Film Directing Fundamentals Study Guide
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Questions and Answers

Which chapter discusses the film directed by Alfred Hitchcock?

  • Chapter 16
  • Chapter 14
  • Chapter 13 (correct)
  • Chapter 15

Peter Weir directed the film '8-1/2'.

False (B)

What is the main theme explored in 'The Truman Show'?

Reality vs. illusion

Federico Fellini's film is considered a _____?

<p>masterpiece</p> Signup and view all the answers

Match the following films with their directors:

<p>Notorious = Alfred Hitchcock The Truman Show = Peter Weir 8-1/2 = Federico Fellini Citizen Kane = Orson Welles</p> Signup and view all the answers

What does the term 'spine' refer to in dramatic writing?

<p>The larger goal of a character (D)</p> Signup and view all the answers

Wants are synonymous with needs in drama.

<p>False (B)</p> Signup and view all the answers

In the context of the content, what is an example of a scene want for the protagonist Guido?

<p>to escape</p> Signup and view all the answers

The protagonist in '8-1/2' seeks to lead an __________ life.

<p>authentic</p> Signup and view all the answers

What can happen to a character's want?

<p>They may get a new want. (A)</p> Signup and view all the answers

Match the character descriptions with their perceived roles:

<p>Bride on wedding day = Knight in shining armor Father = Boss Son = Disappointment Father later in story = Rock of Gibraltar</p> Signup and view all the answers

An Ethical Man's primary want is to provide food for his family, even if it involves unethical actions.

<p>True (A)</p> Signup and view all the answers

The conflict in drama is often created by the ______________ in obtaining a want.

<p>obstacle</p> Signup and view all the answers

What element is crucial in creating suspense in cinematic storytelling?

<p>Elaboration (B)</p> Signup and view all the answers

Surprise is more prevalent in cinematic storytelling than suspense.

<p>False (B)</p> Signup and view all the answers

What effect does a familiar image have in a film?

<p>It creates symmetry and ties together fragmented imagery.</p> Signup and view all the answers

In Eric Rohmer’s film Rendezvous in Paris, the artist/protagonist is observed walking back to his __________.

<p>studio</p> Signup and view all the answers

Which film is mentioned as an example of mood elicitation through elaboration?

<p>Starting Over (A)</p> Signup and view all the answers

Suspense lasts for a shorter duration than surprise.

<p>False (B)</p> Signup and view all the answers

What does Scharff say about cinematic storytelling and repetition?

<p>Cinema thrives on repetition and symmetries.</p> Signup and view all the answers

Match the following concepts with their definitions:

<p>Suspense = Long-lasting tension in storytelling Surprise = Immediate and unexpected revelation Elaboration = Extending moments for impact Familiar Image = Recurrent visual that creates symmetry</p> Signup and view all the answers

What is the minimum angle change required when switching shots of the same character or object?

<p>30 degrees (D)</p> Signup and view all the answers

Disobeying the 30-degree rule always enhances the dramatic effect.

<p>False (B)</p> Signup and view all the answers

What dramatic technique is mentioned as effective in the film 'The Birds'?

<p>Ignoring the 30-degree rule to create tension.</p> Signup and view all the answers

A character exiting the frame from ______ should enter the next frame from the same side if they are continuing in that direction.

<p>left</p> Signup and view all the answers

Match the following terms with their definitions:

<p>30-degree rule = Minimum angle change between two shots of the same subject Screen direction = Rule for maintaining character movement across frames Dramatic tension = Emotional strain built through storytelling techniques Foreground object = An object placed in front of the main subject in a shot</p> Signup and view all the answers

Which of the following can mitigate the need to change angles when cutting to the next shot?

<p>Subject in motion (C)</p> Signup and view all the answers

When a character exits the frame to the right and reenters from the right, they appear to be moving forward.

<p>False (B)</p> Signup and view all the answers

What is the effect of failing to follow the 30-degree rule?

<p>It calls undue attention to the camera.</p> Signup and view all the answers

What is the primary purpose of staging in film?

<p>To accomplish physical deeds of a scene (B)</p> Signup and view all the answers

In film, staging is similar to theater in that the audience has only one static point of view.

<p>False (B)</p> Signup and view all the answers

What does staging make physical in a film?

<p>The psychology of a character</p> Signup and view all the answers

Staging can indicate the nature of a __________ quickly and economically.

<p>relationship</p> Signup and view all the answers

How does staging affect the interpretation of characters?

<p>It provides subtle hints about character motivations (D)</p> Signup and view all the answers

Match the following staging functions with their descriptions:

<p>Indicate relationships = Shows character dynamics through positioning Make psychology available = Expresses internal conflicts externally Accomplish physical deeds = Displays essential actions of a scene Set the tone = Creates emotional ambiance for the scene</p> Signup and view all the answers

In an action film, there is usually a greater need for internal staging.

<p>False (B)</p> Signup and view all the answers

In staging, a man sitting behind a desk is likely to be perceived as __________ compared to another man standing in front of it.

<p>dominant</p> Signup and view all the answers

What is Alicia trying to win back from Devlin?

<p>His heart (D)</p> Signup and view all the answers

Alicia is fully willing to give up her feelings for Devlin without a fight.

<p>False (B)</p> Signup and view all the answers

What does Alicia refer to Devlin as when she expresses her desire for a response?

<p>my dream man</p> Signup and view all the answers

Alicia challenges the gentlemen by questioning how dare they suggest that __________ be submitted to that ugly fate.

<p>Alicia Huberman</p> Signup and view all the answers

What action does Alicia take as her challenge reaches its peak?

<p>She goes on the offensive (C)</p> Signup and view all the answers

Devlin suggests that the assignment is __________.

<p>up to you</p> Signup and view all the answers

Match the character with their attitude or action:

<p>Alicia = To pursue her love Devlin = To fend off affection Fulcrum = The pivotal moment Alicia's challenge = To confront the situation</p> Signup and view all the answers

Devlin openly expresses his feelings towards Alicia without any reservations.

<p>False (B)</p> Signup and view all the answers

Flashcards

First Act

The opening segment of a film, usually introducing the main characters, setting, and conflict. It typically sets the tone and establishes the narrative's foundation.

Second Act

The middle part of a film, where the plot thickens and the conflict intensifies. It's full of twists and turns, building towards the climax.

Third Act

The final part of a film, where the conflict is resolved, and the story comes to a conclusion. It often features a climax and a resolution.

Style and Design

The overall style and approach used in a film, encompassing elements like cinematography, editing, sound design, and storytelling techniques. It creates the film's unique aesthetic and tone.

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Film Analysis

A detailed analysis of a film's structure, themes, and techniques, providing insights into how different aspects work together to create the overall effect.

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Spine

The central driving force or goal that guides a character throughout a story.

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Wants

Smaller goals that must be achieved to reach the larger goal of the spine.

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Scene Wants

Immediate goals that arise in individual scenes and contribute to the overall wants.

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Obstacle

A situation or obstacle that prevents a character from achieving their wants.

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Dramatic Journey

The process of a character striving to overcome obstacles and achieve wants.

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Want vs. Spine Conflict

When a character's wants conflict with their spine, leading to a struggle.

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Need

The need or desire that motivates a character.

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Perception

The difference between a character's perception of reality and the actual situation.

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To back out

To express the desire to give up a goal or challenge, to step back from a situation.

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To challenge

To express an objection or disagreement, to raise a challenge.

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To attack

To act with the intention of attacking or confronting someone, to be aggressive.

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To state a fact

To state a fact without any additional opinions or feelings, to declare a truth.

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To declare (her love)

To express love or affection for someone, to declare one's feelings of love.

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To reject

To refuse or deny someone's request, to reject a proposal.

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To appease

To make someone feel better, to try to soothe or appease someone's feelings.

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To pursue (her love)

To try to gain someone's affection or attention, to pursue a romantic interest.

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The 30-Degree Rule

Rule stating that when cutting between shots of the same subject, the camera angle needs to shift at least 30 degrees to avoid a jarring jump effect.

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Screen Direction

The direction a character or object moves on-screen between shots should remain consistent, even if we don't see the entire movement, to avoid confusing the audience.

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Jump Cut

A shot where the camera angle is shifted by at least 30 degrees, allowing for smooth cuts between shots of the same subject.

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The Birds Close-up

The dramatic close-up technique used in Alfred Hitchcock's 'The Birds,' where three shots of a subject are shot from the same angle, but progressively closer, creating a sense of tension and anticipation.

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Foreground Object

A shot that helps to bridge the gap between two shots from the same angle, like a lampshade in front of a character.

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Subject in Motion

When a subject is in motion, it can help to smooth out the jump between shots, even if they are from the same angle.

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Size Change

A significant change in the size of the subject between two shots, even if from the same angle, can help disguise the jump.

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The Pattern of Three

A pattern that occurs repeatedly in filmmaking, often in threes, such as using the same angle in three shots, progressively closer to a subject.

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Familiar Image

A cinematic technique where a specific detail, action, or visual element is repeated throughout a scene or sequence, creating a sense of unity and helping viewers connect different parts of the story.

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Elaboration in Film

The process of drawing out a particular moment, scene, or character's thoughts to create suspense, reveal character development, or evoke a specific mood.

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Suspense

A type of cinematic storytelling that builds anticipation by delaying the reveal or outcome of a situation, keeping the audience guessing and engaged.

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Surprise

A sudden, unexpected event that jolts the audience and breaks their expectations, often used to create a surprise twist or emotional impact.

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Movement into Mind

Using cinematic techniques to reveal a character's internal thoughts and emotions, allowing the audience to experience the inner world of the character.

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Elaboration & Suspense

Elaboration can be used to create suspense by drawing out a moment that makes the audience anticipate what will happen next.

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Elaboration & Mood

Elaboration can be used to craft a particular atmosphere or mood, such as creating a sense of sadness or tension.

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Elaboration & Foreshadowing

Elaboration can be used to foreshadow future events or create a sense of anticipation for what's to come.

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Staging in Film

The process of arranging actors and objects in a scene for filming, also known as "blocking".

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Staging for the Camera

In film, staging is done with the camera in mind, as the camera can be positioned anywhere.

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Rendering Action

The most basic function of staging is to visually represent the actions that occur in a scene, like characters moving or interacting with objects.

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Staging for Psychology

Staging can visually convey a character's internal state or emotions through their physical actions and positioning.

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Staging for Relationships

The arrangement of actors and objects in a scene can quickly and efficiently convey the nature of the relationship between characters.

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Staging and Power Dynamics

The placement of characters behind or in front of objects can affect how we perceive their power and relationships.

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Staging for Visual Meaning

The director can use staging to create a unique or symbolic visual message.

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Staging for Focus

The director can use staging to guide the audience's attention to specific details or elements in the scene.

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Study Notes

Film Directing Fundamentals - Study Notes

  • 30-Degree Rule: When transitioning between shots of the same subject, change the camera angle by at least 30 degrees to avoid drawing undue attention to the camera. Disobeying the rule can be used dramatically. Example: Hitchcock in The Birds uses close-up shots, escalating in proximity from medium to medium close-up, to close-up. Three shots often used for this effect.

  • Screen Direction: A character exiting a frame from left to right should enter the next frame from the left to convey forward movement. A U-turn is suggested when the character enters from the right, disobeying the rule.

  • Elaboration: Used for dramatic tension and mood setting. A series of shots can create anticipation and suspense. Example: Rohmer's Rendezvous in Paris showing a character walking, building suspense until another character enters. Example: Starting Over, Pakula uses a long slow tracking shot to depict mood.

  • Familiar Images: Repetition in film can create a sense of symmetry, "gluing" together scattered imagery, particularly in fragmented scenes. A familiar image can hold symbolic or thematic weight. Example: a bride seeing her groom first as a knight, later as a ball and chain, highlighting shifts in perception.

  • Wants vs. Spine: Wants are smaller, more immediate objectives a character needs to achieve before their overall goal (spine). Example: in 8 1/2, the protagonist's spine is a life not as a lie but has more immediate wants such as creating a film and being a good husband. Scene wants concern individual scenes. Wants often conflict with spine. Character's response to their wants is crucial for drama.

  • Obstacles: Obstacles (obstacles to obtaining wants) are essential to conflict and drive the dramatic journey. Example: a character wanting to live ethically but facing the need to feed the hungry family leads to ethical conflict.

  • Staging Functions: Staging (blocking) is done for multiple purposes:

  • Accomplishing physical actions of a scene

  • Making internal emotions physical and accessible to audience

  • Indicating relationships (e.g., a man behind a desk implies a subordinate) quickly, efficiently

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Description

Explore essential techniques in film directing, including the 30-degree rule and screen direction. This quiz covers examples and concepts that help set mood and create dramatic tension in storytelling through visual techniques. Perfect for students aiming to understand the fundamentals of cinematic storytelling.

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