Podcast
Questions and Answers
What motivates Juan Pablo Castel to share his story with the public?
What motivates Juan Pablo Castel to share his story with the public?
- To find understanding or connection with at least one person. (correct)
- To gain fame and notoriety as a criminal.
- To seek revenge on those who wronged him.
- To deter others from committing similar crimes.
Why does Castel consider criminals potentially 'cleaner' or 'more harmless' than others?
Why does Castel consider criminals potentially 'cleaner' or 'more harmless' than others?
- Because they openly admit to their actions.
- Because their crimes are often exaggerated by the media.
- Because they provide a necessary function in society.
- Because their actions are swiftly dealt with and concluded. (correct)
What is the significance of the small window scene in Castel's painting, Maternidad?
What is the significance of the small window scene in Castel's painting, Maternidad?
- It is a hidden advertisement for a coastal property.
- It is simply a decorative element with no deeper meaning.
- It symbolizes the idyllic nature of motherhood.
- It represents Castel's own feelings of isolation. (correct)
What makes Castel hesitate about approaching the woman who noticed the window in his painting?
What makes Castel hesitate about approaching the woman who noticed the window in his painting?
How does the narrator justify his decision to wait for the woman to speak to him first?
How does the narrator justify his decision to wait for the woman to speak to him first?
What is the significance of Castel asking "¿Éste es el edificio de la Compañía T.?" (Is this the Company T. building)?
What is the significance of Castel asking "¿Éste es el edificio de la Compañía T.?" (Is this the Company T. building)?
After meeting María, Castel reflects that he should have been kinder and less forceful. What motivated this feeling?
After meeting María, Castel reflects that he should have been kinder and less forceful. What motivated this feeling?
Why does Castel become upset when Maria, during their first conversation, mentions that she isn't an art critic?
Why does Castel become upset when Maria, during their first conversation, mentions that she isn't an art critic?
What does Castel say to Maria to try and justify how much she means to him already?
What does Castel say to Maria to try and justify how much she means to him already?
What conclusion does Castel come to when Maria tells him that the word 'elogiable'(praiseworthy) isn't suitable for describing his art.
What conclusion does Castel come to when Maria tells him that the word 'elogiable'(praiseworthy) isn't suitable for describing his art.
How does Castel respond to Maria when she says that she can't help him and that he ought to stay away?
How does Castel respond to Maria when she says that she can't help him and that he ought to stay away?
What idea begins to take root after Castel leaves Maria having heard Hunter's name?
What idea begins to take root after Castel leaves Maria having heard Hunter's name?
What is the meaning of Allende's quote "María uses always its name of single woman"?
What is the meaning of Allende's quote "María uses always its name of single woman"?
How could María's letter with the phrase "I also think about you" be interpreted?
How could María's letter with the phrase "I also think about you" be interpreted?
What about that scene with the letter disturbs Castel the most?
What about that scene with the letter disturbs Castel the most?
What conclusion does Castel come to when he realizes the housemaid wasn't surprised that he had the family phone number?
What conclusion does Castel come to when he realizes the housemaid wasn't surprised that he had the family phone number?
What decision does Castel come to after sleeping badly and dreaming of becoming a bird?
What decision does Castel come to after sleeping badly and dreaming of becoming a bird?
How does Castel convince himself that he won't kill Hunter?
How does Castel convince himself that he won't kill Hunter?
What was the main thing that Castel asks Maria to do, on the phone?
What was the main thing that Castel asks Maria to do, on the phone?
What does Castel feel when she has been kind and tender, but at the same time, he thinks he is close to discovering she was dishonest?
What does Castel feel when she has been kind and tender, but at the same time, he thinks he is close to discovering she was dishonest?
Why didn't Castel try to physically harm Maria before, according to Castel?
Why didn't Castel try to physically harm Maria before, according to Castel?
Why does Castel think to set fire to some letters?
Why does Castel think to set fire to some letters?
After writing a seemingly sweet, heartfelt letter, what makes Castel reverse and become cold?
After writing a seemingly sweet, heartfelt letter, what makes Castel reverse and become cold?
Why was it so important to Castel that Maria had been unfaithful to him?
Why was it so important to Castel that Maria had been unfaithful to him?
What had Castel been seeing in his dreams?
What had Castel been seeing in his dreams?
What did Castel tell Hunter and his wife to prompt them to ask him into the estate.
What did Castel tell Hunter and his wife to prompt them to ask him into the estate.
What is Castel's biggest mistake in the end, according to his own words?
What is Castel's biggest mistake in the end, according to his own words?
Why did he never attempt to leave Maria when there was still time to save the relationship?
Why did he never attempt to leave Maria when there was still time to save the relationship?
According to Castel, what was that they were together?
According to Castel, what was that they were together?
Where does Castel feel his true nature as a murderer comes from?
Where does Castel feel his true nature as a murderer comes from?
What does Castel lament near the end?
What does Castel lament near the end?
What thought brought some measure of joy to the narrator as he waited?
What thought brought some measure of joy to the narrator as he waited?
How did Maria initially react to Castel killing her?
How did Maria initially react to Castel killing her?
What about Allende did the narrator want to know?
What about Allende did the narrator want to know?
What action does the narrator undertake after taking flight?
What action does the narrator undertake after taking flight?
What is the final opinion of the nurse.
What is the final opinion of the nurse.
What is left as a final thought in this narrative?
What is left as a final thought in this narrative?
Flashcards
¿Quién es Juan Pablo Castel?
¿Quién es Juan Pablo Castel?
Juan Pablo Castel, a painter, confesses to killing María Iribarne, believing everyone remembers the crime.
Memoria colectiva
Memoria colectiva
The idea that people selectively forget negative events, leading to a romanticized view of the past
¿A quién está dedicada la novela?
¿A quién está dedicada la novela?
Rogelio Frigerio is thanked for friendship that has withstood hardships and differing ideas.
Maternidad
Maternidad
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¿Quién entiende la pintura?
¿Quién entiende la pintura?
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¿Qué impide conocerla?
¿Qué impide conocerla?
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¿Por qué critica a los artistas?
¿Por qué critica a los artistas?
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Familas numerosas
Familas numerosas
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¿Que detesta del psicoanálisis?
¿Que detesta del psicoanálisis?
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¿Qué pasa en la calle?
¿Qué pasa en la calle?
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¿Qué dice María sobre la pintura?
¿Qué dice María sobre la pintura?
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¿Qué piensa cuando busca a María?
¿Qué piensa cuando busca a María?
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¿Qué dice María?
¿Qué dice María?
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¿Por qué la busca Castel?
¿Por qué la busca Castel?
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¿Cuando se vuelven a ver?
¿Cuando se vuelven a ver?
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¿La quiere Castel?
¿La quiere Castel?
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¿Que siente Castel?
¿Que siente Castel?
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Study Notes
Summary of "El Túnel" by Ernesto Sabato
- Juan Pablo Castel declares he killed María Iribarne and assumes people remember the case.
- He believes collective memory is a defense mechanism, as only negative events are forgotten.
- Castel remembers negative events instead, comparing his memory to a museum of shame.
- He believes that criminals are cleaner and more harmless than others in society as they are eradicated swiftly.
- He regrets not having killed six or seven people when he had the chance arguing that it is better to remove toxic people from society
The Author
- Castel is motivated to write about his crime because of vanity, though he feigns indifference to others' opinions.
- He recognizes vanity as a driving force behind human progress.
- He finds vanity in unexpected places, like beside kindness and generosity.
- Even figures like Einstein and Christ exhibited vanity in subtle forms.
The Narrator
- The narrator initially intends to provide no explanations of what has happened.
- Instead, he hopes at least one person can understand him by reading his manuscript.
- The person who could understand him, however, is the person he killed.
The Protagonist
- Castel aims to impartially narrate the events leading to María's death.
- At the Spring Salon of 1946, Castel displays a painting called "Maternidad."
- The painting features a solitary beach scene with a woman gazing at the sea through a small window.
- Only one person recognizes the scene's anxious and absolute solitude as essential.
- Castel is disturbed by the fear that comes with betting everything to one number.
- He returns to the salon daily, but she does not reappear further inflaming his desperation.
- He paints only for her, letting the small scene take over his entire canvass.
The Serendipitous Meeting
- Castel sees the woman from the salon, who he recognizes immediately.
- He had planned for this occurrence.
- He is timid and cannot start a conversation which is a constant source of shame for Castel.
- He felt condemned to remain absent from the lives of all women.
- The woman goes to a painting salon so if he saw her there, the conversation would commence at a display.
- He detests all kinds of groups including professions and other kinds of sects because they repeat the same attributes.
- He has to avoid women with similar features to avoid negative experiences in his life.
Interactions at The Clinic
- Castel goes to see Dr. Prato who says he is going to a social where Castel has to go out.
- He is introduced and finds that this is a psychoanalysis social.
- He meets Dr. Goldenberg there and realises they detest what he is doing.
- The social is very elite and he feels out of place as he is wearing old clothes and others are well above what he understands.
- He escapes to normal people selling newspapers and feels more happy there.
The Hunt Commences
- Castel needed to attend an exhibition to find the woman from the salon but the opportunity closed.
- He considers whether their common friends could do a presentation but cannot figure how this would occur.
- He could ask his friends about a woman answering the image in his head.
- This was abandoned.
- He realised it was difficult getting with her.
- He had to fall to the streets and how certain men initiate these kind of meetings.
- She has to make the first move which was not really tenable.
- This was depressing for him.
- He imagines the woman asking where a bus or direction was and he had prepared lines for all occasions.
- She could ask him about art.
- Another method was used which was to simply ask why she was looking at the ventanita.
- The process was exhausting coming to a conclusion that he would never achieve anything.
An Introduction
- When she walks again on the same street, he remembers all that had to be done, but that it was she who acts and how she would handle herself.
- He decides to follow her into the T public building.
- As there was nobody in the lift, he asks whether this was the T public building.
- This comment was stupid as there was a sign out front.
- She was blushing as she watched at what was going on.
- He asks why she was blushing and explains that this is no simple discussion and they need to discuss the ventanita.
- She thought I was too simple.
- She asked the Ventanita? What does it mean? and I knew then it was just too silly.
- He apologises and leaves.
- She then chases Juan Pablo.
- She was afraid and did not know I was going to pursue her.
- She explained something so she didn't hear my comment.
- She wanted to know if anyone would remember.
- So I grabbed her arm.
- Her comment was she will remember what was said forever.
- From there she took off and almost running.
- He considered that I would see her at her work and decided to relax.
The Chase
- Castel is angry, wondering who told her that I was at the office
- Perhaps only people working there come, I got more vertiginous
- It was to be known for more months or maybe forever, it provided despair.
- After seeing that to not disturb anyone again.
- She explained that things just happen and it could be that one did not recognise everything.
- After a hours time he looked up more opportunities that could exist by 3 assumptions
- I decided to be more certain for the possibility of the workplace and to ask the people coming out of the T.
Possibilities
- His mind was the thoughts of clarity and to have to think.
- It had to order the ideas because of what happened with Maria
- She had to explain how, or she would enter the shop.
- So he had to wait until she made it.
- Also she had to consider whether it could be left any more than it had with me.
- It was about two opportunities he had but then what could he do at that time.
- He went home and thought she had a good memory.
- If the sentence was about something then the heart may beat fast, and it was about to open for himself.
- It took time to explain and it was important to say what was important.
- "It is a necessary thing"
The Reunion
- Next day I stood at doors from public offices T very soon the worker came and it was very clear that the worker did not appear.
- Only left the possibility that she was angry because someone was visiting.
- Still remained possible that she had to visit her office that morning.
- He felt devastated.
- Only was he able to see her come out of the subway.
- He grabbed her and proceeded to take to San Martín place because he had a great deal to explain.
- He felt he had strength and could take what came.
- She resisted.
- I want to tell her "I knew what I wanted."
- It was an expression that he heard the 1st day.
- Do you know why you fled he asked? "No"
- Do any of this make any sense.
- She said I'm no one and you have no idea what you mean.
- I think she has a lot to do with you.
- "I'm a great painter no idea?" that it was important for him to provide.
Explanations
- He was always right as a painter.
- Can I trust you with everything I will provide to you? The idea was about to have to see it now because the man has found it to find a man of that kind.
- There as a person who has to come to all of you like a place on your face as has to look at it with everything that is there.
- What you feel for me he asked? It was a question to be asked. The reply was hard.
- Why do I want to know and not stop all the people who come with things of a new way then there would have to be other needs.
- I understand what is thought here you know this image it is to have everything in here. What an extraordinary image it is there you have to know.
- It is impossible to live that way now, I need to get back to you because I had the life of a lifetime of work.
A Letter is Sent
- Embarrassed to say that you desired to see me a little while ago or that it should never go away again
- Though his memory is still very real.
- The woman said had to go that night as a lot of people were here.
- It was hard to speak.
- Do not say that the beginning will be done with only 2 short words.
- This was good and had to say she came to say with depression
The Response
- His night passed with anxiety.
- Could not paint, went to Carrientes and the strangest thing was, was being good to all people he did feel not much a part of this.
- Only the people isolated do know him it has and can be nice or what ever but human beings get bad and get nasty
The Telephone
- Phone call at 10.
- Got the name and she was on the other side when she said
- Went to the side so called Castel
- Did leave a message
- She was able to understand I could wait.
Reflections
- Got home to see had to find before and not the people involved.
- What was done to do, to give it her all
- After it we had did what the other would had to say to think
- From where so long does it take.
- To the rest he had an interest.
- So I was all the more important to them in this
The Next Step
- Here I took the note after going all what had happened
- She wrote thought from this then to her.
- This one can change the way to start
Difficulties Explored
- The letter had to know just how much she was at each stage.
- The way that his wife was that.
- Only one person with the story is from him but it went out bad.
Analysis
- Was still now at my home for now
- Said will had a look at her note .
Doubts
- More to think it with had come from and the other one said
- Does can be see on something .
Realisation
- Not will take note.
En Route
- Will has. Do not look.
Final Analysis
- See all as will but one has got to help.
- Everything that has taken him to do that again of.
Letter Received
- She wrote for with the words so now will do for with us was for to .
All the Same
- Her. It and a and a .
Confrontation
- That was that everything is to change.
Meeting Again
- To see you.
The Explanation
- Why as does as had done and what as can get does .
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