Podcast
Questions and Answers
What is the primary objective of Zone 1 during the finishing process of a cast restoration?
What is the primary objective of Zone 1 during the finishing process of a cast restoration?
- To correct the proximal contacts
- To ensure proper alignment with the opposing arch
- To create a smooth surface for aesthetic purposes
- To minimize the dissolution of the luting agent (correct)
What is the recommended bur size for the procedure in Zone 2?
What is the recommended bur size for the procedure in Zone 2?
- 1/8 round carbide bur
- 1/4 round carbide bur
- Both B and C (correct)
- 1/2 round carbide bur
Which of the following procedures is necessary if defects occur in the marginal area during Zone 1 finishing?
Which of the following procedures is necessary if defects occur in the marginal area during Zone 1 finishing?
- Polish the area until smooth
- Use a larger bur for finishing
- Remake the restoration (correct)
- Apply a new layer of wax
What is the desired uniform space for the luting agent in Zone 2?
What is the desired uniform space for the luting agent in Zone 2?
What tool is recommended for cutting the sprue in Zone 3?
What tool is recommended for cutting the sprue in Zone 3?
What is the purpose of using marking agents like Liqua-Mark or Fit Checker during restoration procedures?
What is the purpose of using marking agents like Liqua-Mark or Fit Checker during restoration procedures?
In Zone 4, the proximal contacts should be corrected how?
In Zone 4, the proximal contacts should be corrected how?
What is a common misconception regarding finishing agents like sandpaper and finishing disks?
What is a common misconception regarding finishing agents like sandpaper and finishing disks?
Flashcards
Zone 1: Internal Margin
Zone 1: Internal Margin
This zone focuses on the internal margin of the cast restoration. It aims to minimize the dissolution of the luting cement by creating a well-adapted 1mm wide band of metal, ensuring a tight fit with the tooth.
Zone 2: Intaglio
Zone 2: Intaglio
This zone focuses on the inner surface of the cast restoration, called the intaglio. The objective is to ensure no contact between the die and the intaglio surface, leaving a uniform space of 25 to 35 microns for the luting agent.
Zone 3: The Sprue
Zone 3: The Sprue
This zone focuses on the sprue, the attachment point of the casting to the mold. The objective is to remove the sprue and restore the coronal structure and function of the restoration.
Zone 4: Proximal Contacts
Zone 4: Proximal Contacts
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Objective of Finishing the Cast Restoration
Objective of Finishing the Cast Restoration
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What is a 'Marking Agent'?
What is a 'Marking Agent'?
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Why is Proper Adaptation Important?
Why is Proper Adaptation Important?
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Why is a Smooth Surface Important?
Why is a Smooth Surface Important?
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Study Notes
Finishing the Cast Restoration
- The presentation is about finishing cast restorations.
- The presenter, Dr. Adham Nyazi, and Dr. Malak Bamigdad, are associated with Batterjee Medical College.
- The presentation outlines objectives and procedures for finishing different zones of the cast restoration.
Armamentarium
- The presentation lists materials required for finishing.
- These include carbide burs, diamond burs, stone and rubber burs/wheels, carborundum disks, finishing disks, Al2O3 particles, and sandpaper, and measuring gauges.
Introduction
- After the investment process, the unpolished restoration needs finishing before cementation.
- The sprue must be removed, and the attachment area polished.
- Sequential procedures are used for finishing the cast restoration, divided into zones.
- A smoother wax pattern results in a smoother casting.
Zone 1: Internal Margin
- Objective: Minimize the dissolution of the cement, creating a 1 mm wide metal band fitted to the tooth.
- Procedure: Use a small carbide bur (1/4 round), examine nodules, and correct any defects in the marginal zone. Remake if defects are present.
Zone 2: Intaglio
- Objective: Achieve no contact between the die and intaglio surface, with a uniform space of 25-35 microns for the luting agent.
- Procedure: Use a 1/4 or 1/2 round carbide bur. Perform an examination for nodules, and carefully seat the die. If the die is abraded, redo the impression, or re-wax if necessary.
Marking Agents
- Marking agents are used to highlight areas to be worked on.
- These include water-soluble dies (Liqua-Mark), solvent-based dies (AccuFilm IV), powdered sprays (Occlude), Rouge and elastomeric detection paste (Fit Checker).
Zone 3: The Sprue
- Objective: Re-establish the proper coronal structure and function by re-contouring the attachment area.
- Procedure: Utilize a carborundum separating disk to cut the sprue. Avoid using wire cutters. Refine the area using stones and sandpaper disks.
Zone 4: Proximal Contacts
- Objective: Correct proximal contacts in the patient's mouth, either ensuring proper tightness or preventing looseness.
- Procedure: Examine proximal contacts on the stone model. Use a scalpel to slightly relieve any inappropriate contacts. Evaluate and polish connectors. Use mylar articulating film to examine multiple castings individually.
Zone 5: Occlusal Surface
- Objective: Achieves static and dynamic occlusion.
- Procedure: Use mylar articulating film to identify high points. Use flame shaped diamond burs or stone burs. Use a measuring gauge. Polish the surface with a soft brush and rouge (5 microns) or airborne particular abrasion (25-50 micron AL2O3, 20 microns).
Zone 6: Axial Walls
- Objective: Allowing the patient to maintain proper plaque control.
- Procedure: Use a stone bur and rubber wheel with abrasive particles for polishing using a sequence of abrasives. Maintain proper light pressure for finishing vs. polishing.
Zone 7: External Margins
- Objective: Create a highly polished surface for better plaque control.
- Procedure: Best polished on the tooth. Focus on difficult proximal and subgingival areas. Pay attention to marginal fit and emergence profile.
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Description
This presentation by Dr. Adham Nyazi and Dr. Malak Bamigdad covers the essential objectives and procedures for finishing cast restorations. It also details the necessary tools and materials, along with the step-by-step process required to achieve a polished result before cementation. Gain insights into specific zones of finishing techniques and the importance of a smooth wax pattern.