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What problem does Richards discuss with modern aesthetic theories?
Richards discusses the problem that modern aesthetic theories rest on the assumption of a distinct and unique mental activity at the heart of all kinds of aesthetic experiences.
How does Richards characterize the aesthetic experience following Kant's views?
Richards characterizes the aesthetic experience as 'disinterested, universal, unintellectual, and not to be confused with the pleasures of sense or of ordinary emotions,' making it a sui generis experience.
What is Richards' view on the valuable experiences arising from works of art?
Richards holds the view that all works of art give rise to valuable experiences, although the usefulness in analysis depends on the theory of value adopted.
What does Kantian disinterested pleasure refer to according to Richards?
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In what way does Richards disagree with the Kantian view of aesthetic experience?
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What is the main issue Richards discusses with modern aesthetic theories?
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What does Richards find problematic about characterizing aesthetic experience as 'disinterested, universal, unintellectual'?
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According to Richards, what is the impact of Kantian disinterested pleasure on aesthetic experiences?
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What is Richards' view on the impact of all works of art on creating valuable experiences?
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What does Richards disagree with in relation to Kantian disinterested pleasure?
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According to Richards, what problem does he see with modern aesthetic theories focusing on a distinct and unique mental activity at the heart of aesthetic experiences?
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What is Richards' disagreement with the Kantian view of aesthetic experience as 'sui generis'?
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How does Richards view the impact of all works of art on creating valuable experiences?
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According to Richards, what does the Kantian disinterested pleasure refer to?
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What assumption do modern aesthetic theories rest on, according to Richards?
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What is Richards' main disagreement with Kantian views on aesthetic experience?
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According to Richards, what kind of experiences do all works of art give rise to?
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What is the problem with the Kantian view of aesthetic experience as 'sui generis' according to Richards?
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What assumption do modern aesthetic theories rest on, according to Richards?
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What does Richards find problematic about modern aesthetic theories?
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