Prokofiev Classical Symphony Flashcards

Study Notes

Movement 1 - Form

Sonata form structures the movement, beginning with an exposition that introduces the first subject.
Second subject presented at figure 6, development seen at figure 15, followed by recapitulation at figure 20 and coda at figure 27.

Movement 1 - Instrumentation

Utilizes classical orchestration techniques, adhering to traditional orchestral arrangements.

Movement 1 - Melody

Opening features semi-quavers in violins, creating an energetic 'con brio' feel.
Thematic ideas elaborated, with varied dynamics across phrases.
Notable imitation occurs between flute and oboe at figure 2; repetition and sequence developed from figure 13.
String and woodwind unison prevalent, particularly visible in figure 15 with syncopated effects.

Movement 1 - Harmony

Initiates in D major, abruptly modulates to C major at figure 1, displaying a constant modulation technique.
The second idea retains D major but transitions to A major for the second subject before rapid modulation occurs.
Development occurs in D minor and includes a Neapolitan flattened 6th at figure 13, showcasing modern harmonic elements.

Movement 1 - Technique

Incorporates time signature changes influenced by 20th-century styles.
Features double stops in strings, creating a rich texture.

Movement 2 - Structure/Form

Follows a ternary form with a 4-bar introduction.
Sections consist of A (beginning), B at figure 32, and a return to A at figure 35, culminating in a coda.

Movement 2 - Melody

Begins with pulsing quavers in strings, showing antecedent and consequent phrasing.
Staccato motifs in the B section contrast with longer phrases and counter-melodies returning from figure 34.
Incorporates 8-bar phrasing and a consequent movement driven by semi-quavers.

Movement 2 - Harmony

Established in A major with conventional harmonic structures; shifts to C major after figure 33.
Modulates to F# minor at figure 36, indicating relative minor harmony.

Movement 2 - Technique

Violins explore a higher register early on, breaking from classical tradition.
The texture is homophonic, creating an insistent yet tranquil sound in the B section.

Movement 3 - Structure/Form

Presents a ternary form; the A section initiates from bar 1.
The B section begins from figure 43, with a return to A at figure 45.

Movement 3 - Melody

Features a rustic theme with manageable 4-bar melodies in the B section.
Counter-melodies emerge in the oboe before the repeat of section A.

Movement 3 - Harmony

Dominated by octave leaps; shifts from D major to G major in the first 4 bars before returning to D major.
The B section maintains G major with open 5ths and pedal notes.

Movement 3 - Technique

Gradual introduction of orchestral sections throughout the movement to enhance textural complexity.

Movement 3 - Rhythm

Many phrases initiated with anacrusis, contributing to the forward momentum of the rhythm.

Movement 4 - Structure/Form

Rooted in sonata form, starting with exposition from bar 2.
First subject spans bars 1-42, followed by a bridge passage at figure 52 and second subject at figure 56.

Movement 4 - Melody

Characterized by a romantic, fast-paced, and intricate theme; begins with D major arpeggios.
Development integrates elements from earlier subjects and features a layering technique in figure 59.

Movement 4 - Harmony

Built around primary chords (1, 4, and 5), reinforcing the traditional harmonic foundation of the movement.

Description

Explore the key components of Movement 1 from Prokofiev's Classical Symphony with these flashcards. Each card delves into important aspects such as form, instrumentation, and melody, providing essential insights for music students. Perfect for quick revision and deeper understanding of this classical work.

Prokofiev Classical Symphony Flashcards

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Questions and Answers

What is the form of Movement 1?

What type of orchestration is used in Movement 1?

What characterizes the melody in Movement 1?

What is the starting key of Movement 1?

What technique is notable in Movement 1?

What form does Movement 2 take?

What is a key melodic feature in Movement 2?

What is the key signature during the A section in Movement 2?

What technique is highlighted in Movement 2?

What structure does Movement 3 follow?

What musical element is predominant in Movement 3's harmony?

What notable technique is used throughout Movement 3?

What is notable about the rhythm in Movement 3?

What form does Movement 4 take?

What describes the melody in Movement 4?

What harmonic structure is utilized in Movement 4?