Popular Culture and Hegemony

According to hegemony theory, popular culture is marked by a process of articulation alone.

The concept of 'articulation' in hegemony theory refers only to the act of expression.

The Conservative Party political broadcast attempted to articulate socialism as a movement concerned with individual freedom.

Feminist presses have only published romance fiction.

Hegemony theory suggests that cultural struggle only takes place between different social groups.

Chantal Mouffe's work does not relate to the concept of hegemony in cultural studies.

Popular culture is solely a creation of the ruling class for ideological manipulation of the subordinate classes.

The concept of hegemony is only applicable to class conflict in popular culture.

Hegemony is a state of complete domination by the ruling class over popular culture.

Popular culture is characterized by a clear distinction between dominant and subordinate cultures.

Hegemony theory suggests that popular culture is strictly a reflection of dominant ideology.

The concept of hegemony is limited to the analysis of popular culture.

Raymond Williams' concept of 'dominant', 'emergent', and 'residual' moments refers to the various stages of a text's production.

Hall's theory of reading positions is based on the idea that readers can only adopt one fixed position while reading a text.

David Morley's modification of the model considers the discourses of the text as separate from the discourses of the reader.

Theories of popular culture are primarily concerned with the study of cultural artifacts.

Hegemony theory suggests that popular culture is a reflection of a unified, dominant cultural force.