PT101 Module 10 (2023) - Basic Automation and Mixdown

A process of changing mix elements like volume or panning over time, allowing for dynamic mixing throughout a session.

Recorded data representing audio or MIDI information within a digital audio workstation (DAW).

Instructions within a DAW that dictate changes in mix settings like volume or panning over time.

The process of reading automation data during playback to affect the sound of a session in real-time.

A tool within a DAW that allows users to visually edit and manipulate automation data.

Setting up automated changes in plug-in parameters over time.

The process of combining and exporting multiple tracks from a session into a single file format, typically for distribution or further editing.

A process of saving a mix session for future use, often involving backups and organizing files.

A visual representation of how a mix parameter changes over time. It's like a graph showing the parameter's value at different points in the song.

A view in Pro Tools that allows editing of clips and viewing automation lanes simultaneously. It's like having two "windows" into your track.

A tool used to draw automation in Pro Tools. It allows creating different shapes for smooth or rhythmic changes.

A setting that determines the frequency of automation changes.

A shape option for the Pencil Tool that creates a smooth, gradual change in automation.

A shape option for the Pencil Tool that creates a recurring triangle wave pattern, useful for creating panning effects.

A shape option for the Pencil Tool that creates a series of square waves, useful for abrupt changes in automation.

A shape option for the Pencil Tool that generates random automation changes.

A view in Pro Tools that displays automation data for a specific parameter, like volume or pan. You can choose to view different automation types.

A view in Pro Tools that allows you to edit clips and view automation lanes simultaneously.

The process of using a track's automation features to create changes in a mix parameter over time, adding dynamic movement to your tracks.

A method of writing automation that uses the Pencil tool to draw changes on the automation playlist.

The process of creating automation changes that gradually move from one value to another, creating a smooth transitions.

A way to create rhythmic automation changes, often using shapes like triangles or squares. It creates a sense of movement or pulse.

The process of removing unused audio portions from audio files used in a DAW session.

A feature in DAW software that allows you to select all clips in the session, making it easier to manage and edit them.

The process of reducing the size of audio files in a DAW by removing unused parts. This makes the session file faster to load and use.

A section of audio added at the beginning and end of a clip, providing space for trimming, fading, or other edits. It's like having extra 'cushion' at each end.

A button in the DAW that starts the compacting process, permanently removing unused portions of audio files from the session.

A dialog box in Pro Tools used to select parameters from plugins to be automated.

The process of enabling a plugin parameter to change its value over time.

The area in the Pro Tools interface where you can select which parameter you want to view in the automation lanes.

The process of combining multiple audio tracks into a single file.

A way to create a mixdown by exporting your session to an external hard drive.

A method of mixdown where your session is bounced to a single track within the Pro Tools session.

The most common way to create a mixdown, where your session is exported to your computer's hard drive.

This field in the Bounce Mix dialog box lets you name the mixed-down audio file.

This option in the Bounce Mix dialog box determines the format of the created audio file (WAV, MP3, etc.).

This option in the Bounce Mix dialog box sets the source of the audio for the mixdown.

This section in the Bounce Mix dialog box provides options for the audio file details.

An option in the Bounce Mix dialog box that allows you to choose the codec for bouncing to an .mov file.

This checkbox in the Bounce Mix dialog box creates an MP3 file in addition to the selected file format.

This option in the Bounce Mix dialog box determines the channel format of the mixdown (mono, stereo, etc.).

An option in the File Format menu that combines both left and right channels of a stereo mix into a single mono file.

This automation mode allows you to read automation data that has been written for a track. This means that any automated changes to the track will be applied during playback.

This mode is used to disable automation on a track. It means that any recorded automation is ignored during playback, and the track's parameters remain unchanged.

A key feature of automation, these are points in time where you define the level of automation. They shape the overall automation profile of the track.

A handy tool in Pro Tools for working with automation breakpoints. It allows you to quickly create, modify, or delete them, giving you precise control over the automation behavior.

A common automation technique used in mixing. It allows for the gradual increase or decrease of a track's level over a specific time period.

When you adjust the automation using the Trim tool, this value is displayed, showing how much you are increasing or decreasing the level. It essentially shows the amount of change you've applied.

A special type of automation that allows you to directly adjust the level during playback. For example, moving the fader while the music is playing will create automation data in real-time.

A powerful mode in Pro Tools where you're able to record your automation actions while the music is playing. Any changes you make to the track are captured and can be played back later. It's useful for creating dynamic, live automation.

A technique for temporarily suspending automation on a track or multiple tracks. Simply changing the automation mode to Off will stop any recorded automation from being read.

The blue line displayed in the Pro Tools interface, representing the current level of the track's parameter. It's used in Off mode to show how the level should be regardless of any recorded automation.

This tool allows you to edit automation data by dragging your mouse within a selected area. You can adjust the automation proportionally while maintaining the overall shape of the automation curve.

A powerful automation feature of Pro Tools that allows you to automate various parameters of plug-ins, including tonal, spatial, and other effects. Nearly any knob, button, or slider can be automated.

The automation mode where recorded automation data is played back while the session is playing. When a track is in Read mode, the automated changes will follow the recorded data.

A feature in Pro Tools that creates a copy of a session with the possibility to change its format, sample rate, bit depth, and Pro Tools version.

A setting within the Save Copy In dialog box that lets you choose the file format, sample rate, and bit depth for the copied session.

A section in the Save Copy In dialog box where you control which elements of the original session are included in the copy.

A process that creates a complete backup of a session without modifying the original.

A copy of a session created to have a different sample rate or bit depth than the original.

A copy of a session created for compatibility with older versions of Pro Tools.

A process of saving unused audio clips and their associated files to improve storage efficiency.

A setting within the Clips List pop-up menu used to select clips that are not being used in the session.

An option within the Clips List pop-up menu that permanently removes unused clips and their audio files from the session.

An option within the Clips List pop-up menu that moves unused whole-file clips and their audio files to the computer's Trash bin.

An option within the Clips List pop-up menu that removes unused clips from the session without deleting their audio files.

The process of removing unused audio data from remaining audio files to optimize session size.

A process of preserving and organizing sessions for future use, often including backups and file management.

Steps taken to reduce storage requirements of session backups, typically involving removing unused elements.

The practice of working on a copy of a session while preserving the original.

The number of bits used to represent each audio sample, determining the dynamic range and resolution of the audio signal. Higher bit depth (e.g., 24-bit) offers greater detail and headroom for dynamic range.

The frequency at which audio samples are taken, measured in Hertz (Hz), affecting the highest audible frequency reproduced. Common sample rates include 44.1kHz (CD quality) and 48kHz (professional audio).

A feature that adds silent audio segments to the beginning and end of your bounce, aligning the audio to video frame boundaries, particularly useful for video editing workflows.

A standard audio format commonly used for CDs, characterized by 16-bit depth, 44.1kHz sample rate, and interleaved stereo channels.

A setting in a DAW that allows you to preview your mixdown without playing the audio in real time. It's generally faster and less resource-intensive.

Instructions within a DAW software that determine how mix parameters, such as volume or panning, change over time. This allows for dynamic mixing throughout a song or project.

A feature that imports your newly bounced audio file back into the same session as a new track. This is useful for further editing or analysis.

The location where your bounced audio file will be saved. You can choose to save it in the session folder, prompt for a specific location, or use a designated directory.

The process of saving your work in a way that allows you regain access to it easily months or years later. It often involves creating backups and organizing files.

A setting in a DAW that allows you to preview your mixdown without playing the audio in real time. It's generally faster and less resource-intensive.

A feature that imports your newly bounced audio file back into the same session as a new track. This is useful for further editing or analysis.

The location where your bounced audio file will be saved. You can choose to save it in the session folder, prompt for a specific location, or use a designated directory.