Untitled Quiz

Theatre movements and practices that emerged and developed after 1960, including Postmodernism, Performance Theory, and Existentialism.

A critical perspective that analyzes the breakdown of traditional structures and values in theatre.

A critical analysis of performance, focusing on how meaning is created through performance.

A philosophy focusing on individual existence and freedom in the face of meaninglessness.

A play focusing on the themes and issues of Theatre of the Absurd and Postmodernism.

A section of a curriculum covering critical perspectives and practices.

A formal assessment held outside of a class.

Questions requiring lengthy written responses, typically found in Unit II and III.

Theatre used for political purposes, often in campaigns, movements, or by political parties. It can range from community theatre to consciousness-raising by specific identity groups.

A type of political theatre that uses propaganda and agitation to promote a specific political agenda.

A theatrical form emphasizing raw emotions and direct sensory experiences to break down traditional theatrical conventions.

Avant-garde playwright and theorist, known for developing the Theatre of Cruelty.

A style of theatre that aims to recreate real life on stage, often focusing on realistic dialogue and settings.

A Jacobean tragedy often used as an example of the struggle against patriarchy and domination.

To dismantle traditional theatre conventions and confront audiences with raw, visceral emotions.

The Theatre of Cruelty emphasizes raw emotions and sensory experiences, while Naturalistic Theatre aims to mimic real life.

A theatrical device designed to constantly remind the audience that they are watching a play, preventing them from becoming fully immersed in the story.

The narrator directly addresses the audience, often revealing plot points before they happen, preventing emotional attachment to characters.

An actor breaks the fourth wall by stepping out of character, commenting on the scene or character in the third person.

Brecht encourages actors to speak the stage directions, distancing them from the character and highlighting the theatrical nature of the performance.

An actor directly speaks to the audience, breaking the fourth wall and making the audience aware of their presence.

A sign or piece of written information displayed on stage to provide additional information or disrupt the flow of the performance.

It challenges the audience to actively think and engage with the play, rather than passively accepting emotions.

To create a critical distance and ensure the audience remains aware of the theatrical nature of the performance, prompting them to actively analyze and reflect on the narrative.

A Marathi play by Vijay Tendulkar that exposes hidden cruelty and violence within the seemingly ordinary middle class.

A complex play by Vijay Tendulkar exploring the cultural and emotional upheavals within a family.

A significant movement in Marathi theatre where Vijay Tendulkar played a key role.

Traditional forms of theatre deeply rooted in rural Indian culture.

A traditional South Indian folk play used today as satire and social commentary.

A traditional street play form from South India, often used for social critique.

A broad style of music from the heart of India, drawing inspiration from tribal music.

Various styles of music, including Bhangra, Dandiya, Lavani, and Rajasthani, often based on dance.

A group of actors who arrive in the play, led by the Player. They offer their services, including sexual performances, for a fee.

The leader of the Tragedians. He negotiates with Rosencrantz and Guildenstern, offering their services in exchange for a fee.

Guildenstern mistakenly introduces himself as Rosencrantz, highlighting his confusion and disorientation.

The Player proposes various services, from dramatic performances to sexual acts, suggesting the Tragedians' flexibility and desperation for work.

Guildenstern and the Player engage in a series of coin tosses, which turn into a game of power and manipulation.

Guildenstern confidently claims victory without looking at the coin flip, showing his defiance and disregard for the game's rules.

Guildenstern proposes a new bet based on the Player's year of birth, suggesting an attempt to regain control and leverage his knowledge.

The Tragedians are presented as both skilled performers and morally ambiguous figures, willing to engage in various acts for money.

Hamlet is deeply troubled by his father's death, his uncle Claudius's usurpation of the throne, and Claudius's marriage to Gertrude.

They are sent by Claudius to observe Hamlet and report on his behavior. They are essentially spies, though they may not be entirely aware of their true purpose.

Hamlet arranges for a group of actors to perform a play that mirrors the events surrounding his father's death, hoping to expose Claudius's guilt.

Hamlet contemplates suicide as a way to escape his troubles, but ultimately decides against it.

Ophelia is a young woman who is deeply affected by Hamlet's behavior and her father's death. She becomes increasingly unstable and eventually loses her mind.

The Player is a member of the troupe of actors who perform the play within a play. He is a skilled actor and observer of human nature.

The play within a play deeply unsettles Claudius, who is visibly shaken by its content, as it reveals his guilt.

They are ultimately caught in Hamlet's schemes and likely end up dead, as their actions are fueled by Claudius's plot against Hamlet.