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Questions and Answers
What role does the host play in the 3-act structure applied to game shows?
What role does the host play in the 3-act structure applied to game shows?
In the context of a reality cooking competition, what does the 'Call to Adventure' signify?
In the context of a reality cooking competition, what does the 'Call to Adventure' signify?
How does the hero’s journey framework enhance storytelling in procedural formats?
How does the hero’s journey framework enhance storytelling in procedural formats?
What does the 'Refusal of the Call' represent in a contestant's journey?
What does the 'Refusal of the Call' represent in a contestant's journey?
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What narrative element is NOT typically included in the hero's journey framework?
What narrative element is NOT typically included in the hero's journey framework?
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What emotional aspect contributes to the engagement of viewers in game shows like Who Wants to be a Millionaire?
What emotional aspect contributes to the engagement of viewers in game shows like Who Wants to be a Millionaire?
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What stage in the Hero's Journey involves the hero entering an unfamiliar world?
What stage in the Hero's Journey involves the hero entering an unfamiliar world?
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In a reality cooking competition, what represents the climactic moments for the contestant?
In a reality cooking competition, what represents the climactic moments for the contestant?
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What transformation occurs when contestants return to their ordinary world after the competition?
What transformation occurs when contestants return to their ordinary world after the competition?
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What is the climax of the Hero's Journey referred to as?
What is the climax of the Hero's Journey referred to as?
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In the context of 'Who Wants to be a Millionaire?', what represents the 'Call to Adventure'?
In the context of 'Who Wants to be a Millionaire?', what represents the 'Call to Adventure'?
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What role do lifelines play for the contestant during the game?
What role do lifelines play for the contestant during the game?
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Which stage involves the hero facing challenges and making allies?
Which stage involves the hero facing challenges and making allies?
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Which phase involves the contestant's final decision regarding their lifelines?
Which phase involves the contestant's final decision regarding their lifelines?
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What does the 'Reward' stage signify in the Hero's Journey?
What does the 'Reward' stage signify in the Hero's Journey?
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What typically underscores the tension during the climax of the game?
What typically underscores the tension during the climax of the game?
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In the 3-act structure, what element does Act I primarily focus on?
In the 3-act structure, what element does Act I primarily focus on?
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What does the term 'Resurrection' refer to in the context of the contestant's journey?
What does the term 'Resurrection' refer to in the context of the contestant's journey?
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What does 'Return with the Elixir' entail in the Hero's Journey?
What does 'Return with the Elixir' entail in the Hero's Journey?
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Which part of the Hero's Journey allows for the possibility of the hero to hesitate?
Which part of the Hero's Journey allows for the possibility of the hero to hesitate?
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What happens during the 'Road Back' phase after a contestant wins?
What happens during the 'Road Back' phase after a contestant wins?
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How does a contestant's decision to answer the high-stakes question impact the game?
How does a contestant's decision to answer the high-stakes question impact the game?
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What is one of the key emotions contestants experience upon winning?
What is one of the key emotions contestants experience upon winning?
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What defines an 'engine' in non-fiction formats?
What defines an 'engine' in non-fiction formats?
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What is the primary role of cliffhangers in a dramatic narrative?
What is the primary role of cliffhangers in a dramatic narrative?
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How does the elimination process enhance viewer emotional investment?
How does the elimination process enhance viewer emotional investment?
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Which of the following is NOT a component of effective drama in episodic formats?
Which of the following is NOT a component of effective drama in episodic formats?
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What is a significant characteristic of the 'dramatic arc' in episodic narratives?
What is a significant characteristic of the 'dramatic arc' in episodic narratives?
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What purpose do dramatic music cues serve in a format?
What purpose do dramatic music cues serve in a format?
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How do format points contribute to the identity of a show?
How do format points contribute to the identity of a show?
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What impact does the elimination process have on audience suspense?
What impact does the elimination process have on audience suspense?
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Which element is most associated with generating surprise in a format?
Which element is most associated with generating surprise in a format?
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What is the primary emotional benefit to loyal viewers when a favorite contestant wins or redeems themselves?
What is the primary emotional benefit to loyal viewers when a favorite contestant wins or redeems themselves?
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How does emotional catharsis manifest for viewers during eliminations?
How does emotional catharsis manifest for viewers during eliminations?
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What risk might occur if the elimination process becomes too predictable?
What risk might occur if the elimination process becomes too predictable?
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Which universal trigger moment involves cutting off tension before revealing the outcome?
Which universal trigger moment involves cutting off tension before revealing the outcome?
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What aspect of non-fiction TV formats is essential for developing dramatic arcs?
What aspect of non-fiction TV formats is essential for developing dramatic arcs?
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Which element is critical for enhancing the emotional impact of key moments in a show?
Which element is critical for enhancing the emotional impact of key moments in a show?
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What kind of contestant behavior can lead to immediate penalties or eliminations?
What kind of contestant behavior can lead to immediate penalties or eliminations?
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What is the significance of capturing split-second reactions during critical show moments?
What is the significance of capturing split-second reactions during critical show moments?
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What common feature of non-fiction TV formats contributes to creating dramatic arcs and storylines?
What common feature of non-fiction TV formats contributes to creating dramatic arcs and storylines?
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How is a TV format analogous to a recipe?
How is a TV format analogous to a recipe?
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What primary factor influences broadcasters' decisions to buy TV formats?
What primary factor influences broadcasters' decisions to buy TV formats?
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What does the 'outcome management' aspect of TV formats refer to?
What does the 'outcome management' aspect of TV formats refer to?
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Why is 'ratings data' crucial for TV formats?
Why is 'ratings data' crucial for TV formats?
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Which of the following best describes the role of TV formats in the international market?
Which of the following best describes the role of TV formats in the international market?
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What is the main purpose of using consistent ratings in assessing TV formats?
What is the main purpose of using consistent ratings in assessing TV formats?
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How do TV formats manage risk for broadcasters?
How do TV formats manage risk for broadcasters?
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Study Notes
Defining Formats
- TV formats are a method of production, a licensed remake, a recipe, and a proof of concept.
- A format is a recipe for making remakes.
- Format trading sells remake rights to enable buyers to create a local remake.
Topics
- A TV format as a licensed remake, recipe, proof of concept, method of production, and three paradoxes of production.
- Categorizing non-fiction formats using the 3 C's.
Format Rights
- Format rights give the right to license third parties outside of the primary broadcaster's territory to develop and produce new programs.
- Format rights include the right to authorize third parties to distribute, exhibit, perform, broadcast or otherwise exploit those programs in specified territories.
- Format rights include the right for the distributor to exploit programs in any media worldwide.
Questions 1-4
- Question 1: A TV format is primarily compared to a recipe in format studies.
- Question 2: The primary purpose of a TV format is a guideline to making remakes.
- Question 3: Format rights include the right to license third parties to produce new programs outside the primary broadcaster's territory, to distribute the programs in those areas, and the rights for the distributor to exploit those programs in any worldwide media.
- Question 4: Ancillary rights cover the right to sell or license extracts from a program for inclusion in other programs or media, or to exploit the program across any media using merchandising, interactive & multimedia, or theatrical rights.
Legality of Formats
- Scripted (fiction) formats are easier to protect against copyright infringement because of their storylines and characters.
- Reality (non-fiction) formats are harder to protect.
- Industry experts suggest non-fiction formats need to be treated as stories to prove copyrightability and address the relationships between the characters.
Question 5
- Question 5: Industry experts believe non-fiction TV formats should be recognized for the stories that they convey because they are analogous to books – meaning they include intellectual property (i.e. characters and relationships) that extend beyond simple words on a page.
Non-fiction Formats as Storytelling
- Non-fiction formats like Supernanny, Faking It, Wife Swap, The Apprentice, Secret Millionaire, and Grand Designs follow the five-act structure of classical Shakespearean plays (exposition, rising action, climax, falling action, resolution).
- Reality TV's story structure mirrors Shakespearean plays, with clear acts, a setup, build-up, climax, and resolution showcasing triumph or loss.
Classic Shakespearian Shape
- The five-act structure involves Exposition (Act I), Rising Action and Complication (Act II), Climax (Act III), Falling Action (Act IV), and Resolution/Denouement (Act V).
- A 3-act structure would include Setup, Confrontation, and Resolution.
Why Classic Structure?
- Symmetry and balance, emotional journey, and universality.
3-Act Structure Applied to "Who Wants to Be a Millionaire?"
- Act I: Setup - introduces the contestant, the rules of the game, and easy questions.
- Act II: Confrontation - raises the stakes, uses lifelines, and the climax is a critical decision to either risk or take a guaranteed payout.
- Act III: Resolution - reveals the correct answer or the decision to walk away.
Hero's Journey in TV Formats
- Ordinary World - the hero begins in their everyday life.
- Call to Adventure - a challenge or opportunity arises.
- Refusal of the Call - the hero hesitates or doubts
- Meeting the Mentor - the hero gains guidance or tools.
- The Hero enters an unfamiliar world or situation
- Tests, Allies, and Enemies
- Approach to the Inmost Cave, etc..
Format Points
- Format points include piles of cash, particular tasks, special features, the elimination process, etc.
- The elimination process creates drama and keeps viewers engaged.
Universal Format Points
- Teaser open, commercial cliffhangers, dramatic music cues, recurring catchphrases, participant reactions, conflict/resolution arc, closing montage.
The Elimination Process
- Creates dramatic tension due to uncertainty, escalating stakes as the number of contestants decrease.
- Emotional investment for viewers due to viewer-contestant relationships and underdog arcs & drama.
- Drives viewer engagement and interaction through audience participation, social media buzz, predictions, etc.
- The elimination process provides a clear structure, paced for emotional intensity.
Universal Trigger Moments
- Dramatic audio cues & editing.
- Split-second reactions (capture emotions).
- Cliffhanger before commercial breaks.
- Host interventions.
- Rule-breaking consequences.
- Audience participation dramas (audience reactions, votes, etc)
- Heartfelt goodbyes.
Question 6
- Question 6: A common feature of non-fiction TV formats that creates dramatic arcs and storylines are Format Points.
Risk Management
- Formats are based on initial willingness and depend on ratings data to determine if the format is sound in similar markets.
- Ratings data helps manage risk for broadcasters.
Question 7
- Question 7: Ratings data management manages risk for formats.
Format Bibles
- A format bible is a detailed guide containing everything needed for production.
Definition of Format
- A format is the structure of a show, that is licensed to be adapted in other countries.
Format Bibles: Material
- Format bibles contain two types of material - materials that can be altered, and materials that cannot be altered.
- Consultant producers oversee new productions using the format bible to guide them.
Question 8
- Question 8: The role of a "format bible" is to provide a detailed guide for producing the show to include budgeting and casting procedures.
Three Paradoxes of Non-Fiction TV Shows
- Paradox 1: A format is generative (not just descriptive), which guarantees a story.
- Paradox 2: A format lends itself to repetition without replication by bringing in real people.
- Paradox 3: A format is predisposed to adaptation because constructed reality can be easily transferred to different locations.
Constructed Reality
- Events, interactions, and storylines are curated by producers to heighten entertainment value.
- Pre-designed scenarios, selective editing, and guided interactions create a distinctive narrative.
- Characters are often cast to embody specific personality types.
- Ordinary situations are often exaggerated.
Ethical Considerations
- Presenting constructed reality as authentic can have ethical implications.
Question 9
- Question 9: The key characteristic of non-fiction formats that makes them adaptable to different locations is constructed reality.
Non-fiction TV Format Concepts
- Questions to ask when developing a format concept: What visual and audio elements should it have? Who are the characters and/or personalities? What is the structure?
- What are the subcategories related to the main format?
- How to Categorize Non-Fiction TV Formats?
- Three Cs.
- Concepts that address some of the aspects mentioned by the user or the professor.
What do Formats Need?
- A hook (insight that garners interest), a driver (something sustaining through the format), and underlying tension (element throughout a show).
What Lenses can We Use to Shape Formats?
- Competition formats, change formats, and choice formats.
What are Competition Formats?
- The main principle of competition formats is who will win, using a pass/fail device.
- Examples include quiz shows, talent shows, and other shows that use competition within the structure.
What are the Sub-Categories of Competition?
- Several different subcategories are used to frame different types of competition-based TV formats (ie. survive something, make something...).
- Some examples include: survive something, make something, perform something, enclosed word, and other people's lives and quizzes.
What is the Primary Principle of Change Formats?
- The primary principle behind change formats is that someone or something is transformed through the format's structure.
- Examples that use change as a format include: house makeover shows, personal transformation shows, business improvement shows, and object restoration shows.
What are the Sub-Categories of Choice Formats?
- These formats highlight decisions as a key element in the program's structure.
- Sub-categories in choice formats include romance choices, bargain choices, and business decisions.
What Makes Choice Formats Unique?
- Often feature individuals making decisions which have consequences.
- Examples might be based on relationships, shopping, and/or business.
Preparation for Next Lesson
- Decide on a classic American TV game show to update.
- Look at clips of Japanese-style TV game shows.
- 3 conceptual remakes for the pilot.
- Each concept for a different target audience, and details.
Assignment
- Compare Hero's Journeys in TWO non fiction TV formats.
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Description
Explore the narrative elements of game shows and reality cooking competitions through the lens of the hero's journey and three-act structure. This quiz covers crucial concepts like the 'Call to Adventure', climactic moments, and the emotional engagement of viewers. Test your understanding of how these frameworks enhance storytelling in competitive formats.