Podcast
Questions and Answers
The description of North Richmond Street as 'blind' and the uninhabited house at its end primarily symbolize:
The description of North Richmond Street as 'blind' and the uninhabited house at its end primarily symbolize:
- The religious influence and the proximity to Christian Brothers' School.
- The street's physical layout and architectural design.
- The narrator's limited perspective and the street's lack of vitality. (correct)
- The historical context of Dublin streets in the early 20th century.
The narrator's discovery of books and a rusty bicycle-pump in the priest's former room suggests:
The narrator's discovery of books and a rusty bicycle-pump in the priest's former room suggests:
- The priest's diverse interests and hobbies during his life.
- A sense of decay and forgotten memories associated with the previous inhabitant. (correct)
- The narrator's fascination with objects from the past and their historical value.
- The narrator's intention to emulate the priest's charitable nature and lifestyle.
The phrase 'Her name was like a summons to all my foolish blood' indicates:
The phrase 'Her name was like a summons to all my foolish blood' indicates:
- A deep, spiritual connection the narrator feels with Mangan's sister.
- The overwhelming and irrational nature of the narrator's infatuation. (correct)
- The narrator's rational and considered approach to his feelings for Mangan's sister.
- The narrator's belief that Mangan's sister is aware of and reciprocates his feelings.
The descriptions of the Dublin streets on Saturday evenings, filled with 'drunken men and bargaining women,' contrast most strongly with:
The descriptions of the Dublin streets on Saturday evenings, filled with 'drunken men and bargaining women,' contrast most strongly with:
When the narrator says he 'imagined that I bore my chalice safely through a throng of foes,' this reveals:
When the narrator says he 'imagined that I bore my chalice safely through a throng of foes,' this reveals:
The narrator's statement 'I was thankful that I could see so little' in the priest's drawing-room suggests:
The narrator's statement 'I was thankful that I could see so little' in the priest's drawing-room suggests:
Mangan's sister's inability to attend Araby due to a convent retreat primarily functions as:
Mangan's sister's inability to attend Araby due to a convent retreat primarily functions as:
The narrator's chafing 'against the work of school' after his conversation with Mangan's sister illustrates:
The narrator's chafing 'against the work of school' after his conversation with Mangan's sister illustrates:
The aunt's surprise and query about whether Araby is a 'Freemason affair' suggests:
The aunt's surprise and query about whether Araby is a 'Freemason affair' suggests:
The uncle's forgetfulness regarding the money for Araby and his recitation of 'The Arab's Farewell to his Steed' serve to:
The uncle's forgetfulness regarding the money for Araby and his recitation of 'The Arab's Farewell to his Steed' serve to:
Mrs. Mercer's presence and gossip at the tea-table primarily function to:
Mrs. Mercer's presence and gossip at the tea-table primarily function to:
The description of the train journey to Araby as an 'intolerable delay' and the carriage as 'deserted' emphasizes:
The description of the train journey to Araby as an 'intolerable delay' and the carriage as 'deserted' emphasizes:
The bazaar's 'silence like that which pervades a church after service' suggests:
The bazaar's 'silence like that which pervades a church after service' suggests:
The 'Café Chantant' with 'two men counting money on a salver' symbolizes:
The 'Café Chantant' with 'two men counting money on a salver' symbolizes:
The young lady's conversation with the two gentlemen and her dismissive interaction with the narrator primarily serve to:
The young lady's conversation with the two gentlemen and her dismissive interaction with the narrator primarily serve to:
The phrase 'Gazing up into the darkness I saw myself as a creature driven and derided by vanity' indicates:
The phrase 'Gazing up into the darkness I saw myself as a creature driven and derided by vanity' indicates:
The use of sensory details throughout the story, such as 'odours arose from the ashpits' and 'cold air stung us,' contributes to:
The use of sensory details throughout the story, such as 'odours arose from the ashpits' and 'cold air stung us,' contributes to:
The narrative perspective of 'Araby' is best described as:
The narrative perspective of 'Araby' is best described as:
The title 'Araby' is significant primarily because it represents:
The title 'Araby' is significant primarily because it represents:
Which of the following themes is most central to 'Araby'?
Which of the following themes is most central to 'Araby'?
Flashcards
North Richmond Street
North Richmond Street
The story's setting; a quiet, North Dublin street, marked by a detached, uninhabited house and an air of past secrets.
Narrator's House
Narrator's House
The narrator's home, previously occupied by a priest, filled with musty air, old books, and a wild garden containing a central apple-tree.
Narrator's Affection
Narrator's Affection
The narrator's intense infatuation and idealized view of Mangan's sister. He hardly knows her, but is overtaken by her thought.
The Bazaar Plan
The Bazaar Plan
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Uncle's Forgetfulness
Uncle's Forgetfulness
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Araby Disappointment
Araby Disappointment
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The Epiphany
The Epiphany
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Araby as Symbol
Araby as Symbol
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Narrator's Journey
Narrator's Journey
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Study Notes
Setting and Atmosphere
- North Richmond Street described as quiet except when the Christian Brothers' School dismissed its students.
- An uninhabited two-story house stood detached at the end of the street
- Other houses on the street were "conscious of decent lives" and had "brown imperturbable faces".
- The former tenant, a priest, passed away in the back drawing-room
- A musty atmosphere filled the rooms, along with old, useless papers in the waste room.
Objects and Books
- The narrator found paper-covered books in the waste room, including 'The Abbot', 'The Devout Communicant', and 'The Memoirs of Vidocq'.
- The narrator favored "The Memoirs of Vidocq" because its pages were yellow.
- The garden had a central apple-tree, straggling bushes, and the priest's rusty bicycle-pump.
The Priest's Legacy
- The priest was charitable and left his money to institutions
- He bequeathed his furniture to his sister.
Winter Evenings
- Dusk arrived early during the short winter days.
- Houses appeared sombre in the streets as evening approached.
- The sky was violet hued, while the street lamps cast feeble light.
- The children played until they glowed from the cold, their shouts echoing.
- Play led through dark, muddy lanes behind the houses.
- This involved navigating rough areas between cottages and dark gardens with unpleasant smells.
- The areas included odorous stables where a coachman groomed a horse.
- Light filled the areas from kitchen windows upon returning to the street.
The Narrator's Infatuation
- The narrator and his friends would avoid the uncle
- They would also observe Mangan's sister when she called her brother for tea.
- The narrator watched Mangan's sister from the shadows, fascinated by her presence.
- He admired her figure in the light of the half-opened door.
Obsessive Thoughts
- Every morning, the narrator watched Mangan's sister from the front parlor window.
- He secretly followed her to school, always keeping her in sight
- He never spoke to her beyond a few words
- He was deeply infatuated with her.
Fantasies and Reality
- The narrator's thoughts of Mangan's sister were all-consuming
- During Saturday evenings, while accompanying his aunt marketing, he felt like he carried a chalice safely through enemies.
- He would walk through flaring streets, jostled by men and women together
- The air would be filled with "curses of labourers", "the shrill litanies of shop-boys", and "nasal chanting of street-singers".
- The street-singers sang about O'Donovan Rossa and troubles in their native land.
- Her name came to his lips during strange prayers and praises.
- He felt emotional and overwhelmed.
- He was unsure whether he would confess his adoration, his body feeling like a harp to her touch.
Desperate Yearning
- One rainy evening, the narrator sat in the back drawing-room where the priest had died.
- He heard the rain and saw a distant lamp
- He felt thankful he could not see much, desiring to conceal his senses.
- He pressed his hands together, trembling and murmuring "O love! O love!".
The Conversation and the Promise
- Mangan's sister asked if he was going to Araby, expressing her desire to go.
- She mentioned a convent retreat prevented her from attending.
- While speaking, she turned a silver bracelet on her wrist.
- She stood near the railings and he noticed the light on her neck, hair, and dress.
- The narrator offered to bring her something from Araby
Anticipation and Frustration
- The narrator was consumed with thoughts of Araby after this conversation.
- He found the intervening days tedious, and schoolwork unbearable
- He asked for permission to go to the bazaar on Saturday night.
Saturday's Disappointments
- The narrator's uncle was curt when reminded about the bazaar
- The narrator felt the house's bad humour and reluctantly went to school.
- Upon returning home, his uncle was late, causing further irritation.
- He retreated to the upper rooms, watching his companions play from the window.
- He imagined the figure of Mangan's sister in the lamplight.
Delays and Forgetfulness
- Mrs Mercer's extended visit prolonged the evening
- His uncle arrived late, having forgotten about the bazaar.
- The aunt urged the uncle to give the narrator the money.
- The uncle apologized, quoting "All work and no play makes Jack a dull boy."
- He inquired about the bazaar
- He began reciting "The Arab's Farewell to his Steed."
Journey and Arrival
- The narrator hurried to the station with a florin.
- The busy streets reminded him of his goal.
- He traveled in a deserted train.
- At Westland Row, a special train for the bazaar awaited.
- He arrived at the bazaar at ten minutes to ten.
The Bazaar's Reality
- The narrator found no sixpenny entrance and paid a shilling.
- The hall was mostly dark with closed stalls and a church-like silence.
- Two men counted money under colored lamps near a "Café Chantant" curtain.
Disillusionment
- The narrator examined porcelain vases at a stall.
- An interaction with a young lady talking with two men resulted in disappointment
- The tone of the lady was not encouraging
- He realized his efforts were futile and walked away.
- He heard a voice announce the lights were out, plunging the hall into darkness.
- He saw himself as foolish and driven by vanity, filled with anguish and anger.
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