5.5 American Modernism

Study Notes

American Artists: Hopper and Stieglitz

Edward Hopper's "Office in a Small City" depicts a man isolated in a concrete building, gazing out through a window into the outside world.
"Nighthawks" is one of Hopper's most famous paintings, showcasing his use of light and the eerie glow of a diner's interior.
Alfred Stieglitz, born in New Jersey, played a significant role in elevating photography as an art form in America.
Stieglitz aimed to improve the perception of photography as an art form and opened the first of his galleries, "291".
Stieglitz's relationship with Georgia O'Keeffe influenced the focus of his work, leading to capturing emotional poses and fragmented parts in his photographs.
Stieglitz's photograph "The Terminal" marked the beginning of transforming photography from posed, still images to more painterly scenes.
Stieglitz's "The Steerage" depicts immigrants from Germany landing in New York and captures the lower classes and workers in his early photographs.
Stieglitz's images of Georgia O'Keeffe aimed to capture her story, emotions, and essence, rather than just a face.
Georgia O'Keeffe's reflections on Stieglitz's photography reveal his sharp eye and ability to capture her essence.
Hopper's "Office in a Small City" and "Nighthawks" showcase his attention to detail, use of light, and ability to convey isolation and seclusion.
Stieglitz's contribution to photography as an art form is evident in his pioneering techniques and his role in promoting American artists' work.
Both Hopper and Stieglitz made significant contributions to American art, with Hopper's paintings capturing isolation and Stieglitz's photography elevating the medium to an art form.