Leonardo da Vinci's Ginevra de' Benci

<p>It challenges traditional portrait conventions, where women typically looked away from the observer. (A)</p> Signup and view all the answers

<p>The portrait signifies a shift towards a more naturalistic representation of women, emphasizing both beauty and intellectual pursuits. (B)</p> Signup and view all the answers

<p>The 'Study of Hands' reveals da Vinci's mastery in capturing the expressive qualities of hands similar to Verrocchio's 'Lady with Primroses'. (B)</p> Signup and view all the answers

<p>It reflects the Renaissance obsession with symbolism and allegory, using hidden meanings to convey a complex message. (B)</p> Signup and view all the answers

<p>It portrays Ginevra as a figure of intellect and virtue, subverting traditional representations of women as passive objects of beauty. (C)</p> Signup and view all the answers

<p>St. Jerome is regarded as one of the four <em>Doctors of the Church</em> (A), The head of St. Jerome was cut from the panel at one point. (B), St. Jerome is known for his work in writing the Latin version of the Bible, called the <em>Volgate</em> (D), The panel for <em>St. Jerome</em> was reassembled in the 1900s after being cut into approximately nine pieces. (I)</p> Signup and view all the answers

<p>Da Vinci promised to complete the <em>Adoration of the Magi</em> in 17-24 months. (B), The <em>Adoration of the Magi</em> is considered to have incorporated the <em>affetti</em> style, which was evident in other pieces like <em>St. Jerome</em>. (C), Da Vinci's father was a notary at the Monastery of <em>San Donato</em>, which may have contributed to da Vinci's receipt of the commission. (E), The <em>Adoration of the Magi</em> was completed by Filipino Lipi, despite da Vinci's initial acceptance of the commission. (F), The <em>Adoration of the Magi</em> was da Vinci's first major commission and first large-scale composition piece in Florence. (G)</p> Signup and view all the answers

<p>Da Vinci's work was deeply influenced by earlier artists, such as Masaccio and Donatello, and was influenced by their styles in his work. (A), One of da Vinci's primary innovations was his meticulous examination of human anatomy, and the way he studied movement and emotion. (B)</p> Signup and view all the answers

<p>St. Jerome is often depicted with a book, representing his work on the Bible. (A), St. Jerome is often depicted with a lion. (C), St. Jerome is often depicted with a red cardinal's hat. (D)</p> Signup and view all the answers

<p>The <em>Adoration of the Magi</em> was never finished, and the <em>St. Jerome</em>, which was almost finished, was later dissected and recombined. (A), Both works by da Vinci display a mastery of perspective and composition, and both works display a sense of movement and energy, but with different focus on the overall theme. (B), Both works by da Vinci are considered to display a mastery of a technique called <em>sfumato</em>, which creates a soft and ethereal effect that blurs the edges of the forms. (C), Both works by da Vinci can be seen as a reflection of the artist's deep understanding of human anatomy and movement. (D), <em>St. Jerome</em> primarily utilizes the <em>affetti</em> style, while the <em>Adoration of the Magi</em> was a break from this prior style. (E), Both works by da Vinci display a sense of drama and emotion, which is characteristic of the artist's work. (G)</p> Signup and view all the answers

<p>The painting was originally intended to be a smaller portrait. (A)</p> Signup and view all the answers

<p>It reflects the artist's interest in nature and his mastery of perspective. (A)</p> Signup and view all the answers

<p>It is a subtle and enigmatic expression that has been interpreted in many ways. (D)</p> Signup and view all the answers

<p>It suggests that her wealth is evident through other means. (D)</p> Signup and view all the answers

<p>It was commissioned by the newly formed political party of Florence to depict a military victory. (C)</p> Signup and view all the answers

<p>The experimental technique used by da Vinci caused the fresco to deteriorate. (B)</p> Signup and view all the answers

<p>The theft amplified the painting's value and notoriety. (C)</p> Signup and view all the answers

<p>Its mastery of sfumato technique, enigmatic smile, and controversial interpretation. (C)</p> Signup and view all the answers

<p>The painting's ambiguous smile and pointing gesture are characteristic of da Vinci's later works, suggesting a shift in his artistic style. (C)</p> Signup and view all the answers

<p>Both exhibit a sense of ambiguity in their subject matter and composition, leaving the viewer to interpret their meaning. (B)</p> Signup and view all the answers

<p>The earlier <em>John the Baptist</em> represents a simpler composition that da Vinci later chose to expand and enrich in <em>Saint Anne</em>. (C)</p> Signup and view all the answers

<p>The positioning of Saint Anne above the Virgin Mary, emphasizing her importance as a maternal figure. (B)</p> Signup and view all the answers

<p>A deliberate choice to emphasize the sacrificial nature of Christ, through the Lamb's symbolic significance. (B)</p> Signup and view all the answers

<p>The drawing's emphasis on the figure's symmetry, revealing da Vinci's belief in the perfect proportions of the human body. (D)</p> Signup and view all the answers

<p>Da Vinci saw himself as a teacher above all else, believing that his artistic knowledge should be passed on to a worthy successor. (D)</p> Signup and view all the answers

<p>Da Vinci's time in Rome was marked by a lack of opportunity and recognition, leading to his relocation to France where he was given prominence in art and architecture. (C)</p> Signup and view all the answers

<p>The <em>Benois Madonna</em> is a larger piece, suggesting a more public commission, while the <em>Madonna of the Carnation</em> is smaller, indicating a private commission. (D)</p> Signup and view all the answers

<p>The carnation signifies the love between Mary and the Christ child. (D)</p> Signup and view all the answers

<p>Flemish paintings were widely circulated in Italy during that time, exposing Leonardo to their style. (B)</p> Signup and view all the answers

<p>Leonardo wanted to use the event as a subject matter to practice his drawing skills and explore human anatomy. (D)</p> Signup and view all the answers

<p>The painting's unfinished state suggests it was intended as a study for a larger, more elaborate work. (D)</p> Signup and view all the answers

<p>It was completed on time. (B)</p> Signup and view all the answers

<p>The painting was considered too convoluted and complex. (C)</p> Signup and view all the answers

<p>It draws attention to the figure of John the Baptist. (B)</p> Signup and view all the answers

<p>Whether the Virgin Mary was conceived without original sin. (C)</p> Signup and view all the answers

<p>They emphasize the holiness of the figures. (B)</p> Signup and view all the answers

<p>The 1491-1508 version shows John with a halo. (B)</p> Signup and view all the answers

<p>He was interested in revisiting and improving his initial design. (A)</p> Signup and view all the answers

<p>All of the above. (D)</p> Signup and view all the answers

An early Renaissance portrait by da Vinci displaying the sitter facing the viewer.

Represents virtue and chastity, linked to Ginevra's name.

Commissioned for Ginevra's engagement, showcasing her beauty.

Emblems on the reverse of the portrait symbolizing poetic achievement.

Philosophical concept informing Ginevra's portrayal as a muse.

Hands depicted with realism in Renaissance art, exemplified by da Vinci's studies.

Ginevra's face shows serenity, revolutionary for the time period.

Da Vinci's training under Verrocchio seen in the grace of hands in his works.

A painting by da Vinci, c. 1476, showing Mary offering a red carnation to Christ.

A c. 1478 painting by da Vinci, noted for its intimate portrayal of Mary, with flowers replacing the carnation.

The red carnation in da Vinci's work represents love, while the white flowers symbolize purity.

A drawing by da Vinci depicting the execution of Bernardo Baroncelli for his role in the Pazzi Conspiracy.

An unfinished painting by da Vinci depicting the three magi worshipping the Christ child.

A piece of art created for a specific patron or purpose, like da Vinci's early commissions.

The study of emotions expressed in art; indicates psychological depth in characters.

A Christian scholar known for translating the Bible into Latin and often depicted with a lion.

Prominent early church leaders recognized for their teachings and writings, including St. Jerome.

Da Vinci's lost fresco depicting a battle against the Milanese, commissioned for the Palazzo Vecchio.

The Mona Lisa features a unique ¾ pose rather than a full front view, making her appear more engaging.

A painting technique used by da Vinci that creates soft transitions between colors, blurring hard edges.

The woman portrayed in the Mona Lisa, known for her calm demeanor and ambiguous expression.

An attitude of effortless self-confidence displayed by upper-class figures in Renaissance art.

The theft of the Mona Lisa in the early 20th century significantly increased its fame.

Da Vinci experimented with incostic, oil, and tempera, leading to issues like paint melting off.

Varnish added later to the Mona Lisa caused discoloration, affecting its appearance.

An early da Vinci painting (1483-1486) celebrating the Immaculate Conception, with notable figures and no halos.

A Franciscan fraternity that commissioned art to oppose Dominicans about Virgin Mary's original sin.

A significant date, December 8th, set for the completion of da Vinci's artwork.

In the painting, he represents a connection to Jesus and highlights Marian doctrine.

An archangel depicted with baby Jesus in The Virgin of the Rocks, signaling blessings.

A later da Vinci work (1491-1508) with added halos and a more assertive hand in painting.

Da Vinci uses imagery to illustrate complex religious narratives in his artwork.

A portrait by da Vinci, depicting the lover of Duke Ludovico Sforza, commissioned for him.

Da Vinci's last work in Italy, depicting St. Anne with Mary and Child.

The Christ child is shown grabbing a lamb, symbolizing sacrifice.

Some paintings show underdrawings due to thin application of paint.

Appointed as architect, artist, and mechanic by Francis I.

Drawing representing ideal human proportions inscribed in a circle and square.

Originally may have depicted John but altered to Bacchus through overpainting.

In Rome, da Vinci felt overshadowed by Raphael and Michelangelo.

Da Vinci leaves his drawings and remaining work to his pupil Melzi.