Drama Translation Principles and Strategies

<p>As an example of a cultural element to explain in translations. (C)</p> Signup and view all the answers

<p>Farces and light comedies. (A)</p> Signup and view all the answers

<p>To retain the humorous or satirical effect. (B)</p> Signup and view all the answers

<p>To better suit contemporary audiences and their interpretations. (B)</p> Signup and view all the answers

<p>Successfully conveying cultural references and subtleties. (A)</p> Signup and view all the answers

<p>Speakability (C)</p> Signup and view all the answers

<p>Adaptation (B)</p> Signup and view all the answers

<p>Correct and cogent rendering (D)</p> Signup and view all the answers

<p>It is presented as a new creation inspired by the original. (C)</p> Signup and view all the answers

<p>Theatrical style (C)</p> Signup and view all the answers

<p>It exists in both written text and performed script forms. (A)</p> Signup and view all the answers

<p>Literal rendering (C)</p> Signup and view all the answers

<p>To produce a version that honors both the written text and the performed script. (A)</p> Signup and view all the answers

Translating for the stage requires unique considerations compared to other genres, with 'speakability' being paramount, meaning actors have to be able to deliver lines convincingly, naturally, and efficiently.

The fidelity of a translation is less important than how easily actors can deliver the lines on stage.

A type of drama translation that focuses on strict literalism, resulting in awkward and unnatural language.

A type of drama translation that prioritizes clear and understandable English while remaining faithful to the original script.

A type of drama translation that takes liberties with the original script, making cuts, adding scenes, and altering style and tone.

A type of drama translation where the original work is used as inspiration, resulting in a significantly different play, almost a creation of its own.

While adaptations and variations can be performed, only translations that faithfully represent the source material without significant alterations can be truly considered translations.

A play exists as both a written text and a performed script, emphasizing the importance of translating considering both aspects.

In play translation, the goal is not just to change words but to recreate meaning that works both as written text and live performance, considering both text and performance aspects.

The translator collaborates with actors and directors to make implicit elements in the original text explicit for the audience.

The translator provides notes to explain cultural references and paraverbal elements in the original text, making the text accessible to the target audience.

The translator needs to carefully consider the cultural context of the original play and provide appropriate information for the target audience.

The translator's role extends beyond the text to include active participation in rehearsals, ensuring the play is accurately and effectively staged.

Light dramas, like farces, are often adapted rather than literally translated, focusing on preserving the humor and overall effect of the play.

Classic plays are often retranslated for new productions, ensuring the text is accessible and relevant to contemporary audiences.

Textual modifications are often necessary to ensure that the translated play retains its intended effect, even if it means altering the original text.