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Questions and Answers
In Blake's 'London,' the phrase 'mind-forg'd manacles' most likely symbolizes:
In Blake's 'London,' the phrase 'mind-forg'd manacles' most likely symbolizes:
- Self-imposed limitations and societal constraints that oppress individuals. (correct)
- The literal shackles worn by criminals in London.
- The mental fortitude required to survive in a challenging urban environment.
- Physical chains and restraints imposed by the government.
Wordsworth's 'Composed upon Westminster Bridge' contrasts with Blake's 'London' primarily in its:
Wordsworth's 'Composed upon Westminster Bridge' contrasts with Blake's 'London' primarily in its:
- Use of complex metaphors and symbolism.
- Depiction of social injustice and inequality.
- Focus on the negative aspects of urban life.
- Overall tone and perception of the city. (correct)
In 'London, 1802,' Wordsworth invokes Milton to:
In 'London, 1802,' Wordsworth invokes Milton to:
- Criticize Milton's outdated poetic style.
- Compare contemporary London to Milton's London.
- Celebrate London's historical literary figures.
- Lament the decline of England's moral and societal values. (correct)
Wordsworth's 'The Prelude, Book Seventh' uses the glow-worm as a symbol of:
Wordsworth's 'The Prelude, Book Seventh' uses the glow-worm as a symbol of:
The description of 'Sadler's Wells' in 'The Prelude, Book Seventh' primarily serves to illustrate:
The description of 'Sadler's Wells' in 'The Prelude, Book Seventh' primarily serves to illustrate:
In 'The Prelude, Book Seventh,' Wordsworth's encounter with the blind beggar primarily evokes:
In 'The Prelude, Book Seventh,' Wordsworth's encounter with the blind beggar primarily evokes:
Bryant's 'Hymn of the City' differs from Blake's 'London' and Wordsworth's 'London, 1802' in its:
Bryant's 'Hymn of the City' differs from Blake's 'London' and Wordsworth's 'London, 1802' in its:
The phrase 'City of the Big Shoulders' in Sandburg's 'Chicago' is primarily intended to convey:
The phrase 'City of the Big Shoulders' in Sandburg's 'Chicago' is primarily intended to convey:
Sandburg's use of contrasting descriptions of Chicago ('wicked' and 'laughing') aims to:
Sandburg's use of contrasting descriptions of Chicago ('wicked' and 'laughing') aims to:
In 'The Harbor,' Sandburg contrasts the 'huddled and ugly walls' with:
In 'The Harbor,' Sandburg contrasts the 'huddled and ugly walls' with:
Pound's 'In a Station of the Metro' uses the image of 'petals on a wet, black bough' to represent:
Pound's 'In a Station of the Metro' uses the image of 'petals on a wet, black bough' to represent:
Which poem most directly critiques social injustice and the suffering of the vulnerable in London?
Which poem most directly critiques social injustice and the suffering of the vulnerable in London?
Which poem presents a predominantly positive and idealized view of a city?
Which poem presents a predominantly positive and idealized view of a city?
Which of the following best describes the speaker's emotional state in Blake's 'London'?
Which of the following best describes the speaker's emotional state in Blake's 'London'?
In 'London, 1802', what is 'England' compared to?
In 'London, 1802', what is 'England' compared to?
The 'roar' that Wordsworth describes in 'The Prelude, Book Seventh' primarily symbolizes:
The 'roar' that Wordsworth describes in 'The Prelude, Book Seventh' primarily symbolizes:
What is the significance of the 'charter'd street' and 'charter'd Thames' in Blake's 'London'?
What is the significance of the 'charter'd street' and 'charter'd Thames' in Blake's 'London'?
In 'Hymn of the City', what is presented as 'speaking of thee' (God)?
In 'Hymn of the City', what is presented as 'speaking of thee' (God)?
Sandburg's 'Chicago' uses personification to portray the city as:
Sandburg's 'Chicago' uses personification to portray the city as:
The 'apparition' in 'In a Station of the Metro' implies:
The 'apparition' in 'In a Station of the Metro' implies:
Which poem uses the literary device of apostrophe, directly addressing a person or entity not present?
Which poem uses the literary device of apostrophe, directly addressing a person or entity not present?
In 'The Prelude, Book Seventh', Wordsworth describes London as 'that concourse of mankind' suggesting:
In 'The Prelude, Book Seventh', Wordsworth describes London as 'that concourse of mankind' suggesting:
The 'Marriage hearse' in Blake's 'London' is an example of:
The 'Marriage hearse' in Blake's 'London' is an example of:
What is the primary setting of Wordsworth's 'Composed upon Westminster Bridge'?
What is the primary setting of Wordsworth's 'Composed upon Westminster Bridge'?
In 'Chicago', Sandburg uses a list of professions (Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads) to:
In 'Chicago', Sandburg uses a list of professions (Hog Butcher, Tool Maker, Stacker of Wheat, Player with Railroads) to:
The 'fluttering storm of gulls' in 'The Harbor' can be interpreted as a metaphor for:
The 'fluttering storm of gulls' in 'The Harbor' can be interpreted as a metaphor for:
Which of these poems is written in free verse, without a regular rhyme scheme or meter?
Which of these poems is written in free verse, without a regular rhyme scheme or meter?
The 'smokeless air' in 'Composed upon Westminster Bridge' is significant because it:
The 'smokeless air' in 'Composed upon Westminster Bridge' is significant because it:
In 'London (Blake)', 'Every blackning Church appalls' suggests:
In 'London (Blake)', 'Every blackning Church appalls' suggests:
Wordsworth’s 'The Prelude, Book Seventh' primarily explores:
Wordsworth’s 'The Prelude, Book Seventh' primarily explores:
Flashcards
What does "charter'd" mean in the poem 'London'?
What does "charter'd" mean in the poem 'London'?
Streets and the River Thames are controlled and restricted.
What is the overall mood of Blake's 'London'?
What is the overall mood of Blake's 'London'?
Shows a bleak and despairing view of London.
What is a key theme in 'London'?
What is a key theme in 'London'?
People in power are exploiting the vulnerable.
What does the 'Infants cry of fear' represent?
What does the 'Infants cry of fear' represent?
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What is the speaker's attitude toward London?
What is the speaker's attitude toward London?
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How does Wordsworth describe London in the morning?
How does Wordsworth describe London in the morning?
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Why does Wordsworth invoke Milton in 'London, 1802'?
Why does Wordsworth invoke Milton in 'London, 1802'?
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According to Wordsworth, what problems plague England?
According to Wordsworth, what problems plague England?
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What is 'Residence in London' about?
What is 'Residence in London' about?
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The Prelude explores what about London?
The Prelude explores what about London?
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What is the symbolic importance of the blind beggar?
What is the symbolic importance of the blind beggar?
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What is the core message of The Prelude?
What is the core message of The Prelude?
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In 'In a Station of the Metro,' what do the faces in the crowd represent?
In 'In a Station of the Metro,' what do the faces in the crowd represent?
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What is the core imagery in 'In a Station of the Metro'?
What is the core imagery in 'In a Station of the Metro'?
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How does Sandburg portray Chicago?
How does Sandburg portray Chicago?
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What does the phrase "Hog Butcher for the World" symbolize?
What does the phrase "Hog Butcher for the World" symbolize?
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What contrast is present in the poems 'Chicago' and 'The Harbor'?
What contrast is present in the poems 'Chicago' and 'The Harbor'?
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Harbor uses what imagery?
Harbor uses what imagery?
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What is the central idea of 'Hymn of the City'?
What is the central idea of 'Hymn of the City'?
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What aspects of the city does Bryant celebrate?
What aspects of the city does Bryant celebrate?
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Study Notes
"London" by William Blake
- The speaker walks through London's streets, noting marks of "weakness" and "woe" on people's faces
- Hears cries of men and infants and the metaphorical "mind-forged manacles
- Details the chimney-sweepers cry
- Describes how the "blackning Church appalls" and the "hapless soldiers sigh"
- Blood runs down palace walls
- Midnight streets echo with the curses of youthful harlots
- These curses ruin new-born infants, causing plagues on the "Marriage hearse"
"Composed upon Westminster Bridge, September 3, 1802" by William Wordsworth
- The poem describes a beautiful morning scene in London from Westminster Bridge
- The speaker declares the Earth has nothing fairer to show
- The city wears "the beauty of the morning" like a garment
- Ships, towers, domes, theaters, and temples are visible in the smokeless air
- The sun beautifully illuminates the valley, rock, and hill
- The speaker expresses a deep sense of calm
- The river flows at its own pace
- The houses seem asleep and the "mighty heart" of the city is still
"London, 1802" by William Wordsworth
- The speaker calls for Milton to be alive
- England is described as a "fen of stagnant waters" that needs guidance
- The English people have lost their "ancient dower of inward happiness"
- The speaker asks Milton to "raise us up" and restore "manners, virtue, freedom, power"
- Milton's soul was like a "Star"
- Milton had a powerful voice like the sea
- Milton was pure, majestic, and free
- Milton lived a life of cheerful godliness
- He devoted himself to the "lowliest duties"
From The Prelude, Book Seventh, "Residence in London"
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Six years have passed since the poet first felt inspired by the city after leaving its walls
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The initial "short-lived transport" faded, but now the poet resumes, thanks to a natural sign
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The poet recalls a choir of redbreasts that announced the end of winter
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The poet associates with these birds and finds another sign in a glow-worm, "clear-shining, like a hermit's taper" in a forest
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Returning to London
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The poet has left behind the sheltered life of academia
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Free from personal ambition, the poet comes to London
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The poet remembers shock of the city's first presence three years prior
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The poet is now fixed amidst mankind
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Pleasure is incessant, life and labor become one
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The poet is an idler, living cheerfully with youthful affection
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Simplistic beliefs of London are held by a chain of delight.
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Recalling a boyhood friend, a cripple, whose trip to London sparked great curiosity
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The poet's questioning of him revealed a gap between imagination and reality
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Imagines mitred prelates, lords in ermine, the King, the King's Palace, and the Lord Mayor, like legendary Whittington
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The impossibility of knowing one's neighbors is depicted
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London offers Vauxhall and Ranelagh with "green groves, wilderness of lamps...fireworks magical..."
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High society is under splendid domes, dancing or singing
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There are permanent marvels of London such as: the bridged River, the dizzy reach and Whispering Gallery of St. Paul's, the tombs Of Westminster, the Giants of Guildhall
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Those bold imaginations vanished, replaced by others
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The poet now looks upon the living scene and peruses it familiarly, despite disappointment
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Submitting courteously as a tax paid by prescriptive right
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Imagines, "monstrous ant-hill on the plain," or endless stream of men
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Everyday appearance strikes with wonder and awe on strangers
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A quick dance Of colors, lights, and forms, and deafening din
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Those coming and going, face to face, and string of dazzling wares
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Here fronts of houses look like title pages, and feature letters huge inscribed from top to toe
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"Allegoric shapes, female or male Or physiognomies of real men, Land-warriors, kings, or admirals of the sea, Boyle, Shakspeare, Newton, or the attractive head Of some quack-doctor, famous in his day"
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Meanwhile the roar continues, escapes from enemy
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The poet turns abruptly into sequestered nook
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There is English ballad-singer. Private courts, Gloomy as coffins, and unsightly lanes
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The shrieking tradeswomen "may entangle our steps," and lead unawares To regions, and inviolate
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The poet is conducted to privileged regions, where lawyers have airy lodges
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Those men look out on waters, walks, and gardens green
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The poet reaches some half-frequented scene, that brings straggling breezes and wider streets.
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Files of ballads dangle from dead walls, with giant-sized advertisements
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One is perhaps one in masquerade if fronted by most imposing word
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On the broadening causeway is a face that is red and hard
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There is also a traveling cripple cut short by the trunk
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Chalk inscriptions on smooth flint stones portray: the nurse, the bachelor, the military idler, and a dame
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Then, returning homeward through the hubbub, a begging scavenger, Italian man, and steadies for-seen
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the poem surveys: the Jew, stately and slow-moving Turk.
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Enough to say, without thinking minds, there is pleased to have noted specimens of man
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"Each colour bestows, and every character in face and form: The Swede, the Russian....Hunter-Indian....Lascar, the Tartar, the Chinese"
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This is a review of the sights found from day to day
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These strange plants and beasts are viewed indoors in many natures.
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The mirror of land expresses the ape of absolute reality
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There is no subtlest of craft, but imitations of loves and weaknesses
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Whether a painter takes in a horizon, acting on power
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Images are that of Angels, spirits fixed aloft a lofty pinnacle
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"They'are life-like mockery, on waters in a ship with a world behind, above, beneath"
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Exact scale in model, wood or clay; blended colours, is also borrowed
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Those miniatures are of famous churches, that can inspire
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One choice of vision is of; the Sibyl's Temple that is mouldering away on top.
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Villa and cottage can still be found. All that a landscaper sees is put here
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All is but a stone's scratch, a tuft, or a minute"
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Added onto this are exhibitions with: music with men living to be seen, or a pantomimic
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Mention by its name, like rural Saddler's Wells?
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The youth can never be less pleased, for he sits and watches on what must add
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There are clowns, conjurors, harlequins, giants and dwarfs
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watching nature can be a great task, learning through taught minds
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There is an attempt to to tell, on an obstinate day, how far to travel
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A scene in the scene; Jack the Giant killer is on what is the Stage
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He walks as the Delusion would like him, unseen.
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His bold garb the delusion wears is black, and invisible burns
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"Here, too, were 'forms and pressure of the time'"
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rough, bold, or art in young Greece; living dramas
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Recent with life is the sea: fight, wreckage, incident domestic divulged through fame.
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Such brotherhood as set-forth, serious themes in place
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Maiden Buttermere, with faithless husband-killer who wooed
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Bringing thee needs moment back. serving at inn
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With admiration being stricken, is modest mien
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Her discretion have observed over some time
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And tribute to the memoire has thy image rose'
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A new born, fearless is like the the lamb
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driven driven driven
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The youth is thinking through those days still simple which seem now
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The center of which is a boy, whose age is 6 months, has been of age
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To deal about or prattle; such child beautiful is clung or loved
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There too the stature tall, also there stood mother; beside what the infant could
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false accords were flared with Reserve is what's not said
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the pride or all placer Lookon
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There aliens casted or scattered down the clouds
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Vigure and Limb of summer rose
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parts were blown, child; that's nature favored
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What child refreshment placed to fill?
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Then there comes to what's the oaths by birds that have had flight
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What spirit may have preferred fair
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Mary is there. the tides keep rolling on
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there has hardly told what's from then and there
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From southward traveling, the woman first utters such Blesphemy'
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Abandoned opened it at vice; what humanity cannot be touched but shuddered"
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later come the sadder; such overthrows
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The sorrow stopped them, not farther
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Let is take our arguments less moved
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What passtime would have been weighed, that are casual'
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Power in Siddons to have passion's measured and set
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Such mean upholstery could have animation
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Through scene, advance Radiant dame over forest
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The courts have men for judges, who have brawl in what is that stage
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that that men what hearts do is such is that admired and envied
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Orator yoked Hours to Charriot where had heard one
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All of those are charmed and astonished
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But if the youths have had to have been told with great tongue seduction Burke
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Ingenuous what to say; bewildered, the pen is being tried to forgive!
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What tongue could have been heard and known better in age than this? what oak started what stag could've told and brought to such awe?
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System with Launches denounces,
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The Majesty says those Institutes is Holy/Hallowed, time's decrees; what Customs can endear?
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Wisdom breaks such Goddess, when Jove tells others with light
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With armor Startling. In the Synod who?
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What Pulpit oratory fails to? uninspired?
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what awful things could have been told by tongues through souls, and power endowed?
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place harangues or what bachelor have come?
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Isaisah, job, Shakespeare; bard
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truth comes streaming"
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To glance the few marks of Hall, court theater
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to have a candidate looked at pedestal of what the regard is. but the list is there never to end
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Though well pleased hunt
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reading book quicky and eye
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to-morrow for look
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The individual sits there still who has no common produce
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to be had through foil through such more
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what has made will one feel
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upon stone that he is in what is what silence the air
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the sun is up the child is held
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love is such for the poor
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the black mountain would have been something like so there and beyond
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The light has fermenting mass in set. The heart is what has the love.
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That I have saw said crowd
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When whither what's thoughts? as they feel. or has what that
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Sight has had what rare a view
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With his, and all. That world, who, etc?
The heart has built what mainly the things that she has made possession What's deep could have come
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Then stands all day? what locks the grave?
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then heaven with street? deserts?
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such fear has what listen?
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is fair the thing of the Bartholomew!
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if man lays it's complete power will imploring and say?
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What's Barbarian there; like a din
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space may be everytwinkling
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monkey dangle. that's the prodigies
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What's necks! The crowd will stretch or strain, or even crack the voice
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What's negro is the timbrel
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Albinos and Dwarfs, or even the what man feats? what
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Women and children, even babieis arms are jumbled. Monsters Booth are for many
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Blank for confusion! it is what is city's thousands are reduced and the lack Law
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What minds what labour must under when oppressed!
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sight still sight manageable? What part What is a whole?
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what nature education? Where attention? What streams? Power? Thoughts? Indian?
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As the eye is met! What zone propels? Where is beauty?
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The aspects come!
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to soul views set? What virtue's the like? What? A thought? Or aid to make to Freedom?
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this did have I, in London! beauty diffused
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then self destroyed what is what has the thing 770: balance comes
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