The Alchemist by Ben Jonson Quiz

Ancient natural philosophy and early chemistry seeking to transform base metals into gold and produce the elixir of life.

Legendary substance in alchemy thought to transmute base metals and create the elixir of life.

In alchemy, a substance that grants immortality.

A play by Ben Jonson exploring themes of deception, greed, and alchemy.

Two conmen in Jonson's play pretending to be alchemists.

The act of misleading or tricking someone.

The tendency to be easily deceived.

A movement challenging the Catholic Church's beliefs and practices.

English monarch who separated from the Catholic Church.

Major themes in The Alchemist involving immoral actions.

Transforming base metals into gold and finding the elixir of life.

Mythical alchemical substance creating gold and elixir of life.

Ben Jonson's play about deception and greed in London.

Conmen in "The Alchemist" posing as alchemists.

Tricking others, central theme of Jonson's play.

Easily deceived Londoners targeted in "The Alchemist".

Religious movement against the Catholic Church (1500s).

English king who separated from the Catholic Church.

"The Alchemist" explores deception, greed, alchemy.

Important themes involving immorality in the play

Jonson dedicates his play to Mary Wroth, comparing the value of artistic merit to religious sacrifice, emphasizing dedication over offering's value.

Jonson contrasts genuine art with deception, highlighting societal deception and the 'ambitious Faces of the time', who are less authentic with each disguise.

A patron of the arts, whose judgement Jonson values highly, she, and her father, Robert Sidney, are key figures.

Jonson's play is presented as a form of worship within a religious framework, implying a Protestant view.

Face is a conman, changing disguises and becoming less like himself with each transformation.

Subtle, a conman, falsely presents himself as an alchemist, deceiving others about alchemy powers.

Critics prioritize violent plays, valuing them over more refined art, according to Jonson.

Jonson distinguishes between plays expressing themselves regardless of fit and those offering more selectivity, emphasizing careful expression.

Jonson believes genuine artistic merit is rare and appreciated by those truly discerning, whereas, many plays fail to reach that standard.

Lovewit escapes the plague to the countryside, returning to find his butler, Face, running illegal cons from his house.

To turn base metals into gold and create a magic potion for immortality.

Mythical object in alchemy, thought to create gold and the elixir of life.

Ben Jonson's play displaying deception, greed, and alchemy.

Conmen who pretend to be skilled alchemists in the play, The Alchemist.

The act of misleading others, is central to the plot.

Londoners in the play are easily misled.

Religious movement against the Catholic Church in the 1500s.

English king who separated from the Catholic Church.

Deception, greed, alchemy, and religious views.

Themes about immoral actions are central to the story.

Jonson dedicates his play to Mary Wroth, comparing artistic merit to religious sacrifice, emphasizing dedication over offering's value.

Jonson contrasts genuine art with deception, highlighting societal deception and the 'ambitious Faces of the time,' who are less authentic with each disguise.

Mary Wroth, a patron of the arts, holds a valued judgement, as does her father, Robert Sidney.

Jonson's play is presented as a form of worship within a religious framework, implying a Protestant view.

Face is a conman, changing disguises and becoming less like himself with each transformation.

Subtle, a conman, falsely presents himself as an alchemist, deceiving others about alchemy powers.

Critics prioritize violent plays, valuing them over more refined art, according to Jonson.

Jonson distinguishes between plays expressing themselves regardless of fit and those offering more selectivity, emphasizing careful expression.

Jonson believes genuine artistic merit is rare and appreciated by those truly discerning, whereas, many plays fail to reach that standard.

Lovewit escapes the plague to the countryside, returning to find his butler, Face, running illegal cons from his house.