Podcast
Questions and Answers
When working on a production, a lighting designer relies on many tools to create the look and feel of a show. Most of them are based on the qualities or characteristics of light they can control. These include intensity (how bright or dim the light is), directionality (where the light is coming from), and the subject of this article ― ____________.
When working on a production, a lighting designer relies on many tools to create the look and feel of a show. Most of them are based on the qualities or characteristics of light they can control. These include intensity (how bright or dim the light is), directionality (where the light is coming from), and the subject of this article ― ____________.
color
Designers will use light to affect all of these factors as they work with the rest of the creative team to tell a ____________.
Designers will use light to affect all of these factors as they work with the rest of the creative team to tell a ____________.
story
To look at color, we need to analyze its building blocks. Many of us learn the primary colors in elementary school, but it is important to distinguish between primary colors of pigment (paints, dyes, or inks) and primary colors of ____________.
To look at color, we need to analyze its building blocks. Many of us learn the primary colors in elementary school, but it is important to distinguish between primary colors of pigment (paints, dyes, or inks) and primary colors of ____________.
light
The primary colors of pigment are ____________, blue, and yellow.
The primary colors of pigment are ____________, blue, and yellow.
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With these three colors of paint, it is possible (in theory) to create every ____________.
With these three colors of paint, it is possible (in theory) to create every ____________.
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