Beethoven, Eroica, Piano Sonatas, Goethe, Intro to Romantic.
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Questions and Answers

What feature of the Eroica MVT 1 Development sets it apart from traditional development sections?

  • It introduces new melodies.
  • It uses syncopation to a greater extent than the exposition. (correct)
  • It is written in 2/4 time.
  • It is shorter than usual.
  • What is the typical structure of a four-movement piano sonata?

  • Fast-slow-minuet-finale (correct)
  • Fast-slow-minuet-fast
  • Fast-slow-minuet-fast
  • Fast-slow-minuet-rondo
  • What is the function of a cadenza in a concerto movement?

  • To introduce a new theme.
  • To showcase the orchestra's technical skills.
  • To display the soloist's technical virtuosity. (correct)
  • To conclude the movement with a dramatic flourish.
  • What is the poetic structure of the song 'Heidenröslein'?

    <p>Strophic with identical music for each stanza.</p> Signup and view all the answers

    What is the characteristic of the Eroica MVT 1 Recapitulation?

    <p>It features a long coda.</p> Signup and view all the answers

    What is the main difference between a trio sonata and a solo sonata?

    <p>The presence or absence of a melody instrument.</p> Signup and view all the answers

    What is the title of the third movement of the Eroica Symphony?

    <p>Scherzo.</p> Signup and view all the answers

    What is the characteristic of the piano introduction in 'Der Tod und das Mädchen'?

    <p>It features Death's motives.</p> Signup and view all the answers

    What is the typical tempo of the second movement in a Classic Symphony?

    <p>Slow</p> Signup and view all the answers

    Which form combines elements of A B A and rounded binary forms?

    <p>Minuet and Trio</p> Signup and view all the answers

    How does the trio typically end in a Classic Symphony?

    <p>With a 'Minuet da capo'</p> Signup and view all the answers

    What characterizes the Romantic era in music history?

    <p>Asymmetry, strangeness, and introspection</p> Signup and view all the answers

    What is a characteristic of Beethoven's rhythm?

    <p>Syncopation and rhythmic surprises</p> Signup and view all the answers

    How does Beethoven often transform the minuet?

    <p>By turning it into a scherzo</p> Signup and view all the answers

    What is a characteristic of Beethoven's form?

    <p>Expansion of transition and development sections</p> Signup and view all the answers

    What is a feature of the first theme in Beethoven's Eroica MVT 1 Exposition?

    <p>A triad played one note at a time, trailing off</p> Signup and view all the answers

    Study Notes

    Movement in the Classic Symphony and String Quartet

    • A classic symphony typically consists of four movements: Fast, Slow, Minuet and Trio, and Fast.
    • The first movement often follows the Sonata-Allegro form.
    • The second movement is slow and can take various forms such as Sonata-Allegro, ABA, or Theme and Variations.
    • The third movement is a Minuet and Trio, combining ABA and rounded binary forms.
    • The fourth movement is fast and often follows the Sonata-Allegro or Rondo form.

    Symphony MVT 3: Minuet and Trio

    • The Minuet and Trio combines ABA and rounded binary forms.
    • The overall structure is ABA (Minuet-Trio-Minuet).
    • The Minuet and Trio themselves are rounded binary forms.
    • The Trio ends with a "Minuet da capo", where the Minuet is played again.
    • In the 18th century, repeats might have been played in the Minuet da capo, but not today.

    Romantic Era in Music History

    • Beethoven is sometimes classified as a Classical or Romantic composer, bridging the two eras.
    • His late works are highly experimental.

    Romantic vs. Classic Periods

    • Classic period: balance, clarity, straightforwardness, and universal passions.
    • Romantic period: asymmetry, strangeness, introspection, distortion, and personal suffering.

    Beethoven's Musical Characteristics

    • Rhythm: syncopation, rhythmic surprises, distortion of typical tempos, and rhythmic themes.
    • Form: expansion of transition and development sections, lengthening of works.
    • Harmony: excursions to distant keys, delayed cadences, and key confusion.

    Beethoven Eroica MVT 1 Exposition

    • First theme: a triad played one note at a time, trailing off and left incomplete.
    • Triple meter and development-type writing immediately follow the theme.
    • There are two transitions, and syncopation is used.

    Beethoven Eroica MVT 1 Key Area 2

    • Gentle motive with many repeated notes.
    • Winds and strings contrast, ending with syncopation and dynamics.
    • Syncopation continues, making it seem like the meter has changed to 2/4.

    Beethoven Eroica MVT 1 Development

    • Uses all themes, including those from the transition sections, sometimes simultaneously.
    • Syncopation is taken to extremes, and a new melody is introduced.

    Beethoven Eroica MVT 1 Recapitulation

    • First key area material is altered.
    • A long coda is added to balance the development.

    Beethoven Eroica MVT 3

    • Introduction: titled "Scherzo", meaning joke.
    • Tempo is too fast for a minuet.
    • Syncopation is used frequently, and the form is rounded binary but highly unbalanced.
    • There is a "Scherzo da capo" with alterations, including a joke near the end.

    Piano Sonata

    • The trio sonata disappeared after the Baroque period, leaving solo sonatas.
    • There are two types: melody instrument with piano accompaniment, or piano alone (becoming increasingly popular).
    • Typically, a piano sonata has 3 or 4 movements, similar to symphony forms without the minuet.

    Cadenza

    • A passage near the end of a concerto movement where the orchestra stops, and the soloist continues alone, showcasing technical and musical skills.
    • In the Classical period, cadenzas were improvised.
    • From the Romantic period onwards, composers wrote out the cadenzas with free rhythms, like an improvisation.

    Heidenröslein and Der Tod und das Mädchen

    • Heidenröslein: strophic form with identical music for each stanza, and simple accompaniment; the text is by Goethe.
    • Der Tod und das Mädchen: Death is represented by slow tempo and a single pitch, while the Maiden's words are agitated; the piano introduction foreshadows Death's motives.

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