Textile Weaving Techniques Quiz

Simplest weave, warp and weft threads interlace alternately.

Maximum binding points; no stretch, doesn't fray much ; creases easily, less absorbent than other weaves, strong and hard-wearing, versatile.

Weave with diagonal lines; warp threads float over multiple weft threads.

Diagonal lines, varies in angle; each warp floats over at least two weft threads.

Diagonal lines run from right to left.

Diagonal lines run from left to right.

More intersections between warp and weft threads mean firmer/stronger woven fabric.

Plain weave used often in shirts, suits, and other garments; Twill used in pants, jackets, and other clothing.

Twill firmness is how strong or prominent a twill pattern is, determined by the number of intersections per unit area. More intersections mean a firmer weave.

In balanced twill, the numerator and denominator of the fraction (e.g., 2/2,3/3) are the same, meaning the warp overlaps and underlaps with an equal number of wefts.

In irregular twill, the numerator and denominator of the fraction (e.g., 3/2, 4/3) are different. This indicates the warp overlaps and underlaps with different numbers of wefts.

The repeat is the total number of warp/weft intersections needed for one complete pattern cycle of the twill. Found by adding the numerator and denominator of the twill fraction.

A twill where the warp threads are more visible than the weft threads.

A twill with weft threads more prominent than warp threads.

The length of a warp or weft thread passing over multiple picks (wefts) without crossing any warp or weft threads.

The twist of the yarn and the type of yarn (single or plied) affect how visible the twill pattern is. Coarser yarns with less twist create a more visible twill.

A repeated arrangement of warp and weft threads in weaving, creating the fabric's structure.

The position of the first warp yarn in a repeating pattern, determined by the 'move number'.

A number that determines the starting point of each subsequent warp yarn in a repeating weave pattern.

The number of warp threads that make up a repeating unit in a weave pattern.

Guidelines for choosing the 'move number' to create smooth, lustrous satin or sateen weaves. It should not be equal to, less than, a factor of, or a multiple of the repeat size.

A type of satin weave with a repeat of 5, where 4 warp threads are on top and 1 is underneath.

The process of placing warp yarns in the weave pattern based on the move number, creating vertical rows of the weave.

Starting from the first 'up' thread in the previous end, count up to the move number to determine the position of the next 'down' thread in the succeeding end.

A single thread that runs lengthwise in the fabric, forming the warp.

Indicates a warp thread that lies over the weft thread.

Indicates a warp thread that lies under the weft thread.

The sequence of warp ends that repeats to create the entire fabric pattern.

A type of satin weave where the warp and weft floats are arranged to create a distinctive diagonal pattern.

A sateen weave where one warp thread floats over four weft threads, repeated over five warp ends.

A complete cycle of the satin/sateen weave, including all up and down boxes in each end.

The number of boxes a warp thread floats over (or under) before interlacing with the weft in a specific direction.

A vertical column of boxes representing the weave structure in one direction.

Represents where a warp thread interlaces with the weft.

Represents where a warp thread floats over (or under) the weft, without interlacing.

A type of satin weave where the diagonal lines run from upper left to lower right.

A type of satin weave where the diagonal lines run from upper right to lower left.

A satin weave where the warp threads are more prominent on the fabric surface.

A type of satin weave where the warp threads float over different numbers of weft threads within the repeat, creating an uneven surface. Examples include 3/1 (4-End) Satin and 5/1 (6-End) Satin.

A type of sateen weave where the weft threads float over different numbers of warp threads within the repeat, creating an uneven surface. Examples include 1/3 (4-End) Sateen and 1/5 (6-End) Sateen.

A group of both warp and weft irregular satin and sateen weaves that have the same repeat length but different float configurations. For example, 3/1 (4-End) Satin and 1/3 (4-End) Sateen have the same repeat length of 4 but different float arrangements.

A category of fabrics characterized by their plain weave structure and a rough, nubby surface, often used in bags and upholstery.

The unique characteristics of plain stitched hopsack fabrics include a textured, uneven surface, a thicker feel, and a rugged appearance, created by the type of yarn used and the weaving method.