Drum kit mics

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Questions and Answers

Which microphone is recommended for capturing the 'kick in' drum sound?

  • Shure SM57
  • AKG XLII
  • Neumann KM184
  • Audix D6 (correct)

What type of microphone is the Neumann KM184, which is used on the hi-hat?

  • Dynamic
  • SDC (correct)
  • LDC
  • Ribbon

Which of the following mics has a super cardioid polar pattern?

  • Shure SM57 (snare top)
  • Neumann KM184 (hi-hat)
  • Shure M X41 8D/S (talk back mic) (correct)
  • AKG XLII (crash cymbals)

Which microphone technique is employed for the snare bottom?

<p>Flipping the phase 180 degrees (D)</p> Signup and view all the answers

What is the recommended EQ setting for the hi-hat microphone?

<p>Pad engaged with a 12dB shelf cut at 200Hz (D)</p> Signup and view all the answers

Which microphone is specified for miking the toms (1,2,3)?

<p>Sennheiser MD421 (A)</p> Signup and view all the answers

For the Sennheiser MD421 on toms, what is the function of the 'M' setting?

<p>It engages a specific frequency response curve. (A)</p> Signup and view all the answers

For both crash cymbal microphones(left and right), which EQ setting is recommended on the console?

<p>A 12dB shelf boost at 200Hz (D)</p> Signup and view all the answers

Which characteristic is specific to the AKG XLII microphone's polar pattern when used for overheads?

<p>Cardioid (narrow) (A)</p> Signup and view all the answers

What is a 'shortie boom stand' primarily used for in the context of drum miking?

<p>To position microphones close to the floor (A)</p> Signup and view all the answers

What type of microphone is recommended for the 'kick out' drum?

<p>AKG D12VR (B)</p> Signup and view all the answers

For the listed drum microphones, which requires 48V phantom power?

<p>AKG D12VR (kick out) (C)</p> Signup and view all the answers

Which model of Shure microphone is used for both the snare top and snare bottom?

<p>Shure SM57 (A)</p> Signup and view all the answers

Which of the following microphones typically requires a 'Latchlake Boom Stand' due to its positioning or application?

<p>Overhead Microphones (Crash) (A)</p> Signup and view all the answers

What type of microphone is the Shure M X41 8D/S that is used as the talk back microphone?

<p>SDC (C)</p> Signup and view all the answers

On the AKG XLII used as overheads, what is the function of the pad?

<p>It attenuates the signal by a specific dB level. (D)</p> Signup and view all the answers

Which drum mic setup utilizes mics from two different manufacturers?

<p>Kick In and Kick Out (A)</p> Signup and view all the answers

Which instrument is miked with a microphone that has EQ settings applied on both the console and the microphone itself?

<p>Crash cymbals (L) (C)</p> Signup and view all the answers

For which of the following microphone placements is a pad NOT recommended?

<p>Talk Back (B)</p> Signup and view all the answers

Which of these microphone placements would most likely make use of a microphone with a large diaphragm?

<p>Crash Cymbals (D)</p> Signup and view all the answers

When positioning a kick-in microphone, what is the primary goal regarding snare bleed?

<p>To position the microphone at an angle that minimizes snare bleed. (B)</p> Signup and view all the answers

Why is it important to consult with the drummer about their hi-hat technique when miking the snare?

<p>To optimize snare mic placement based on where they typically strike the hi-hat. (C)</p> Signup and view all the answers

What is the key reason for miking each cymbal individually?

<p>To have individual control for panning and reject unwanted sounds from other cymbals. (C)</p> Signup and view all the answers

When using the AKG D12VR on the kick out, what is the primary purpose of the EQ switch?

<p>To switch between different frequency focuses. (B)</p> Signup and view all the answers

What is the main advantage of using a cardioid polar pattern for drum microphones?

<p>Rejecting unwanted off-axis noise and focusing on the direct sound source. (A)</p> Signup and view all the answers

What is the practical benefit of understanding a microphone's pickup and rejection characteristics when miking drums?

<p>It allows for strategic microphone placement to minimize bleed from other instruments. (B)</p> Signup and view all the answers

How does the proximity effect of a microphone influence its placement on a snare drum?

<p>It dictates the need for a high-pass filter to reduce muddiness. (B)</p> Signup and view all the answers

For a drummer who sometimes uses the ride cymbal as a crash cymbal, what adjustment should be made during soundcheck?

<p>Test the levels specifically when the ride cymbal is used as a crash to ensure proper gain staging. (C)</p> Signup and view all the answers

Why should the bottom snare microphone be positioned away from directly underneath the snare wires?

<p>To prevent an overly harsh or distorted sound from the snare wires. (A)</p> Signup and view all the answers

What is the primary reason for considering the rejection characteristics of a microphone used on the snare drum?

<p>To minimize bleed from the hi-hat and other nearby sound sources. (B)</p> Signup and view all the answers

Which of the following statements best describes the use of the Shure SM57 on the snare drum?

<p>It can be used on both the snare top and bottom due to its versatility. (A)</p> Signup and view all the answers

What is the significance of the HPF (High Pass Filter) on the Neumann KM 184?

<p>It helps eliminate low-frequency rumble and noise. (C)</p> Signup and view all the answers

When positioning a kick out mic, what is the significance of placing it close to the pedal?

<p>To minimize snare bleed (C)</p> Signup and view all the answers

What does the 'M' stand for on the MD421?

<p>Music (A)</p> Signup and view all the answers

What is the purpose of using the 'S' setting on the MD421?

<p>For speech (C)</p> Signup and view all the answers

Considering the AKG 414's sensitivity and pickup pattern, which drum element demands particular attention when using it?

<p>Cymbals (C)</p> Signup and view all the answers

What considerations should be made regarding the amount of snare and cymbal bleed when miking a drum kit?

<p>Snare and cymbals are usually loudest and cause most bleed (A)</p> Signup and view all the answers

What should the engineer ask the drummer about regarding the ride cymbal?

<p>If they will use a ride cymbal as a crash (C)</p> Signup and view all the answers

When using the Neumann KM 184, what is the function of the 'M' setting?

<p>Stands for music, mic gives all freqs (D)</p> Signup and view all the answers

When using the Neumann KM 184, how do the turns affect the mic?

<p>Every turn gives a HPF (A)</p> Signup and view all the answers

Flashcards

Kick In Mic

Used for the kick drum's inner sound, this mic is dynamic with a cardioid polar pattern.

Kick Out Mic

Also used for the kick drum, this mic is dynamic with a cardioid polar pattern.

Snare Top Mic

Used on the top of the snare drum, this mic is dynamic with a cardioid polar pattern.

Snare Bottom Mic

Used under the snare drum, this mic is dynamic with a cardioid polar pattern and requires phase to be flipped 180 degrees.

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Hi-Hat Mic

This small diaphragm condenser (SDC) mic with a cardioid polar pattern is used for the hi-hat.

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Tom Mic

This dynamic mic with a cardioid polar pattern is used for toms, and requires the frequency switch to be set to 'M'.

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Crash (L) Mic

This large diaphragm condenser (LDC) mic with a narrow cardioid polar pattern is used for the left crash cymbal.

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Crash (R) Mic

This large diaphragm condenser (LDC) mic with a narrow cardioid polar pattern is used for the right crash cymbal.

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Ride Mic

This small diaphragm condenser (SDC) mic with a cardioid polar pattern is used for the ride cymbal.

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Talk Back Mic

This small diaphragm condenser (SDC) mic with a super cardioid polar pattern is used for talkback.

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Audio D6 Microphone

A dynamic, cardioid microphone effective for capturing low-end frequencies, often used on kick drums.

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AKG D12VR Microphone

A dynamic, cardioid microphone with an EQ switch for frequency adjustments, suitable for kick drum applications.

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Shure 57 Microphone

A versatile dynamic, cardioid microphone commonly used on both the top and bottom of snare drums.

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Neumann KM 184 Microphone

A small diaphragm condenser (SDC) microphone with a cardioid polar pattern, known for capturing a full frequency spectrum.

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Microphone placement

Microphone that focuses on pickup and rejection of sound. Snare and cymbals are usually loudest and cause most bleed.

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Kick In Mic Placement

Position the kick in mic inside the kick drum at an angle that rejects sound from the snare.

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Kick Out Mic Placement

Place the kick out mic on the left side as close to the pedal as possible to reject the snare's sound.

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Bottom Snare Mic Placement

Position the bottom snare mic towards the middle of the snare head but avoid placing it too close or directly underneath the snare wires to prevent eq issues.

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Hi-Hat Mic Considerations

Ask the drummer where they will be hitting the hi-hat to optimize the mic placement.

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Cymbal Mic Placement

When recording each cymbal individually for panning, position the microphone facing the center of the cymbal to reject sound from other cymbals.

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Ride/Crash Cymbal Level Check

If a ride cymbal will also be used as a crash, test the levels during both ride and crash playing to ensure proper gain staging.

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Study Notes

Instrument Microphones

  • The Audix D6 dynamic microphone with a cardioid polar pattern is used for the kick in drum, good for low end frequencies.
  • The AKG D12VR dynamic microphone with a cardioid polar pattern is used for the kick out drum, and requires 48V for EQ switch, but the mic itself does not need 48V.
  • The Shure SM57 dynamic microphone with a cardioid polar pattern and pad is used for both the snare top.
  • The Shure SM57 dynamic microphone with a cardioid polar pattern and pad is used for the snare bottom, with the phase flipped 180 degrees.
  • The Neumann KM184 small diaphragm condenser (SDC) microphone with a cardioid polar pattern is used for the hi-hat, with pad and EQ on console at 200Hz @ -12db shelf; M stands for music, the mic gives all frequencies, every turn gives a HPF up to 5, S is for speech.
  • The Sennheiser MD421 dynamic microphone with a cardioid polar pattern is used for the toms (1, 2, 3), including a pad and frequency switch set to "M".
  • The AKG XLII large diaphragm condenser (LDC) microphone with a narrow cardioid polar pattern is used for the crash (L), and has a pad with EQ on console at 200Hz @ -12db shelf, as well as pad on the mic at -6dB and HPF at 160 Hz.
  • The AKG XLII large diaphragm condenser (LDC) microphone with a narrow cardioid polar pattern is used for the crash (R), and has a pad with EQ on console at 200Hz @ -12db shelf, as well as pad on the mic at -6dB and HPF at 160 Hz.
  • The Neumann KM184 small diaphragm condenser (SDC) microphone with a cardioid polar pattern is used for the ride, including a pad and EQ on console at 200Hz @ -12db shelf.
  • The Shure M X41 8D/S small diaphragm condenser (SDC) microphone with a super cardioid polar pattern is used for the talk back mic.

Miking Drums - Considerations

  • Pickup and rejection are key factors to consider when miking drums.
  • Snare and cymbals are usually the loudest and cause the most bleed.
  • Toms are also a factor to consider in terms of bleed.
  • The kick in mic inside the kick drum needs to be at an angle that rejects the snare.
  • Place the kick out mic on the left side as close to the pedal as possible for rejecting the snare.
  • Direct the bottom snare mic towards the middle of the snare head, but not too close or directly underneath the medal strands due to messing up the EQ.
  • For the snare, ask the drummer what part of the hi-hat they’re going to hit.
  • Mic each cymbal individually for panning, facing the center and rejecting other cymbals.
  • Ask if the drummer will use a ride cymbal as a crash; then test the levels when it's used as a ride or crash.

Stands

  • Shortie boom stands are used
  • Latchlake boom stands are also used

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