Podcast
Questions and Answers
What is the primary purpose of a reaction shot in filmmaking?
What is the primary purpose of a reaction shot in filmmaking?
- To depict a character's response to something the audience has just seen (correct)
- To foreshadow a future event in the narrative
- To establish the setting of the scene
- To emphasize the filmmaker's perspective
Which of the following best describes the concept of 'story time' in a narrative film?
Which of the following best describes the concept of 'story time' in a narrative film?
- The actual length of time it takes to tell the story on screen
- The dead time in between the events of the story
- The length of time a movie depicts when telling its story
- The sequence of events inferred in chronological order (correct)
How do art films typically use editing to construct spatial relations?
How do art films typically use editing to construct spatial relations?
- They focus on establishing a consistent visual style throughout the film
- They create a coherent sense of space through continuity editing
- They use editing to construct less predictable spatial relations (correct)
- They adhere strictly to the rules of continuity editing
Which of the following best describes the concept of 'plot time' in a narrative film?
Which of the following best describes the concept of 'plot time' in a narrative film?
How can editing be used to manipulate the temporality of a narrative film?
How can editing be used to manipulate the temporality of a narrative film?
Which of the following best describes the concept of 'screen time' in a narrative film?
Which of the following best describes the concept of 'screen time' in a narrative film?
How do art films typically use editing to construct spatial relations?
How do art films typically use editing to construct spatial relations?
What is the primary purpose of a reaction shot in filmmaking?
What is the primary purpose of a reaction shot in filmmaking?
How can editing be used to manipulate the temporality of a narrative film?
How can editing be used to manipulate the temporality of a narrative film?
Which of the following best describes the concept of 'narrative frequency' in a narrative film?
Which of the following best describes the concept of 'narrative frequency' in a narrative film?
