Modern Architecture and Design Principles Quiz

An artistic style that emerged in the late 19th century, characterized by a combination of natural and organic forms, flowing lines, and flattened surfaces inspired by plants, flowers, and other natural elements.

A fundamental principle of Art Nouveau, where the design of an object, element, or form directly relates to its function. Ornamentation is not simply added but serves a purpose, becoming an integral part of the form.

The intentional use of empty spaces within a design, creating visual balance and enhancing the overall aesthetic effect.

A key concept in Art Nouveau that emphasizes the interconnectedness and relationship between multiple elements and forms within a space.

The deliberate creation of visual contrast between positive and negative space, light and dark, color and texture, to create a dynamic and visually engaging composition.

The process of shaping and organizing a design element, focusing on its structure rather than superficial decoration.

A Belgian architect and designer known for his contributions to Art Nouveau and the development of modern design principles.

A foundational school of architecture, design, and art in Weimar, Germany, which strongly influenced the development of modern design.

The belief that the aesthetic value of an artwork should reflect the joy and dedication involved in its creation.

A key concept in van de Velde's philosophy of art, it emphasizes a stripped-down, pure approach to design, focusing on essential elements.

The idea that beauty arises from the truth of a structure, particularly the honest expression of materials and construction.

The idea that design should be functional and serve a purpose, with a system of forms that clearly reveals its structure.

The concept of using materials and their properties as the basis for design, allowing the material's characteristics to shape the form.

The process of stripping away unnecessary ornamentation, emphasizing the inherent beauty of the material and the structure.

The exposure of the structural framework of a building, revealing its skeletal structure and making it visually apparent.

A style of architecture that emphasizes structural logic and the use of iron, often seen in bridges and railway stations.

The study of traditional, local forms of architecture, often found in rural houses or vernacular buildings.

Loos argued that 'art' should be reserved for monumental architecture and free creation, not for objects of everyday use.

According to Loos, architecture that embodies a culture's shared history and memory, like monuments and tombs, is considered 'art.'

Loos believed that free creation, which is not bound by social responsibilities, allows artists to express ideas and critique society.

This principle suggests that objects designed for practical purposes (like furniture or tools) do not qualify as 'art' according to Loos.

Loos rejected the use of ornamentation in everyday objects, viewing it as a sign of 'crime' against the purity of form and function.

A design philosophy where all aspects of a building, from its architecture to its furniture and furnishings, are considered as a unified whole. It emphasizes consistency of style and a seamless integration of form and function.

This movement emerged in the late 19th and early 20th centuries as a reaction against the historicism of the Victorian era. Its emphasis was on form and functionality, often showcasing clean lines, geometric shapes, and a minimalist approach to decoration.