2025 Africa Quiz PDF

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SCORE _______ /__70 points______ ​ Name_________________________________________ ​ ​ ​ ​ Quiz #6- AFRICA 14 works- 6% of AP Exam Multiple Choice- 1 point each 1.​ Which aspect of human existence is most frequently addressed in African art? a. Spiritual and intellectual concepts (correct) b. Physical appearance c. Material wealth d. Political power 2.​ What specific role does African art often play in the context of human life? a. Marking significant life stages (correct) b. Illustrating mythological narratives c. Serving as a form of personal expression d. Documenting historical events 3.​ How are civic and religious centers typically situated in relation to other community areas in Africa? a. Separated from agricultural and herding spaces (correct) b. Adjacent to centers of political power c. Located near major trade routes d. Integrated within residential areas 4. Which of the following is NOT specified as an influence on African art's development? ​ a. International trade b. World religions c. Technological advancements (correct) d. Migration 5. What primary element differentiates African art's focus from that of purely physical art forms? a.​ Its emphasis on abstract representation b.​ Its preference for intricate patterns c.​ Its use of local materials d.​ Its deep engagement with spiritual and intellectual concepts (correct) 6. Which is a key driver of change in African art, as exemplified by works such as the Aka elephant mask? a.​ Commercial demands for specific styles b.​ Cultural interactions stemming from war, trade and travel (correct) c.​ The influence of local mythology only d.​ Isolation and cultural purity 7. Which of these correctly states the key idea relating to enduring understanding concerning African Art? a.​ Cultural interactions can impact artistic expression and creativity. (correct) b.​ African art evolves independently of outside influences. c.​ Travel and trade always has a negative effect on indigenous artistry d.​ War has no lasting effect on African art  8. What is a primary consideration in the design of traditional African architecture? a.​ Maximizing the use of imported materials b.​ Creating cool and comfortable interior spaces in a hot climate (correct) c.​ Incorporating complex geometric patterns d.​ Ensuring structural strength against earthquakes ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ ​ 9. What is a significant drawback of using mud-brick in construction? ​ a. The cost is significantly higher compared to stone B. It is highly susceptible to erosion during rainy seasons (correct) c. It requires specialized equipment for building d. It is very difficult to source and transport ​ ​ ​ ​ ​ ​ ​ ​ ​ 10. In typically African architecture, what is the usual role of stonework? a. It is generally avoided, with a preference for other materials (correct) B. It is frequently used to create intricate ornamentation c. It is a common element in all religious buildings d. It is used extensively for structural foundations ​ ​ ​ ​ 11. What makes the royal complex at Zimbabwe unique within traditional African architecture? a. Its exclusive use of mud-brick without any timber b. Its use of imported stone from distant lands c. Its lack of any visible means of maintenance d. Its sophisticated use of stone masonry (correct) 12. The walls of Great Zimbabwe are notable for: a. Being built to be 50 feet tall and 20 feet thick b. Incorporating a complex system of internal tunnels for defense c. Their inward sloping design, made of exfoliated granite blocks (correct) d. Being made of volcanic rock, which is unusual for the region 13. What material makes up the majority of typical African architecture? ​ a. Imported timber and plaster b. Steel and glass panels c. Granite blocks and concrete d. Mud-brick and thatched roofs (correct) 14. What is the purpose of horizontally placed timbers in mud-brick structures? a. To channel rainwater away from the mud-brick b. To act as decorative elements within the wall c. To serve as maintenance ladders for the building (correct) d. To provide structural support during earthquakes 15. The sophisticated masonry at the royal complex in Zimbabwe suggests: a.​ A sudden and unique development in the area b.​ A long history and tradition of working with permanent materials (correct) c.​ A reliance on imported labor and techniques d.​ A complete abandonment of traditional building techniques 16. Which of the following best describes a core aspect of traditional African art's purpose? ​ a. To establish the artist's personal style and individual narrative. b. To facilitate social interaction, express beliefs, and enhance specific occasions. (correct) c. To serve as static historical records of past events. d. Primarily for aesthetic contemplation and detached viewing.  17. In traditional African art practices, how is ownership of an artwork typically determined? a. The artwork is owned by the community after a consensus decision. b. The artist retains ownership rights throughout its existence. c. Ownership is determined by a bidding process among interested collectors. d. Ownership is transferred to the person who originally commissioned the piece. (correct) ​ ​ ​ ​ ​ ​ ​ ​ 18. What is a common element in the presentation of African art, especially those representing authority? ​ a. Art is shown as a personal expression of the artist's individual emotions. b. Art is exclusively displayed indoors, away from external elements. c. Artworks are displayed behind glass in silent museums. d. Artworks are often presented to large audiences through coordinated song and dance. (correct) ​ 19. What has largely been a result of the collection and interpretation of African art by outsiders? a.​ A consistent, universally accepted understanding of African art’s purpose and meaning. b.​ A complete record of individual African artists' names c.​ Differing interpretations and theories of the art, which have changed over time. (correct) d.​ An increased recognition of the artists’ personal narratives and intentions in their creations. 20. What is a misconception the text addresses regarding African art from the past? ​ a. African art was predominantly created by women rather than men. b. African art lacks the intricacy and complexity found in other cultures. c. African art was primitive and lacked artistic merit. (correct) d. African art was primarily produced for trade and commerce. 21. What is stated about the influence of other cultures on contemporary African art? a. The Contemporary African art scene is mostly focused on the past forms. b. Contemporary African art is now understood to integrate influences from all over the world. C c. Contemporary African art is mostly defined by a resistance to outside influences to maintain the authenticity of the traditional styles. d. The influences contemporary African art receives from other cultures are always superficial 22. What is a characteristic that is common to the diverse artistic traditions across the African continent? a.​ The commonality comes from the widespread usage of the same tools for creating art. b.​ Each region has entirely different artistic styles with little in common. c.​ The artistic practices stem from shared beliefs among the artists. (correct) d.​ The common characteristic is the use of similar raw materials in artwork. 23. When the text mentions that African art can sometimes represent authority, what does it imply about its function? a. It serves as decorative artwork unrelated to any social impact. b. It is used to represent the economic success of the community. c. It primarily acts to display the artist's social status. d. It serves to legitimize a leader’s power. (correct) 24. What is the primary purpose of masks in African art? a. To serve purely as decorative items in cultural celebrations b. To act as functional objects with spiritual significance (correct) c. To provide entertainment during social gatherings d. To symbolize wealth and status within the community  25. What type of construction is characteristic of the architectural practices observed at Great Zimbabwe? a.​ Incorporation of stones crafted to interlock for stability (correct) b.​ Utilization of mud-brick structures that easily deteriorate c. ​Employment of timber frameworks as a primary construction method d. Adoption of glass elements to enhance sunlight within structures 26. What was a significant aspect of the visitor experience at Great Zimbabwe? a.​ To feel as though they were in a small rural settlement b.​ To sense the grandeur of a significant urban center through architecture (correct) c.​ To recognize the extensive use of local materials in construction d.​ To perceive it as a manufacturing hub lacking importance 27. What was one of the roles of Great Zimbabwe beyond its structural presence? a.​ A central point for agricultural innovation and practices b.​ A place for trade, facilitating economic exchange and commerce (correct) c.​ A site designated for religious rituals focused on ancestral worship d.​ A hub for military defense against regional threats 28. Which architectural feature does not describe the construction methods utilized at Great Zimbabwe? a. Use of ashlar masonry techniques for strength b. Integration of arches for large spatial openings c. Employing local stone to craft durable, load-bearing walls d. Application of flying buttresses for structural support (correct) 29. Besides strength, what are two other aspects of a man's life that an Ikenga can represent? a.​ Morality b.​ Prosperity c.​ Achievements (correct) d.​ Genealogy and social rank. 30. What is a 'Byeri' in the art of the Fang people? a.​ It is a special tooth b.​ It is a reliquary guardian figure. (correct) c.​ It is a nickname for the “favorite child” d.​ It is an effigy figure 31. What was likely the reason for the abandonment of the Great Zimbabwe complex in the fifteenth century? a.​ External invasions from neighboring tribes. b.​ Food supply issues and extensive deforestation. (correct) c.​ A geological shift altered its landscape. d.​ A cultural shift towards urbanization elsewhere. 32. The internal and external passageways of Great Zimbabwe are characterized by which of the following? a.​ Open and wide spaces for gatherings. b.​ Circular layouts representing unity. c.​ Narrow and long pathways forcing single file movement. (correct) d.​ Broad passages accommodating large groups. 33. What architectural design does the conical tower of Great Zimbabwe resemble? a.​ Ancient burial mounds. b.​ Traditional temples of worship. c.​ Storage granaries for food. (correct) d.​ The fortifications of a castle. 34. Which significant cultural practice is highlighted by the control over food in the context of Great Zimbabwe? a.​ The practice of trade with distant lands. b.​ The promotion of communal farming techniques. c.​ The symbolic demonstration of royal power. (correct) d.​ The establishment of a feudal system. 35. Which item has NOT been discovered at Great Zimbabwe indicating its trade connections? a.​ Goods from China. b.​ Items from Persia. c.​ Materials from regional tribes. d.​ Artifacts from ancient Egypt. (correct) 36.What is the fate of an Ikenga when its owner dies? a.​ It is bathed in the river. b.​ Given to the elder of the tribe c. It is destroyed. (correct) d. It is painted in bright colors. 37. What material is predominantly used in the wall plaques from the Kingdom of Benin? a.​ Wood b.​ Ivory c.​ Brass (correct) d.​ Terracotta 38. Which symbol indicates the highest rank in the hierarchical proportions depicted in the wall plaque? a.​ A horse b.​ A shield c.​ A fallen leader d.​ The king (correct) 39. What technique was used to create the wall plaques from the Kingdom of Benin? a.​ High-relief sculpture via lost-wax process (correct) b.​ Molding c.​ Engraving d.​ Carving 40. Which aspect reflects cross-cultural influence in the art of the Kingdom of Benin? a.​ The use of gold in jewelry b.​ The depiction of traditional rituals c.​ The style of clothing worn by figures d.​ Rosette shapes inspired by Christian crosses (correct) 41. What was the primary function of the brass plaques in the royal palace of Benin? a.​ To commemorate battles b.​ To decorate the walls (correct) c.​ To serve as currency d.​ To symbolize trade routes 42. What was unique about the depiction of the oba in the wall plaque? a.​ He is stepping on a fallen leader (correct) b.​ He is depicted without any adornments c.​ He is portrayed alongside warriors d.​ He is shielded from the elements 43. How many brass plaques were produced for the royal palace in Benin? a.​ 1,000 b.​ 900 (correct) c.​ 500 d.​ 1,200 44. What item depicted in the art indicates wealth and status in the Benin culture? a.​ Brass tools b.​ Imported goods like horses (correct) c.​ Handcrafted pottery d.​ Traditional woven textiles 45. What is African art often rooted in? a.​ Pottery, textiles and pueblos b.​ Expressive Individualism and dancing c.​ Realism d.​ Belief systems and ideas. (correct) 46. What do the bells on the Golden Stool signify? a.​ They display how many years the ruler has been alive. b.​ They represent the number of wives the ruler has. c.​ The bells signify how many years of good crops have been planted. d. They warn the king of danger. (correct) 47. According to Ashanti tradition, how did the Golden Stool descend from the heavens? a.​ A cherub brought it on their back. b.​ Princess Tutu sang her siren call. c. A priest brought it down from heaven and it fell into the lap of King Osei Tutu. (correct) d. It just appeared one day. 48. What is the primary function of the female (Pwo) mask in Chokwe society? a.​ The mask is used in ritual dances, where men wear it to portray female ancestors. (correct) b.​ It is meant to honor a respected member of the society. c.​ The function is to be armor in case of attack. d.​ The function is to represent a deity in old tribal stories. 49. How are the male dancers dressed when they wear the Chokwe female masks? a.​ They are dressed as women with braided hair. (correct) b.​ They are dressed as lions c.​ They are dressed as peacocks d.​ The male dancers are dressed as little girls 50. What is the significance of coral in the context of the Oba's regalia? a.​ It is a symbol of fertility b.​ It is an important symbol of the identity of the Oba, ruler of the land, with Olokun, ruler of the sea. (correct) c.​ It is significant because it represents the heart of the sea d.​ It represents all of the women in the tribe. Draw the following to the best of your ability & label the function of each work. (20 points) Wall Plaque from Oba’s Ndop Portrait Figure Ikenga (shrine figure) Power figure Palace (Nkisi n’kondi) Describe at least 2 characteristics AND the culture (grey box) of each work in the box directly below: