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Questions and Answers
What term describes an agile, high upper extension capable of fast coloratura?
What term describes an agile, high upper extension capable of fast coloratura?
Which voice type has a large voice and can sing with full voice over an orchestra?
Which voice type has a large voice and can sing with full voice over an orchestra?
What is a characteristic of a soubrette voice?
What is a characteristic of a soubrette voice?
What is tessitura?
What is tessitura?
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Which type of soprano has a warm voice that can be heard over an orchestra?
Which type of soprano has a warm voice that can be heard over an orchestra?
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A light lyric soprano often has a full package of musicianship, appearance, and stagecraft.
A light lyric soprano often has a full package of musicianship, appearance, and stagecraft.
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What distinguishes a full lyric soprano?
What distinguishes a full lyric soprano?
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What does a spinto soprano offer in performance?
What does a spinto soprano offer in performance?
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Which voice type is characterized by a powerful, rich voice and can sing over a full orchestra?
Which voice type is characterized by a powerful, rich voice and can sing over a full orchestra?
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What is unique about a Wagnerian soprano?
What is unique about a Wagnerian soprano?
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What voice type was well represented in the Baroque era?
What voice type was well represented in the Baroque era?
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Contralto is the lowest female operatic voice and is very common.
Contralto is the lowest female operatic voice and is very common.
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What is the characteristic of a countertenor voice?
What is the characteristic of a countertenor voice?
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What type of tenor is characterized as a male lyric coloratura?
What type of tenor is characterized as a male lyric coloratura?
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Study Notes
Voice Classifications in Opera
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Lyric Coloratura:
- Agile voice with high upper extension
- Capable of executing fast coloratura passages
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Dramatic Coloratura:
- Features a large voice
- Can produce sound powerful enough to sing over an orchestra
-
Soubrette:
- Light voice with bright, sweet timbre
- Typically has a middle-range tessitura, suitable for playful or flirtatious roles
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Tessitura:
- Refers to the range within which a singer feels most comfortable singing
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Lyric Soprano:
- Warm voice characterized by bright and full timbre
- Able to project over an orchestra
- Higher tessitura than a soubrette, often portrays sympathetic characters
- Divided into light lyric soprano and full lyric soprano
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Light Lyric Soprano:
- Typically possesses a "full package" of musicianship, appearance, and stage presence
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Full Lyric Soprano:
- Exhibits a more mature sound
- Generally does not take on as light of roles compared to lighter sopranos
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Spinto Soprano:
- Described as "pushed lyric"
- Combines brightness and agility of lyric with the ability to reach dramatic climaxes
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Dramatic Soprano:
- Features a powerful, rich voice capable of singing over a full orchestra
- Has a lower tessitura and darker timbre, often representing heroic or tragic female characters
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Wagnerian Soprano:
- Dramatic voice capable of dominating over a large orchestra
- Possesses power and consistency across vocal registers
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Mezzo Soprano:
- Strong presence in baroque era music
- Has wider range requirements compared to choral voices, but can overlap with sopranos
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Contralto/Alto:
- Represents the lowest female operatic voice
- Characterized by a deep and dark timbre, extremely rare
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Countertenor/Soprano/Haute-Contre:
- Voice type higher than tenor, often used in early music and opera
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Leggiero Tenor:
- Male lyric coloratura
- Known for a light and agile voice suitable for rapid passages
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Description
Explore various voice classifications in opera through this engaging flashcard quiz. Each card presents a specific term and its definition, helping you understand the nuances of vocal types such as lyric coloratura and soubrette. Perfect for music students and opera enthusiasts.