object. determine if the video was an actual footage of the PRODUCTION OF MOTION MEDIA event, or a mere representation of the information 1.) Informally produced motion media are created by learned about it people just for personal consumption. c. Relationship of the author to the event – we need 2.) Formally produced motion media are made by to learn if the author has first-hand knowledge about professionals, such as film directors, who follow the the event standard of the industry when it comes to the d. Technical methods of detecting tampered/fake refinement and creation of motion media. video: STEPS IN CREATING MOTION MEDIA: Video smoothness a. Generating of storyboard Lighting coverage matches b. Scriptwriting and dialogue recording Scale and size consistent c. Sketching for animation; Acting and shooting for ELEMENTS OF MOTION DESIGN video a. Speed – highlights the tone of the movement d. Adding background music and background details Fast Movement – provides alertness and escalating e. Rendering emotions Slow Movement - indicates weariness, seriousness, or sorrow  DAY 1 REVIEWER by carylle♡ b. Direction – specifies a movement from one route 2.) Sans Serif conveys a clean and minimalist look to to another; refer to the growth or shrinkage of an the text. object or thing used to express clear and straightforward meaning c. Motion Path - refers to the spatial movement that a of the text, thing or an animated object will take; displays the mainly used in designing web pages to achieve a change in direction of a certain movement modern style look. d. Timing – is used to explain or strengthen the Examples: Arial, Helvetica, Tahoma, Verdana, Calibri message or the event 3.) Slab Serif a heavy and solid look to the text is Objective Timing - can be measured in seconds, expressed by slab serif. minutes, hours, days, etc. usually, large advertising signs on billboards use Subjective Timing - is psychologically experienced the slab serif typeface. or felt Examples: Rockwell, Playbill, Blackoak PRINCIPLES OF MOTION DESIGN 4.) Script brush-like strokes of the script typeface Speed, direction, and timing should portray natural draw people’s attention to it. laws of physics. used sparingly and not in large body text Timing influences recall. used mostly in formal events such as weddings or Transitions are utilized to shift between scenes. evening charity balls Sound and color enhance depth and purpose to a Examples: Edwardian, Vladimir, Kunstler certain movement. 5.) Decorative shows a wide variety of emotions such Cartooning one’s image and text offers dynamic as happiness, fear, horror, etc. movement, this can be easily done by the following cater to various themes such as spaceships, movements: stretching, rotating, and squashing. carnivals, holidays, seasons, kiddie, etc. Blurring in animation gives the illusion of fast Examples: Chiller, Jokerman, Curlz MT movement, while in videos blurring is frequently used DESIGN PRINCIPLES AND ELEMENTS to censor confidential information or sensitive 1. Emphasis – importance or value given to a part of content. a text-based content ASSESSING & EVALUATING TEXT INFORMATION To do this: a. Accuracy and Factuality a. text can be enlarged b. Objectivity b. be bold or italicized c. Language appropriateness c. have a heavier weight d. Curriculum alignment d. darkened, lightened, or underlined. e. Style and Format 2. Appropriateness – how suitable or appropriate the TEXT AS VISUAL text is for the target audience, intention or purpose, Typeface is the representation or style of a text in the or event. digital formal. 3. Proximity – the distance of how near or how far also referred as font, font type, or type is usually the text elements are from each other. composed of alphabets, numbers, punctuation marks, 4. Alignment – the positioning of the text, this can be symbols and other special characters. left, right, center or justified. in case there is an absence of images and drawings, 5. Organization – process of organizing various the easiest way to communicate to people is through elements of text in a page. text. 6. Repetition – the unity of the entire design and use of various font types can express different consistency of elements are the concerns of emotions and meanings. repetition. TYPES OF TYPEFACES 7. Contrast – creates visual interest to text and can 1.) Serif entails formality and readability in large be achieved when we combine two elements different amounts of texts. from each other used to achieve a classic and elegant look in publications. Examples: Times New Roman, Garamond, Baskerville  DAY 1 REVIEWER by carylle♡ KOMUNIKASYON Kakayahang Pangkomunikatibo Kakayahang Kakayahang Sosyolingwistiko Kakayahang Kakahayang Lingwistika Diskorsal / Estrategik Pragmatiko Ponolohiya Pisikal Berbal Wika Morpolohiya Komunidad Lipunan Daigdig Ekstraberbal Porma Esktraktura Syntax Birtwal Di berbal Komunikasyon Semantika Mass media Social Social Chronem Proxemics Pasulat Pasalita Media networking ics T Radio Pelikula Drama sites and Kinesics Haptics V apps Iconics Colorics Para Oculesics language Objectics Olfactories Pictics Vocalics SPEAKING NI DELL HYMES Diptonggo mga tunog na nabubuo sa pamamagitan Setting - saan naguusap ng pag-uugnay ng mga patinig at malapatinig na na Participants - sino ang kausap /w/ at /y/. Ends - ano ang layunin Halibawa: /aw/, /iw/, /ay/, /ey/, /iy/, /oy/, at /uy/ Act sequence - takbo ng usapan Digrapo ay sikwens ng dalawang katinig ngunit Keys - pormal o impormal may iisang tunog lamang sa isang pantig. Instrumentalities - ano ang midyum ng uspan Halibawa: /ts/ tsismis, tseke Norms - ano ang paksa Pares-Minimal ay mga pares ng mga salitang Genre - nagsasalasay, nakikipagtalo, nagmamatuwid, magkaiba ng kahulugan ngunit magkapareho ang naglalarawan kapaligiran maliban sa isang ponema. KAKAYAHANG PANG KOMUNIKATIBO Halimbawa: /p/ at /b/ Paso : Baso KAKAYAHANG LINGWISTIKA b. Ponemang Suprasegmental 1.) Ponolohiya - pagaaral ng mga tunog Diin - lakas, bigat o bahagyang pagtaas ng tinig sa Uri ng Ponema pagbigkas ng isang pantig sa salitang binibigkas. a. Ponemang Segmental - makabuluhang tunog Hinto - saglit na pagtigil ng ating pagsasalita upang Patinig - /i, e, a, o, u/ higit na maging malinaw ang mensaheng ibig nating Katinig - /b, k, d, g, h, l, m, n, ng, p, r, s, t, w, y, ?/ ipahayag sa ating kausap. Klaster ay magkakasunod na katinig sa isang pantig Tono - pagtaas at pagbaba ng tinig na iniuukol sa at naririnig pa rin ang mga indibidwal na ponemang pagbigkas ng pantig ng isang salita, parirala o katinig. pangungusap. Halimbawa: Pyesa, Twalya, Braso  DAY 1 REVIEWER by carylle♡ 2.) Morpolohiya pag-aaral sa pagbuo ng mga salita Olfactories - nakatuon sa pangamoy sa pamamagitan ng iba't ibang morpema. Pictics - makikita sa mukha o facial expressions a. Morpemang Ponema /a/ at /o/ - nagbabago ang Vocalics - paggamit ng tunog kahulugan (kasarian) dahil sa pagdagdag ng KAKAYAHANG ESTRATEGIK ponemang /a/ o kontradiksyon ng /o/ sa /a/, a. Wika ang/a/o/o/ ay itinuturing na ponema - Porma - Esktraktura b. Morpemang Salitang-Ugat - uri ng morpema na b. Komunikasyon walang panlapi. Ito ay ang payak na anyo ng isang - Pasulat - Pasalita salita. PAGSULAT NG KRITIKAL NA SANAYSAY c. Morpemang Panlapi - uri ng morpema na Sanaysay - isang uri ng panitikan kung saan.alayang idinurugtong sa salitang-ugat na maaring naipahahayag ng may-akda ang kaniyang saloobin, makapagpabagong kahulugan ng salita. pananaw, kuro- kuro, damdamin, reaksiyon at paglalapi - unlapi, gitlapi, hulapi, kabilaan repleksyon tungkol sa isang paksa. d. Morpemang Leksikal - may tiyak na kahulugan at may layunin itong magbigay- kabatiran, kabilang dito ang mga pangngalan, panghalip, impormasyon, mang-aliw, o magpatawa. pandiwa, pang-uri at pang- abay. HAKBANG SA PAGSULAT NG KRITIKAL NA e. Morpemang Pangkayarian - walang tiyak na SANAYSAY kahulugan at kailangang makita sa isang kayarian o 1. Tukuyin ang iyong pangunahing argumento. konteksto ang mga ito upang magkaroon ng simulan ang iyong sanaysay sa pamamagitan ng kahulugan. paggamit ng pangungusap na pupukaw sa atensyon 3.) Syntax ang palaugnayan, ay ang sangay ng ng iyong mambabasa at makatutumbok agad ng balarila na tumatalakay sa masistemang iyong paksa. pagkakaayus-ayos ng mga salita sa pagbuo ng mga 2. Magbigay ng maikling background para sa iyong parirala at pangungusap. mga mambabasa. a. karaniwan - walang "ay" sa pangungusap magbibigay ng impormasyon sa iyong mambabasa b. di karaniwan - mayroong "ay" pangungusap para mas madali nilang maintindihan ang iyong 4.) Semantika ang pag-aaral hinggil sa kahulugan o sanaysay. ibig sabihin ng salita, kataga, o wika 3. Lipunin ang mga ebidensya na sumusuporta sa a. Denotasyon - literal o kahulugan sa diksyunaryo iyong argumento. b. Konotasyon - pansariling kahulugan gumawa ng pananaliksik mula sa mga KAKAYAHANG SOSYOLINGWISTIKO mapagkakatiwalaang mga basehan. Siguraduhin na a. Pisikal ang mga basehan na gagamitin mo ay lehitimo at Komunidad Lipunan Daigdig totoo. b. Birtwal 4. Gamitin ang katawan ng iyong sanaysay upang Mass media matalakay ang mga punto ng iyong argumento. - radio - tv - pelikula - drama Importante ang bahagi ng katawan dahil dito mo Social media mapaliliwanag ang mga ideya na susuporta sa iyong Social-networking apps and sites argumento. KAKAYAHANG DISKORSAL O PRAGMATIKO 5. Isaalang-alang ang ibang mga pananaw a. Berbal - ginagamitan ng salita para malaman mo ang kalakasan at kahinaan ng b. Ekstraberbal - ginagamitan ng kilos at salita iyong pananaw O argumento. c. Di berbal - ginagamitan ng kilos 6. Bumuo ng malinaw na konklusyon. Chronemics - paggamit ng oras nararapat na ang iyong konklusyon ay nakatuon o Proxemics - pagitan ng sarili at ibang tao nakabase sa mga punto na nailahad mo sa katawan Kinesics - body language ng iyong sanaysay. Haptics- sense of touch 7. Suriin muli ang iyong sanaysay Iconics - simbolo upang masigurado na tama ang iyong mga inilagay Colorics - Kulay na impormasyon at mga pangungusap. Paralanguage - pagbigkas ng salita Oculesics - paggamit ng mata o eye contact Objectics - paggamit ng bagay  DAY 1 REVIEWER by carylle♡ KATANGIAN NG ISANG KRITIKAL NA SANAYSAY magaan ang tono KAPANGYARIHAN malaya at personal na pagtalakay ng awtor sa mabigyan kasiyahan ang kuryosidad ng tao, anumang paksang mabigyan ng mga kasagutan ang mga katanungan, parang ang kaniyang kausap o kaharap ay ang mga malutas ang isyu o kontrobersya, makadiskubre ng mambabasa. mga bagong kaalaman, maging solusyon sa suliranin, MGA DAPAT ISAALANG- ALANG SA PAGSULAT NG mapaunlad ang sariling kamalayan sa paligid, makita KRITIKAL NA SANAYSAY AYON KAY JOCSON (2016) ang kabisaan ng umiiral o ginagamit na pamamaraan a. Kaisahan ng tono at estratehiya sa pagkatuto ng mga mag-aaral, b. Maayos na pagkakabuo magbigay ng bagong interpretasyon sa lumang c. Matalinong pagpapakahulugan ideya, manghamon sa katotohanan o pagiging d. Tema at nilalaman makatwiran ng isang tanggap o pinapalagay na totoo e. Anyo at estruktura o matotohanang ideya, magpatunay na f. Wika at estilo makatotohanan ang isang ideya, mabatid ang lawak g. Gumagamit ng wika sa bawat sosyal at kultural na ng kaalaman ng mga mag-aaral sa isang partikular na pangkat. bagay. Tandaan: kinakailangang may sapat na kaalaman at HAKBANG SA PAGBUO NG ISANG MAKABULUHANG kasanayan sa salita/ pahayag na ginagamit na PANANALIKSIK batay kay De Laza (2016): batayan ay ang lugar, panahon, layunin, pinag- 1. Pamimili at Pagpapaunlad ng Paksa ng uusapan, at grupong kinabibilangan ng mga nag- Pananaliksik uusap. 2.Pagdidisenyo ng Pananaliksik PANANALIKSIK 3. Pangangalap ng Datos Sistematiko, kontrolado, empiriko, at kritikal na 4. Pagsusuri ng Datos pag- imbestiga sa haypotetikal na pahayag tungkol 5. Pagbabahagi ng Pananaliksik sa inaakalang relasyon o ugnayan ng mga natural na MGA BAHAGI NG PANANALIKSIK phenomenon (Vizcarra, 2003). 1.) Kabanata 1 Ang pananaliksik ay puspusang pagtuklas at a. Rasyonal at Kaligiran ng Pag-aaral paghahanap ng mga hindi pa nalalaman (Sanchez, b. Paglalahad ng suliranin 1998) c. Layunin at Kahalagahan ng Pag-aaral Ang matiyaga, pananaliksik ay maingat, d. Rebyu ng Kaugnay na Literatura sistematiko, mapanuri, at kritikal na pagsisiyasat o e. Teoritikal at Gabay na Balangkas pag- aaral tungkol sa isang bagay, konsepto, f. Saklaw at Limitasyon kagawian, problema, isyu, o aspekto ng kultura at 2.) Kabanata 2 lipunan (Atienza, et al., 1996) a. Disenyo at Pamamaraan ng Pananaliksik KATANGIAN Ayon ay Ordoñez (2007), ito ang mga b. Lokal at Populasyon ng Pananaliksik katangian ng praktikal na pananaliksik: c. Kasangkapan sa Paglikom ng Datos Orihinal na akda ang pananaliksik. d. Paraan sa Paglikom ng Datos e. Paraan ng Pagsusuri ng Datos May sistema ang pananaliksik. 3.) Kabanata 3 Hindi mahirap kalapin ang mga datos na pag- a. Resulta at Diskusyo aaralan. 4.) Kabanata 4 Hindi magastos ang paksa. a. Lagom b. Kongklusyon c. Rekomendasyon Ideyal ang pananaliksik kung ang mga datos ay BALANGKAS SA PAGBUO NG IDEYA SA abot- kamay. PANANALIKSIK Makatotohanan ang pananaliksik. a. Bahagi b. Nilalaman c. Pamagat d. Panimula Ang pananaliksik ay pagsusuri na maaaring e. Kaugnay na pag-aaral o literature kwantitatibo o kwalitatibo. f. Proseso ng pagsasagawa at pangongolekta ng KAHALAGAHAN datos benepisyong edukasyonal, propesyonal, personal, g. Analisis, Konklusyon at Rekomendasyon pambansa, pangkaisipan, pangkatauhan