Blockbuster Films of the 1970s

Films designed to appeal to a wide audience and generate significant box office revenue.

A period in film history characterized by a shift towards grittier, more realistic and cynical storytelling.

A collection of works considered to be the most significant and influential in a particular field.

The process of establishing a work of art as a standard example for study and appreciation.

A group of filmmakers known for their artistic vision and commercial success, who emerged in the 1970s.

The use of music in a way that contradicts or subverts the tone or mood of the scene.

A musical theme or melody associated with a character, place, or idea in a film.

The use of music to enhance the emotional impact or mood of a scene in a film.

Repetitive musical patterns used to create tension and suspense in film music.

A musical meter with an uneven beat, often used to create a sense of discomfort or uneasiness.

A musical technique that uses a series of notes that are not in a standard musical scale, emphasizing the sounds' dissonant quality.

A type of music that sounds similar to regular piano music but is actually created using electronic instruments.

A musical technique that incorporates multiple layers of sound to create a fuller and more complex sonic experience.

A musical theme used in the film "Psycho" that creates a sense of shock and unease with its high-pitched, sudden appearance.

The use of music to create a desired emotional or atmospheric effect in a film.

Creating different sounds by manipulating sound waves using electronic devices.

A genre of music that uses electronic instruments and technology to create a unique sound.

John Williams's score for "Jaws" features a recurring two-note motif that repeats continuously, similar to an ostinato.

A musical technique where a short melodic phrase or rhythm is repeated continuously throughout a composition, creating a sense of persistence or tension.

John Williams's scores often blend styles and techniques from various composers, like Stravinsky and Bernard Herrmann.

The main theme of "Star Wars" associated with Luke Skywalker is a fanfare-like theme with a wide range and energetic melody, using triplets and perfect intervals.

The main Force theme in "Star Wars" is associated with Obi-Wan Kenobi and reflects the mystical and spiritual aspect of the Force.

The Force theme in "Star Wars" shares similarities with the Blue Skyward theme, such as the beginning interval and ascending trajectory, suggesting a connection between them.

The music in "Star Wars" is used to directly characterize characters and actions, like Luke's heroic theme and Princess Leia's lyrical theme.

The musical theme associated with Princess Leia breaks the traditional mold of feminine romantic leads, reflecting her independent and heroic character.

The use of music in "Star Wars" is similar to the Cornwall approach, where music directly depicts characters and their journeys.

The "Star Wars" themes reflect characters' destinies and the themes of the Force, including its good and dark sides.

Princess Leia's theme in "Star Wars" is introduced when she is first presented in the film, highlighting her character and her defiance of traditional feminine characters.

The "Star Wars" themes have upward sweeping gestures, contrasting with the downwards motion of themes in films like "The Godfather."

Music in "Star Wars" introduces characters, like the Imperial March for Darth Vader, and the use of source music to subtly indicate Han Solo's character.

Han Solo's theme in "Star Wars" is a jazzy score that is played as background music, suggesting his initially ambiguous nature.

Han Solo's character in "Star Wars" shares similarities with Rick from "Casablanca," both initially uncommitted to a cause and needing to be persuaded.

Music effectively divides the Cantina scene in "Star Wars," using distinct musical styles to demarcate sections and create atmosphere.

The music in the cantina scene is characterized by unclear jazz, creating a sense of ambiguity and uncertainty, unlike the clear heroic or lyrical themes elsewhere.

Music can effectively signal changes in a story, like the introduction of a new character in "Star Wars" with the theme of Han Solo.

The climactic sequence in "Star Wars" where Luke joins to attack the Death Star is divided into three parts by the music, guiding the audience through the action.

The electronic score of "Halloween" reflects the emerging trend of electronic music in films of the late 1970s and 1980s.