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Study Notes

The Emergence of Modernist Literature and Art

Early modernist writers rejected the idea of being reliable representatives of mainstream culture and developed unreliable narrators to expose the irrationality of a supposedly rational world.
Modernist writers attempted to address changing ideas about reality developed by influential figures such as Darwin, Mach, Freud, Einstein, Nietzsche, and Bergson.
Innovative literary techniques such as stream-of-consciousness, interior monologue, and multiple points-of-view emerged as a result of modernism.
Modernism was already present in works such as Joseph Conrad's Heart of Darkness and Alfred Jarry's Ubu Roi before World War I.
Modernist art movements such as Expressionism, Fauvism, and Cubism emerged in the early 1900s.
Sherwood Anderson's Winesburg, Ohio is considered an early work of modernism for its plain-spoken prose style and psychological insight into characters.
James Joyce's Ulysses epitomizes modernism's approach to fiction with its depiction of events during a twenty-four-hour period in the life of the protagonist and its use of innovative techniques.
T.S. Eliot described modernism's qualities and the mythical method employed in Ulysses as a step towards making the modern world possible for art.
Eliot's own modernist poem, The Waste Land, mirrors the fragmentation and decay of Western culture through its structure and use of fertility symbolism and quotations.
In Italian literature, modernism is embodied by poets such as Eugenio Montale, Giuseppe Ungaretti, and Umberto Saba who broke with traditional style, language, and tone and incorporated new cultural ideas.
Modernist literature and art sought to obfuscate genre boundaries by making prose poetical and poetry prose-like.
Gertrude Stein's abstract writings, such as Tender Buttons, have been compared to the fragmentary and multi-perspective Cubist paintings of her friend Pablo Picasso.

"Summary of Dubliners and 1984"

Dubliners:

A collection of 15 short stories, most of which have minimal plots and focus on individual Dubliners or particular scenes.
Joyce carefully arranged the stories to develop complex patterns and a sense of progression from childhood to adulthood.
The stories explore distinctly adult problems, from parenthood to substance abuse to politics.
The protagonist of the first three stories is a boy, while the fourth story initiates a shift from childhood to adolescence.
The next three stories follow adolescent protagonists and their coming-of-age challenges.
The following two stories feature men unsatisfied with family and work life.
The remaining stories follow various adult characters and explore adult problems.
Joyce's style is precise and economical, typical of the short story form.

1984:

Set in Oceania, a nation controlled by the Party, which controls everything, including history and language.
Winston, a low-ranking member of the Party, dislikes the oppression and rigid control of the Party, which prohibits free thought, sex, and individuality.
Winston has illegally purchased a diary and has become fixated on O'Brien, a powerful Party member who he believes is a secret member of the Brotherhood, a group working to overthrow the Party.
Winston begins a covert affair with a coworker named Julia, but they are eventually caught and taken to the Ministry of Love.
O'Brien, who Winston believed was a member of the Brotherhood, is revealed to be a Party spy who tortures and brainwashes Winston.
In the dreaded Room 101, Winston is forced to confront his worst fear, and he gives up Julia, his spirit broken.
Winston accepts the Party entirely and has learned to love Big Brother.

Description

Think you know all about the emergence of modernist literature and art? Test your knowledge with this quiz! From influential figures to innovative techniques, explore the key elements that defined modernism in literature and art. Discover how writers and artists broke with tradition and challenged the mainstream culture of their time. Get ready to delve deep into the world of modernism and see how much you really know!