The Cotton Club's Complicated Relationship with Black Performers
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Questions and Answers

What was the Cotton Club?

  • A club exclusively for white patrons
  • A black-owned club in Harlem
  • A jazz club in New York City
  • A famous nightclub in Harlem (correct)
  • What was the Cotton Club known for during the 1920s and 1930s?

  • Its authentic African jungle music
  • Its inclusion of black patrons
  • Its extravagant floor shows and live music performances by black artists (correct)
  • Its policy of segregation
  • How were black employees treated by white owners at the Cotton Club?

  • They were paid fairly and given good working conditions
  • They were well-treated and respected
  • They were given equal treatment to white employees
  • They were mistreated and exploited (correct)
  • Why did the Cotton Club exclude black patrons?

    <p>To appeal to white audiences</p> Signup and view all the answers

    How did black performers subvert the "white gaze" at the Cotton Club?

    <p>They challenged it and expressed themselves</p> Signup and view all the answers

    How did black performers at the Cotton Club have to adapt their artistic styles?

    <p>By appealing to white audiences while maintaining their own authenticity and rhetorical power</p> Signup and view all the answers

    What did Langston Hughes criticize about the influx of white people into Harlem?

    <p>Their staring at black customers like amusing animals in a zoo</p> Signup and view all the answers

    What happened to other clubs in Harlem that adopted similar policies of exclusion?

    <p>They quickly lost business and folded up</p> Signup and view all the answers

    What did black performers like Howard Eugene (‘Stretch’) Johnson and Dempsey J. Travis reveal about their experience at the Cotton Club?

    <p>They were mistreated and experienced poor conditions</p> Signup and view all the answers

    Was the Cotton Club's segregation policy absolute?

    <p>No, black celebrities like Jack Johnson and Bill Robinson were admitted</p> Signup and view all the answers

    What did Abel Green's review claim about the black staff at the Cotton Club?

    <p>They displayed agency</p> Signup and view all the answers

    What was the reason behind the club's jungle-style music?

    <p>To appeal to white audiences</p> Signup and view all the answers

    Why is it important to locate black voices to gain a better understanding of the Cotton Club?

    <p>Black voices provide a more accurate representation of the black experience</p> Signup and view all the answers

    What was the main reason behind the Cotton Club's success?

    <p>Its policy of segregation</p> Signup and view all the answers

    Study Notes

    The Cotton Club was a famous nightclub located in Harlem that was active from 1923 to 1935. Despite being owned by white people, the club also had an undercurrent of agency from black people. This essay explores various aspects of the club and its relationship with black performers. Firstly, it highlights how black employees were mistreated by white owners. Secondly, it examines the "white gaze" and notions of exotica, and how black performers subverted this gaze to express themselves. Thirdly, it analyzes the policies of segregation at the club and in Harlem, but also argues that segregation could be flexible. Finally, it explores depictions of the Cotton Club in newspapers and briefly touches on black-owned clubs in Harlem and their association with the Cotton Club.

    Black performers at the Cotton Club were often exploited and mistreated by white owners and patrons. Memoirs by black performers like Howard Eugene (‘Stretch’) Johnson and Dempsey J. Travis reveal the poor conditions and mistreatment they experienced, with Johnson even likening the selection process of female performers to that of a slave market. The owners underpaid and overworked them, discouraged the use of the only female bathroom (reserved for white women), and placed them in unventilated dressing rooms. Travis even compared the club's owners to slave masters, describing how they 'chained' jazz musicians to the club. Duke Ellington was even forced to pay for his own replacement when he wanted to leave the club.

    However, some sources suggest that white patrons did not exploit or belittle black performers. A review by Abel Green in 1927 claimed that the black staff was not servile towards the white clientele and displayed agency. In Langston Hughes' autobiography, he criticized the influx of white people into Harlem, as they took up prime seats in nightclubs and stared at black customers like amusing animals in a zoo. This further contributed to white people believing that black people wanted them in Harlem.

    It is important to note that white authors present a different view of the Cotton Club compared to black authors. Black sources like Langston Hughes' The Big Sea and Stretch Johnson's memoir provide a more accurate representation of the black experience. This highlights the need to locate black voices to gain a better understanding of the Cotton Club.

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    Description

    How much do you know about the Cotton Club's relationship with black performers? Test your knowledge with our quiz! Explore the mistreatment of black employees, the subversion of the "white gaze," and the policies of segregation at the famous nightclub. Discover how black performers navigated a space that was owned by white people, and learn about the depiction of the Cotton Club in newspapers. Take the quiz and uncover the complex history of this iconic Harlem nightclub.

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