SPAB and the Great British Conservation Movement

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Questions and Answers

Why might the Society for the Protection of Ancient Buildings (SPAB) disagree with reusing materials from one historic building on another?

  • Reusing materials is not cost-effective due to transportation.
  • It disrupts the historical narrative and introduces confusion into the building's past. (correct)
  • It depletes the supply of materials available for new construction.
  • Reused materials are aesthetically inconsistent with the original design.

Which of the following scenarios best exemplifies the SPAB's principle of 'fitting new to old'?

  • Employing modern, universally sized bricks for efficiency in repairing a section of a historic wall originally built with non-standard brick sizes.
  • Using power tools to accelerate the process of integrating new electrical wiring into a historic building.
  • Carefully shaping a replacement timber to match the contours of an existing, irregular historic timber frame. (correct)
  • Leveling an uneven historic wall to ensure a flush fit with a new structural beam.

How does the SPAB approach view the role of 'essential work only' in the conservation of old buildings?

  • It suggests prioritizing aesthetic improvements to enhance the building's visual appeal.
  • It focuses on making the building conform to modern standards of comfort and energy efficiency, regardless of the impact on historic fabric.
  • It promotes a minimally interventionist approach, addressing only the most pressing issues to preserve the maximum historic fabric. (correct)
  • It advocates for extensive interventions to future-proof the building against all potential risks.

How does the SPAB's view of 'repair not restoration' differ from a purely restorationist approach to building conservation?

<p>The SPAB values the retention of historic fabric and the signs of age or past interventions, whereas restoration aims to return a building to a specific earlier state. (A)</p> Signup and view all the answers

According to the SPAB approach, what is the primary benefit of implementing a routine maintenance program for old buildings?

<p>It significantly reduces the likelihood of major, costly interventions and damage to the original material. (B)</p> Signup and view all the answers

What does the SPAB Approach suggest is a critical first step when a potential structural problem is identified in an old building?

<p>Monitoring, observing, and carefully assessing the issue over time before taking action. (B)</p> Signup and view all the answers

Why does the SPAB place such a high value on a historic building's 'fabric'?

<p>Because the fabric provides insight into the building's history, materials, and construction techniques. (C)</p> Signup and view all the answers

Why does the SPAB generally discourage moving old buildings to new locations?

<p>Because such moves disrupt the building's connection to its original context and community. (D)</p> Signup and view all the answers

How does the SPAB approach address the integration of new design with old buildings?

<p>It argues that new additions should be visually distinct and complement the existing structure without competing with it. (B)</p> Signup and view all the answers

What is the SPAB's position on the use of new repair methods and products in old building conservation?

<p>They should be approached with caution and only used after they have been thoroughly tested and proven effective. (B)</p> Signup and view all the answers

From the SPAB perspective, what is the long-term significance of undertaking emergency repairs on a historic building?

<p>Emergency repairs can buy time for a building, potentially allowing for a more viable and thoughtful repair solution in the future. (A)</p> Signup and view all the answers

What is the SPAB's view on the role of craftsmanship and practical knowledge in the conservation of old buildings?

<p>Craftsmanship and practical knowledge are critical, and those working on old buildings should have both conservation experience and a willingness to learn. (C)</p> Signup and view all the answers

How does the SPAB approach balancing the historic value of ruins with the potential for re-use?

<p>It generally opposes reconstruction if the ruin's state is reasonably stable and the reasons for ruination are historically significant. (A)</p> Signup and view all the answers

What is 'conservative repair' according to the SPAB, and how does it contrast with 'restoration'?

<p>Conservative repair aims to retain maximum historic fabric, intervention based on thorough investigation and understanding. Restoration seeks to return a building to a specific earlier appearance, potentially erasing changes. (A)</p> Signup and view all the answers

What is 'Respect for Age,' and how does it relate to building care?

<p>It means the patina of age, surface layers, and other qualities, all held in the building, deserve special consideration and thoughtful managment. (A)</p> Signup and view all the answers

Flashcards

Building Fabric

The material from which a building is constructed; the primary source of knowledge and meaning.

Regular Maintenance

Simple, frequent checks and minor works to slow deterioration and lessen the need for larger interventions.

Conservation Understanding

Understanding history, design, and construction before making any decisions.

Context and Continuity

Historic buildings have strong connections with their locality.

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Respect for Age

The patina of age that distinguishes old from new.

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Essential Work Only

Address problems only if they have a major effect on use or conservation.

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Repair, Not Restore

Focus on repairing existing fabric rather than recreating a past state.

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Conservative Repair

Retaining as much of a building's historic fabric as possible; based on thorough investigation.

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Fitting New to Old

Ensuring new additions or repairs fit seamlessly with the existing structure.

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Material Choice

Choosing materials that are compatible with the existing fabric of an old building.

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Proven Methods

Using techniques that have been proven effective over time.

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Craftsmanship

Work done by skilled people with conservation experience.

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Good New Design

Alterations should complement, not compete with, the existing building.

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Long-Term View

Taking a long-term view of a building's care and needs.

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Sustainability

Care, understanding, and conservative repair for future generations.

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Study Notes

  • According to Kevin McCloud, the Society for the Protection of Ancient Buildings acts as a wellspring of intellectual energy and passion for the Great British conservation movement.
  • The SPAB is over 140 years old and is admired around the world as a source of conservation thinking for built heritage.
  • The SPAB remains involved in challenges facing old buildings.
  • The Society's longevity is due to its founding philosophy that offers sustainable conservation ideas.
  • William Morris's Manifesto has enlightened those caring for old buildings since the Society's founding.
  • THE SPAB APPROACH re-presents and interprets the Manifesto for 21st-century audiences.
  • It provides guidance for building owners and professionals on repairing old buildings.
  • The Approach informs the Society's strategic direction, work, campaigning, training, and advice.
  • The SPAB's goal is to reach a broad audience to promote a line of thought that protects ancient buildings and preserves them for future generations.
  • THE SPAB APPROACH combines proven principles with practical repair techniques for building conservation.
  • It has influenced building conservation worldwide and supports UK heritage legislation.
  • The SPAB APPROACH began as a response against destructive work.
  • The principles promote the value and care of old buildings.
  • The SPAB takes a long-term view, urging consideration of the legacy for future generations.
  • John Ruskin inspired the SPAB's ideas.
  • In "Seven Lamps of Architecture" (1849), Ruskin opposed destructive work, like restoration, on old buildings.
  • Restoration, according to Ruskin, seeks to erase the history of a building.
  • William Morris and Philip Webb founded the SPAB and translated Ruskin's ideas into its Manifesto.
  • The Manifesto is a concise expression of SPAB conservation principles relevant today.
  • SPAB members have applied the Manifesto's ideas to the care of historic structures in the UK and beyond.
  • The SPAB was nicknamed 'Antiscrape' for rejecting the 19th-century fashion of removing historic surfaces.
  • Leaving the fabric of old buildings unaltered ensures history and character remain intact.
  • THE SPAB APPROACH is based on protecting the 'fabric' from which a building is constructed.
  • Building fabric is the primary source of knowledge and meaning.
  • Materials and construction methods illustrate changes in ideas, tastes, skills, and locality.
  • Fabric speaks of the passage of time and lives lived and wear and tear adds patination over time.
  • Concern for a building's protection ensures its survival for future generations.
  • THE SPAB APPROACH opposes Restorationist arguments and rejects arguments that original design is more important than surviving fabric.
  • Protecting fabric allows meaning and significance to be drawn from it by individuals and groups.

The SPAB Approach

  • The starting point for THE SPAB APPROACH is care and maintenance.
  • Maintenance helps slow deterioration and reduces the need for larger work campaigns.
  • Good maintenance involves checks and minor works like clearing gutters, fixing slates, or replacing putty.
  • Maintenance protects a building's historic and monetary value.
  • 'Stave off decay by daily care' is the most important message.
  • All conservation work requires knowledge and understanding to be well-considered.
  • The SPAB APPROACH calls for understanding history, design, and construction.
  • Changes, and the relative importance of elements, need exploration and assessment.
  • Understanding structural issues and monitoring them is vital.
  • Thought and investigation should come before action.
  • Old buildings have a strong connection with their locality.
  • This connection results from materials, techniques, people, and community.
  • Buildings age and weather according to site conditions.
  • The Society does not support moving buildings to new locations or reducing them to facades.
  • Repairs done in situ rather than in a workshop, ensure the maximum amount of existing fabric is retained.
  • The 'oldness' of a historic building is a precious quality.
  • The patina of age, those signs of age held in surfaces, deserve attention.
  • Examples of 'age' may be the undulations of old plaster of dips in the roof.
  • THE SPAB APPROACH encourages restraint.
  • Respect for the signs of age helps retain the integrity of the old building.
  • Thoughtful management and maintenance slow more harmful effects of decay.
  • Where no problems exist, old buildings are best left alone.
  • Problems need to be tackled with only essential work.
  • Restricting work helps ensure maximum survival of historic fabric and reduces effort and cost.

Repairs

  • Restoration seeks to turn back the clock and can be destructive.
  • Restoration might leave a building without signs of age or evidence of interaction with people.
  • Original design is not sufficient reason for erasing later change, especially if it has added to historic interest.
  • Damaged elements of a building do not necessarily need replacement unless there is a functional need.
  • Small-scale, localized reinstatement may be justified for well-considered reasons.
  • Reinstatement for tidiness or to recreate historic design is at odds with THE SPAB APPROACH.
  • THE SPAB APPROACH champions ‘conservative repair' not ‘restoration’.
  • Conservative repair retains as much historic fabric as possible.
  • It involves matching existing materials or using compatible alternatives.
  • Conservative repair is based on investigation and understanding of the building.
  • It requires careful planning and craft skills and a repairer to know when to intervene.
  • THE SPAB APPROACH calls for new work to be fitted to the old.
  • Modelling new work to fit the old is necessary to protect a building's fabric.
  • Materials need careful choice.
  • It is best for new materials to match the old and ensure compatibility.
  • Alternative materials may be more fitting and help distinguish new work.
  • Re-use of materials from other structures is generally not encouraged to avoid confusing history.
  • Salvaged materials are a finite resource and may result in damage to a building.
  • Traditional building materials help ensure continuing supply.
  • Techniques used should be tried and tested.
  • New techniques may become useful once proven but experimentation should not occur on old buildings.
  • Much effort is spent undoing misguided works of the past.
  • Skilful repair requires skilled people.
  • Simple workmanship can lend charm to simple structures

New Designs

  • The Society knows that old buildings may need alteration to remain useful.
  • The SPAB Manifesto argues it may be better to construct a new building if adaptation would damage the existing old one.
  • Sympathetic new works can allow continuing life for old buildings.
  • Additions are best when they complement what exists.
  • They should not compete with the old building in form or position, nor mimic the original.
  • They should fulfill modern needs in a way that respects the old building's form and context and should not harm the structure.
  • THE SPAB APPROACH involves a long term view of a building's care and needs.
  • The Society has seen examples where repair for re-use was considered unviable at a certain point in time, only to become more attractive later.
  • Many country houses were viewed as 'white elephants' but are now valuable.
  • Temporary repairs can buy time for a building by halting decay.
  • Consideration of the impact on treatment of old buildings on future generations is required.
  • THE SPAB APPROACH is about understanding, care and conservative repair and is a message of sustainability.
  • Protecting building fabric allows the stories and beauty embodied in old buildings to be enjoyed by generations.
  • The Society's founders concerned themselves with conservation theory and practice.
  • This interest has been carried out through the Society's members over many generations.
  • Passing on and developing knowledge is a vital part of THE SPAB APPROACH.
  • The Society seeks to help those entering conservation and all those who develop skills in old building care.
  • Ruins that are roofless and without active use can be picturesque and beautiful and may result from an important event.
  • The Society would not normally support reconstruction of ruins.

Society's Mission

  • The Society is the longest established building conservation body in the UK.
  • The Society is recognised for its knowledge base, training expertise, and promotion of the built historic environment's value.
  • The Society's mission to supply expertise that keeps old buildings useful, beautiful and part of people's lives
  • The Society is the most recognised organisation for building conservation knowledge and skills
  • The Society connects with all people who appreciate old buildings or care for them.
  • This is put into action through:
    • Campaigning for individual buildings and historic places through casework in the planning system.
    • Technical research and guidance, including the information service, advice line, publications, and appearances.
    • Training and courses for those involved professionally, and for owners and enthusiasts
    • Opportunities for involvement as a SPAB member through events, lectures, volunteering.

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