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Questions and Answers
What does the term 'Adavu' specifically refer to in dance?
What does the term 'Adavu' specifically refer to in dance?
Which of the following is NOT a type of Abhinaya?
Which of the following is NOT a type of Abhinaya?
What is primarily conveyed through Angika Abhinayam?
What is primarily conveyed through Angika Abhinayam?
How are Adavus typically practiced in dance training?
How are Adavus typically practiced in dance training?
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In the context of Abhinaya, what does 'Sattvika' refer to?
In the context of Abhinaya, what does 'Sattvika' refer to?
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What role do rhythmic syllables play in Adavus?
What role do rhythmic syllables play in Adavus?
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Which of the following best defines 'Nritta' in the context of dance?
Which of the following best defines 'Nritta' in the context of dance?
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Which component is NOT considered one of the Angas in dance?
Which component is NOT considered one of the Angas in dance?
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What is the significance of the fourth Vritti, Kaisiki, in Natya?
What is the significance of the fourth Vritti, Kaisiki, in Natya?
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Which sage was entrusted with vocal music in Natya?
Which sage was entrusted with vocal music in Natya?
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What is the play 'Asuraparajayam' about?
What is the play 'Asuraparajayam' about?
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Who taught the Natya Sastra to Bharatamuni?
Who taught the Natya Sastra to Bharatamuni?
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What type of theater was initially troubled by demons during 'Asuraparajayam's production?
What type of theater was initially troubled by demons during 'Asuraparajayam's production?
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Which modes of expression were initially used by Bharatamuni for play production?
Which modes of expression were initially used by Bharatamuni for play production?
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Who created the twenty-four Apsaras for the Kaisiki Vritti?
Who created the twenty-four Apsaras for the Kaisiki Vritti?
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What were the names of the two plays presented at Kailasa by the divine troupe?
What were the names of the two plays presented at Kailasa by the divine troupe?
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Which of the following is not considered an Anga?
Which of the following is not considered an Anga?
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What is the meaning of 'Griva' in the context of body parts?
What is the meaning of 'Griva' in the context of body parts?
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Which of the following correctly describes Upaangas?
Which of the following correctly describes Upaangas?
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Which of these is a Pratyanga?
Which of these is a Pratyanga?
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What is the meaning of 'Patākā' in Asamyutha Hastas?
What is the meaning of 'Patākā' in Asamyutha Hastas?
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Which classical dance form is traditionally associated with Devadasis in Hindu temples of South India?
Which classical dance form is traditionally associated with Devadasis in Hindu temples of South India?
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What is the primary theme of the Kuchipudi dance-drama?
What is the primary theme of the Kuchipudi dance-drama?
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Which of the following is an example of an Asamyutha Hasta?
Which of the following is an example of an Asamyutha Hasta?
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How many Upaangas are listed in the content?
How many Upaangas are listed in the content?
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Which dance form is known for having three distinct gharanas?
Which dance form is known for having three distinct gharanas?
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Which body part corresponds to 'Hanu'?
Which body part corresponds to 'Hanu'?
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Odissi dance is a blend of which two traditional styles?
Odissi dance is a blend of which two traditional styles?
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Which ancient text mentions Odissi as Audramagadhi?
Which ancient text mentions Odissi as Audramagadhi?
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What is a common characteristic of Bharatanatyam?
What is a common characteristic of Bharatanatyam?
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Who played a significant role in systematizing Kuchipudi as a solo dance form?
Who played a significant role in systematizing Kuchipudi as a solo dance form?
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The dance form Kathak evolved primarily during which historical period?
The dance form Kathak evolved primarily during which historical period?
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What does 'Ardha Chandra' translate to in English?
What does 'Ardha Chandra' translate to in English?
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What is the meaning of 'Mushti'?
What is the meaning of 'Mushti'?
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Which term describes 'Swan’s wing'?
Which term describes 'Swan’s wing'?
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What does 'Chandra Kala' refer to?
What does 'Chandra Kala' refer to?
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Which of the following represents the 'Lion’s face'?
Which of the following represents the 'Lion’s face'?
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What does 'Padma Kosha' literally mean?
What does 'Padma Kosha' literally mean?
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What is described by the term 'Thamrachooda'?
What is described by the term 'Thamrachooda'?
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What does 'Brahmara' refer to?
What does 'Brahmara' refer to?
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Study Notes
Creation of Natya
- Brahma meditated on the four Vedas to create the Fifth Veda.
- Pathya (speech) comes from Rigveda, Gana (music) from Samaveda, Abhinayam (expression) from Yajurveda, Rasa (emotion) from Atharvana Veda.
- The outcome, Kridaniyakam, is known as Natya, which refers to staged plays based on historical and mythological stories.
Natya Sastra
- Contains regulations for writing and producing plays.
- Provides guidance for playwrights and actors.
- Taught by Brahma to Bharatamuni, who then educated his hundred disciples, known as Bharatas or Bharataputras.
Modes of Expression
- Three initial Vrittis (modes of expression) were Bharati (speech), Arabhati (virile), and Satwati (emotional).
- Bharatamuni requested the creation of the fourth Vritti, Kaisiki (graceful expression), which Brahma fulfilled by creating 24 Apsaras.
- Vocal music was entrusted to sage Narada and instrumental music to sage Swati.
First Performance
- The divine troupe’s initial play, Asuraparajayam (the defeat of demons), was interrupted by angry demons but later performed successfully in a closed theater.
Presentation to Shiva
- The troupe performed two plays for Lord Shiva: Amritamadhanam and Tripuradaha.
Classical Dance Forms
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Bharatanatyam: Originated from Tamil Nadu, previously known as Sadir, performed by Devadasis in Hindu temples. Dates back to the 2nd century B.C. It follows conventions outlined in Natya Shastram and Abhinaya Darpanam.
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Kuchipudi: Developed in Andhra Pradesh by Siddhendra Yogi. Historical sources trace its origins to the 15th century. Primarily a dance-drama style, it gained popularity for Bhama Kalapam.
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Kathak: North Indian dance form, derived its name from Kathakaars (storytellers). Evolved during the Bhakti movement and flourished in Mughal courts. Features three gharanas: Lucknow, Jaipur, and Benaras, focusing on the life of Krishna.
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Odissi: Originating from Odisha, combines Mahari (devadasis) and Gotipua styles. Mentioned in the Natya Shastra. Used to be part of worship at Jagannath temples, emphasizing Bhakti Ras.
Adavu
- Fundamental rhythmic movements representing basic dance steps.
- A dance unit consisting of coordinated movements of body parts, taught at the start of dance training.
Abhinaya
- Represents the act of conveying drama to an audience, divided into four types:
- Angika: Body expressions.
- Vachika: Speech expressions.
- Aharya: Costume and makeup expressions.
- Sattvika: Emotional expressions.
Body Divisions in Dance
- Angas: Major body parts including Siras (head), Hastas (hands), Vaksha (chest), among others.
- Upangas: Minor parts, including Drishti (eyes), Bhru (eyebrow), and Nasika (nose).
- Pratyangas: Additional body parts like Skanda (shoulder) and Janu (knee).
Hastas (Hand Gestures)
- Asamyutha Hastas: Single hand gestures, including Pataka (flag) and Mayura (peacock).
- Samyutha Hastas: Double hand gestures like Anjali (salutation) and Shakti (power).
These notes capture essential elements of Natya, classical dance forms, and key terminologies related to Indian dance.
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Description
Explore the fascinating creation of Natya, the fifth Veda that encompasses dramatic arts. Learn about its origins from the four Vedas and the structure outlined in the Natya Sastra, including guidance for playwrights and performers. Discover the modes of expression and the inaugural performance led by divine figures.