Podcast
Questions and Answers
What is Trent's initial reaction to the situation being discussed?
What action does Trent take when he sees the situation escalate?
How does Retta express her feelings during the phone call?
What does Retta fear about Randy in the situation?
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What does Trent do while speaking to Retta on the phone?
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What phrase does Retta use to emphasize her distress?
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What sentiment is conveyed by Retta's question 'Why don’t they leave him alone?'
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What activity are REGGIE and RETTA primarily engaged in while waiting for their grandson?
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What emotion does Trent exhibit when he sees the police act?
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What does RETTA suggest they will have to do if REGGIE is hungry?
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What is REGGIE's response when asked if he is hungry?
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What does REGGIE express a desire for in a suggestive manner?
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Why does RETTA avoid smoking when her grandson is home?
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What does RETTA likely mean when she says 'I ain’ cookin’ and ain’ nothin’ in there I wanna be eatin’'?
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Which of the following represents a key interaction between REGGIE and RETTA?
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What tone can be inferred from RETTA's dialogue when speaking to both REGGIE and on the phone?
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What was the initial accusation made by Tomlin?
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What action is unlawful according to Alabama Vehicle Code Section 2146?
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How does Ramirez identify himself in the conversation?
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What does Tomlin imply is better for the situation?
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What does the term 'reasonable suspicion' refer to in the context of law enforcement?
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What emotion does Tomlin express at the end of the excerpt?
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What is necessary for a police officer to conduct a search according to the dialogue?
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What is suggested about the interaction between the officers and the suspect?
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What does Ramirez's line about not shooting imply?
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What does Tomlin mean by 'Way the bastard was talkin'?'
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What can be inferred about the suspect based on the conversation?
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What does the conversation indicate about the relationships between the characters?
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What does the dialogue imply about the officer's decision to draw their weapon?
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What aspect of the situation causes Tomlin to express urgency?
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How do the other characters react to the actions taken by the officer?
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According to the dialogue, what can be inferred about the relationship between the characters?
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What motivates Reggie to go to church?
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What does Retta suggest Reggie could do instead of relying on church dinners?
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How does Tomlin feel about the department's treatment of his past incidents?
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What does Tomlin imply about the consequences of an officer shooting someone?
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What does Ramirez try to convey to Tomlin about the situation?
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Why is Tomlin anxious about his status in the department?
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What does Tomlin mean when he refers to the 'heat in my pants'?
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What racial tension is implied in Tomlin's dialogue?
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What is the initial reaction of RAMIREZ towards the presence they are discussing?
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What transformation does RAMIREZ notice in the individual's eyes towards the end?
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What does TOMLIN do after speaking with RAMIREZ?
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What does RAMIREZ imply about the individual's awareness of their impending fate?
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How does RAMIREZ characterize the final moments of the individual?
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What imagery does RAMIREZ use to describe the transition of the individual?
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What indicates RAMIREZ's personal connection to the observed event?
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What does RAMIREZ hope for when he remarks, 'Well, it's what I saw at least'?
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Study Notes
Play Title and Author
- Title: BUST
- Author: Zora Howard
Contact Information
- Byron Wetzel, Range Media Partners (email address)
- John MacGregor & Ally Shuster, Creative Artists Agency (email addresses)
Cast of Characters
- RETTA (f): Black, late 50s, long-time resident of Oakwood Hills Apartments
- REGGIE (m): Black, late 50s, RETTA's husband
- TRENT (m): Black, teenager, RETTA and REGGIE's grandson
- TOMLIN (m): White, mid-to-late 40s, police officer
- RAMIREZ (m): Latino, mid-to-late 30s, police officer
- BOOBIE (m): Black, teenager, TRENT's best friend.
- KRYSTAL (f): Black, teenager, TRENT's classmate
- ZEKE (m): Black, teenager, TRENT's classmate
- PAIGE (f): Black, teenager, TRENT's classmate
- NEWSCASTER (f): White, 30s, Newscaster
- MS. PINTO (f): White, 30-40s, Teacher
- JACK (m): White, 40s, School security
- MR. WOODS (m): Black, 60s
Play Notes on Style
- Speeches usually follow preceding speeches unless interrupted ("/")
- Multiple interruptions are indicated sequentially ("//", "///")
- Words in brackets "[" are suggested but unspoken
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