History of Graffiti

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Questions and Answers

How did the perception of graffiti evolve from the early 1970s to the 1980s, and what factors contributed to this change?

In the early 1970s, graffiti began to be recognized as an art form and was sold in New York galleries. However, by the 1980s, stricter enforcement made it harder to create graffiti on subway trains, leading artists to shift to rooftops and canvases.

Describe the contrasting views of Peter Vallone and Felix regarding graffiti, and what core values or principles underlie their viewpoints?

Vallone views unauthorized graffiti as vandalism and a crime against property rights, while Felix sees graffiti as a form of reclaiming urban spaces for the public and promoting freedom of expression.

Explain how the use of 'tags' and 'crews' was significant to the evolution of graffiti in the 1970s.

Tags were signatures, and crews were groups that helped spread graffiti, marking territory and establishing identity.

In what ways did the actions of Mayor John Lindsay influence the development and style of graffiti art?

<p>Mayor Lindsay's 'war on graffiti' led to increased restrictions, which pushed artists away from subways and towards new, less policed spaces like rooftops and canvases.</p> Signup and view all the answers

How have artists like Banksy and Blek le Rat legitimized graffiti as an art form, and what impact has this had on the art market?

<p>Banksy and Blek le Rat have used stencils to create complex, politically charged works that have gained international fame and high prices at auction, legitimizing graffiti in the art world.</p> Signup and view all the answers

How did the perception and function of graffiti evolve from ancient times to the modern era?

<p>Graffiti evolved from simple name-writing and protest poems in ancient times to complex artistic expressions often associated with territorial markings and social commentary in the modern era.</p> Signup and view all the answers

How did the media, specifically The New York Times, influence the perception and categorization of graffiti during its emergence?

<p><em>The New York Times</em> played a role in defining and categorizing graffiti by popularizing the term itself, which helped shape public perception of the art form.</p> Signup and view all the answers

What factors led to the emergence of graffiti in Philadelphia in the early 1960s, and how did it spread to New York in the late 1960s?

<p>The text does not provide the factors leading to the emergence of graffiti in Philadelphia, but it mentions that it appeared there in the early 1960s and spread to New York by the late 1960s.</p> Signup and view all the answers

In what ways do contemporary graffiti artists 'reclaim' cities, according to Felix from Reclaim Your City?

<p>Felix suggests that graffiti artists reclaim cities by countering the influence of advertisers and creating art that represents freedom and vibrancy for the public.</p> Signup and view all the answers

How did the transition of graffiti art from subway cars to canvases and building roofs influence its style and content?

<p>Moving from subway cars to canvases and roofs allowed for larger, more complex artworks since the artists were given more time and less chance of immediately being caught.</p> Signup and view all the answers

What broader social issues do graffiti artists like Banksy and groups like Reclaim Your City address through their art?

<p>These artists and groups often address issues of political expression, freedom, and reclaiming public spaces from commercial interests.</p> Signup and view all the answers

How has the commercialization of graffiti art affected its original purpose and the debate surrounding its validity as an art form?

<p>The commercialization of graffiti has complicated the debate, as some view it as validation while others see it as a betrayal of its rebellious roots.</p> Signup and view all the answers

In what ways can graffiti be considered a form of communication, and what messages are typically conveyed through this medium?

<p>Graffiti can communicate messages of protest, identity, territorial claims, artistic expression, and social commentary.</p> Signup and view all the answers

Besides subway trains and canvases, what other unconventional mediums or locations have graffiti artists used to display their work, and what impact does this have on the audience?

<p>Graffiti artists have used building roofs and public spaces to display their art, engaging a broader audience beyond traditional art venues.</p> Signup and view all the answers

How does the use of stencils by artists like Blek le Rat and Banksy contribute to the complexity and impact of their graffiti pieces?

<p>Stencils allow these artists to create intricate, repeatable designs quickly, enabling them to produce complex and politically charged artworks in public spaces.</p> Signup and view all the answers

What are the ethical considerations involved in creating graffiti, especially concerning property rights and public spaces?

<p>Ethical considerations include balancing artistic expression with respect for property rights and the potential for vandalism and defacement of public or private property.</p> Signup and view all the answers

How did the shift from street gangs using graffiti to mark territory to artists using it for social commentary influence the style and content of graffiti?

<p>The shift led to a broader range of themes and styles, moving from territorial markers to complex artistic expressions with social and political messages.</p> Signup and view all the answers

In what ways does the temporary nature of graffiti, particularly in public spaces, affect its value and impact as an art form?

<p>The ephemeral nature of graffiti can enhance its impact by creating a sense of urgency and spontaneity, but it also raises questions about preservation and artistic legacy.</p> Signup and view all the answers

How do cultural and societal factors influence the perception and acceptance of graffiti in different cities or countries?

<p>Cultural and societal norms shape whether graffiti is viewed as art or vandalism, influencing its legal status, public acceptance, and artistic development in different contexts.</p> Signup and view all the answers

Besides Jean-Michel Basquiat, can you name one other graffiti artist mentioned in the text who achieved international recognition, and what distinguishes their work?

<p>Banksy is another graffiti artist mentioned in the text who achieved international fame, and his work is distinguished by its use of stencils to create politically and humorously charged images.</p> Signup and view all the answers

Flashcards

Early Graffiti

Drawings or writings on walls, originating in caves and later seen in Roman and Greek civilizations.

Graffiti's Rise

New York in the 1970s, where individuals began writing their names or 'tags' on buildings throughout the city.

Crews

Groups of graffiti artists who worked together, often marking territory.

Graffiti (term origin)

The term first used by The New York Times and novelist Norman Mailer to describe the art form.

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John Lindsay

The mayor of New York who initiated a campaign against graffiti.

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Art or Vandalism?

An argument over perception of graffiti as artistic expression or illegal defacement.

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Peter Vallone's Graffiti Stance

A New York City councilor who believes graffiti is art only with permission.

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Felix's View on Graffiti

A member of Reclaim Your City, viewing graffiti as a means to reclaim cities for the public and express freedom.

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Jean-Michel Basquiat

Achieving recognition in the 1980s after starting as a street artist in the 1970s.

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Blek le Rat and Banksy

Artists known for complex stencil works with political and humorous messages.

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Study Notes

  • First wall drawings were in caves thousands of years ago.
  • Ancient Romans and Greeks wrote names and protest poems on buildings.
  • Modern graffiti emerged in Philadelphia in the early 1960s.
  • By the late 1960s, graffiti reached New York.
  • The art form became popular in the 1970s with names or "tags" on buildings.
  • In the mid-1970s, subway cars were covered in spray paintings called "masterpieces."
  • Early "taggers" were part of street gangs marking territory.
  • They worked in groups called "crews" and termed their work "writing".
  • The term "graffiti" was first used by The New York Times and Norman Mailer.
  • Art galleries in New York started buying graffiti in the early 1970s.
  • New York Mayor John Lindsay declared the first war on graffiti.
  • In the 1980s, graffiti artists moved to rooftops and canvases due to stricter enforcement on subway trains.
  • The debate continues whether graffiti is art or vandalism.
  • New York City councilor Peter Vallone believes graffiti with permission is art, but without permission, it's a crime.
  • Felix, from Reclaim Your City in Berlin, argues graffiti reclaims cities from advertisers and represents freedom.
  • Graffiti has launched some artists to international fame over the years.
  • Jean-Michel Basquiat started as a street artist in the 1970s and became a respected artist in the 1980s.
  • Blek le Rat and Banksy gained international fame using stencils for complex, often political or humorous works.
  • Works by Banksy have sold for over £100,000.
  • Graffiti is now sometimes a lucrative business.

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