History of art critical veiw

The looted objects are still today politically loaded. By wole Soyinka

• “I think the fact that I was displaced – that I did not belong to any particular place – was critical because there was no stereotype I had to follow” (Zaha Hadid, on Identity)

• “like sinuous whirls of whipped cream…a mountain range of peaks…swooping curves and flowing space” (Oliver Wainwright)

<ul> <li>“A symbolic representation of the horror as seen in my own mind” - Picasso</li> </ul> Signup and view all the answers

<p>‘I believe that Canva’s reasons were essentially political’ by Christopher johns</p> Signup and view all the answers

<p>“I am not really an artist”. - Catalan</p> Signup and view all the answers

<ul> <li>Robert Hughes: ‘greatest anti-war manifesto’</li> </ul> Signup and view all the answers

<ul> <li>‘If I had tried to show bodies that were still agreeable to look at, I would have betrayed my subject’.</li> </ul> Signup and view all the answers

<ul> <li>Deller said ‘it was presented in as neutral a way as possible’</li> </ul> Signup and view all the answers

<p>A permanent monument to the glory of French soldiery.’ ( Ambroise Tardieu,</p> Signup and view all the answers

<p>“I was keen for it not to be patriotic”</p> Signup and view all the answers