arts-1st-Lecture-2.docx

Art works reflect the very mind of its maker. World events and sentiments are some of the factors that influence the artist's imagination. Philippine art owes the Westerns an inspiration of standardization of norms and creating monumental products of creative imagination. +-----------------+-------...

Art works reflect the very mind of its maker. World events and sentiments are some of the factors that influence the artist's imagination. Philippine art owes the Westerns an inspiration of standardization of norms and creating monumental products of creative imagination. +-----------------+-----------------+-----------------+-----------------+ | **Western | | | | | Classical Art | | | | | vs. Philippine | | | | | Art** | | | | +=================+=================+=================+=================+ | **Western | **Description** | **Philippine | **Description** | | Classical Art** | | Art** | | +-----------------+-----------------+-----------------+-----------------+ | | **Venus of |  | | | | | | - Bulul, also | | | - - - | | known | | | | | as **bul**- | | | | | ul | | | | | or | | | | | tinagtaggu, | | | | | is a carved | | | | | wooden | | | | | figure **us | | | | | ed** to | | | | | guard the | | | | | rice crop | | | | | by the | | | | | Ifugao (and | | | | | their | | | | | sub-tribe | | | | | Kalanguya) | | | | | peoples of | | | | | northern | | | | | Luzon. | | | | | | | | | | - The | | | | | sculptures | | | | | are highly | | | | | stylized | | | | | representat | | | | | ions | | | | | of | | | | | ancestors | | | | | and are | | | | | thought to | | | | | gain power | | | | | from the | | | | | presence of | | | | | the | | | | | ancestral | | | | | spirit. | +-----------------+-----------------+-----------------+-----------------+ | | **Hieroglyphics |  | | | | | | - Is an | | | - - | | Ancient | | | | | Filipino | | | | | Writing | | | | | system | | | | | called | | | | | "baybayin" | | | | | or | | | | | "alibata". | | | | | | | | | | - This is a | | | | | kind of | | | | | writing | | | | | that uses | | | | | pictures | | | | | and | | | | | symbols. | | | | | | | | | | - It is an | | | | | ancient and | | | | | traditional | | | | | scripts of | | | | | the | | | | | Philippine | | | | | indigenous | | | | | peoples. | +-----------------+-----------------+-----------------+-----------------+ | | **Tutankhamen's |  | Jar ** | | | | | | | | - It is a | | - The **Manun | | | Coffins for | | ggul | | | the kings' | | Jar** is a | | | body in | | secondary | | | Egyptian | | burial **ja | | | period. | | r** excavated | | | | | from a | | | - It was made | | Neolithic | | | of solid | | burial site | | | gold | | in | | | covered | | the **Manun | | | with a | | ggul** cave | | | thick black | | of the | | | pitch-like | | Tabon Caves | | | layer which | | at Lipuun | | | extended | | Point in | | | from the | | Palawan. | | | hand downs | | | | | to the | | - It dates | | | ankles. | | from | | | | | 890--710 | | | | | B.C. and | | | | | the two | | | | | prominent | | | | | figures at | | | | | the top | | | | | handle of | | | | | its cover | | | | | represent | | | | | the journey | | | | | of the soul | | | | | to the | | | | | afterlife. | +-----------------+-----------------+-----------------+-----------------+ | | **Stained glass |  | Lantern** | | | | | | | | - Can refer | | - **The parol | | | to colored | | of star | | | glass as a | | lantern is | | | material or | | perhaps the | | | to works | | paramount | | | created | | Filipino | | | from it. | | Christmas | | | | | symbol.** | | | - The colored | | | | | glass is | | - **San | | | crafted | | Fernando | | | into | | Pampanga | | | stained | | has earned | | | glass | | for itself | | | window in | | the title | | | which small | | of | | | pieces of | | "Christmas | | | glass are | | Capital of | | | arranged to | | the | | | form | | Philippines | | | patterns or | | ".** | | | pictures, | | | | | held | | - **Today, | | | together | | the simple | | | (traditiona | | lantern | | | lly) | | made of | | | by strips | | paper glued | | | of lead and | | over a | | | supported | | bamboo | | | by a rigid | | frame with | | | frame. | | rice paste | | | | | has evolved | | | | | into | | | | | spectacular | | | | | shapes and | | | | | kaleidoscop | | | | | ic | | | | | splendour | | | | | -- but its | | | | | message of | | | | | light and | | | | | hope | | | | | remains the | | | | | same.** | +-----------------+-----------------+-----------------+-----------------+ | | **Cathedral of |  | Church** | | | | | | | | - The unity | | - Completed | | | of its | | in | | | architectur | | 1891, **San | | | e | | Sebastian | | | and | | Church** is | | | decoration, | | noted for | | | the result | | its | | | of research | | architectur | | | of the | | e. | | | first | | | | | Gothic era, | | - An example | | | its immense | | of the | | | influence | | Gothic | | | on the art | | Revival | | | of Middle | | architectur | | | Age | | e | | | Christianit | | in the | | | y, | | Philippines | | | Chartres | | , | | | Cathedral | | it is the | | | appears as | | only steel | | | an | | building ** | | | essential | | church** in | | | landmark in | | the | | | the history | | Philippines | | | of medieval | |. | | | architectur | | | | | e. | | - It was | | | | | designated | | | - Chartres | | as a | | | Cathedral | | National | | | is both a | | Historical | | | symbol and | | Landmark in | | | a basic | | 1973 and as | | | building | | a National | | | type. | | Cultural | | | | | Treasure | | | - It is the | | in 2011. | | | most | | | | | elucidating | | | | | example one | | | +-----------------+-----------------+-----------------+-----------------+ **Media Techniques of Western Classical Arts Tradition** 1. **Acrylics** 2. **Watercolours** 3. **Oil pastels** 4. **Tempera.** **One of the strengths of painting with mixed media is the sheer number of techniques it demonstrates.** +-----------------------+-----------------------+-----------------------+ | **Five Techniques and | | | | Processes** | | | +=======================+=======================+=======================+ | **Technique** | **Description** | **Example** | +-----------------------+-----------------------+-----------------------+ | **Painting** | - Is the practice | | | | of applying | | | | paint, pigment, | | | | color or other | | | | medium to a solid | | | | surface. | | +-----------------------+-----------------------+-----------------------+ | **Drawing** | - |  | +-----------------------+-----------------------+-----------------------+ | **Collage** | - | | +-----------------------+-----------------------+-----------------------+ | **Sgrafitto** | decoration made | ) | | | by scratching | | | | through a surface | | | | to reveal a lower | | | | layer of a | | | | contrasting | | | | color, typically | | | | done in plaster | | | | or stucco on | | | | walls, or in slip | | | | on ceramics | | | | before firing. | | +-----------------------+-----------------------+-----------------------+ | **Monoprinting** | - It is a form of | | | | printmaking that | | | | has lines or | | | | images that can | | | | only be made | | | | once, unlike most | | | | printmaking, | | | | which allows for | | | | multiple | | | | originals. | | +-----------------------+-----------------------+-----------------------+