Untitled Quiz

<p>Sorella e cognato (B)</p> Signup and view all the answers

<p>Il suono dei tram (D)</p> Signup and view all the answers

<p>Una metafora per il destino (A)</p> Signup and view all the answers

<p>Il suo decadimento morale (C)</p> Signup and view all the answers

<p>Elia Kazan (B)</p> Signup and view all the answers

<p>La loro provenienza sociale e disuguaglianza di classe (A)</p> Signup and view all the answers

<p>Come fisico e brutale nella sua onestà (C)</p> Signup and view all the answers

<p>La sua corporeità muscolosa e fisica (A)</p> Signup and view all the answers

<p>Vive in un mondo di illusioni e bugie (D)</p> Signup and view all the answers

<p>È massiccio, sudato e muscoloso (A)</p> Signup and view all the answers

<p>La donna è l'oggetto dello sguardo (C)</p> Signup and view all the answers

<p>Rappresenta la marginalizzazione della working class (C)</p> Signup and view all the answers

<p>Cerca rifugio nelle bugie e nelle illusioni (B)</p> Signup and view all the answers

<p>Ha reso il metodo Stanislavskij una pietra miliare nel cinema. (A)</p> Signup and view all the answers

<p>Uso delle parole e suoni. (D)</p> Signup and view all the answers

<p>La posizione dell'attore nello spazio circostante. (B)</p> Signup and view all the answers

<p>Mostrare la nobiltà o la parte terrena dell'essere umano. (D)</p> Signup and view all the answers

<p>La disposizione degli elementi all'interno dell'inquadratura. (D)</p> Signup and view all the answers

<p>La spontaneità fisica. (B)</p> Signup and view all the answers

<p>Il messaggio visivo trasmesso da un costume. (D)</p> Signup and view all the answers

<p>Uno strumento per accentuare le emozioni. (B)</p> Signup and view all the answers

<p>La sessualità e la violenza (A)</p> Signup and view all the answers

<p>Un simbolo di femminilità fragile (A)</p> Signup and view all the answers

<p>Il metodo Stanislavski (A)</p> Signup and view all the answers

<p>Desiderio di essere ammirata (B)</p> Signup and view all the answers

<p>Attrazione mista a paura (D)</p> Signup and view all the answers

<p>Dipendenza da un uomo (C)</p> Signup and view all the answers

<p>Tramite il conflitto tra passato romantico e presente duro (C)</p> Signup and view all the answers

<p>Desideroso di attrarre attenzione (C)</p> Signup and view all the answers

<p>Hanno iniziato a rappresentare conflitti sociali e personali. (A)</p> Signup and view all the answers

<p>Il mantenimento di un fascino glamour e lussureggiante. (D)</p> Signup and view all the answers

<p>Offrire un momento di escapismo dalla realtà quotidiana. (C)</p> Signup and view all the answers

<p>Diventando testimonial per cause politiche e sociali. (A)</p> Signup and view all the answers

<p>La complessità della psiche umana. (C)</p> Signup and view all the answers

<p>I cambiamenti sociali e culturali dell'epoca. (D)</p> Signup and view all the answers

<p>Innovazioni stilistiche e nuove forme narrative. (C)</p> Signup and view all the answers

<p>Un ideale di vita lussuoso e inaccessibile. (B)</p> Signup and view all the answers

<p>Esplorare l'interiorità dell'attore (B)</p> Signup and view all the answers

<p>Promuove la recitazione naturalistica e l'espressione emotiva (A)</p> Signup and view all the answers

<p>La connessione con il pubblico tramite emozioni autentiche (A)</p> Signup and view all the answers

<p>Utilizzo di oggetti di scena per esprimere il personaggio (A)</p> Signup and view all the answers

<p>Ha approfondito la rappresentazione di sofferenze nascoste (A)</p> Signup and view all the answers

<p>Un’espressione autentica e liberata dai codici (A)</p> Signup and view all the answers

<p>La sostanza umana e il vissuto personale (D)</p> Signup and view all the answers

<p>Inizia a rappresentare le esperienze quotidiane e le emozioni profonde (D)</p> Signup and view all the answers

Movie stars in the 1950s evolved beyond simply being charismatic figures; they became symbols of personal and social conflicts and reflected the changes in film narratives and styles.

A method of acting focusing on understanding a character's inner life and motivations, emphasizing psychological realism and physical spontaneity.

Hollywood's influence in the 1950s extended beyond films, encompassing a representation of a glamorous, affluent lifestyle that was frequently inaccessible to the audience.

A prominent actor who exemplified the Stanislavskij method, influencing American film and theater.

A key element of film, encompassing sounds from objects, voices, and music, which contribute to the overall atmosphere, meaning, and characterization.

A defining feature of Hollywood, particularly in the 1950s, was providing audiences with a form of escape from daily life through fantastical films and ideal characters.

Societal shifts of the 1950s prompted Hollywood to adapt its approach to filmmaking

The spatial relationships between characters, the setting, and the camera, crucial for conveying meaning and emotion in film.

Movie stars in the 1950s were more sophisticated than in earlier years. They were more involved in public events and represented different types of roles.

The body's role in expressing characters' emotions, actions, and intentions, influenced by camera angles and costumes.

A film character, played by Marlon Brando, a brutal proletarian.

The visual aspects of a shot or sequence, encompassing all elements that exist in the moment of making a film, from sound to costumes, or positioning.

Hollywood maintained its idealized image during the 1950s, presenting itself as a symbol of glamour and affluence, even amidst societal changes.

A significant acting training program that helped propagate the Stanislavski method in the United States.

Blanche lives in a world of illusions and lies, struggling to accept reality.

The 1940s and 1950s witnessed significant changes and advancements in cinematic techniques and styles, emphasizing the complexities of human psychology and subjective experiences.

A 1951 film adaptation of Tennessee Williams' play, exploring social class tension, desire, morality, and psychological fragility.

A film character, played by Vivien Leigh, a decaying aristocrat seeking refuge.

The role of movie stars transformed in the 1950s, reflecting changes in movie styles and the evolution in film narratives.

The setting of the film, symbolizing the Southern cultural backdrop.

A significant acting training program that helped propagate the Stanislavski method in the United States; also acted as a hub for innovative approaches to acting.

The playwright who wrote the original play.

New Orleans' music, particularly jazz, enhances the emotional tension.

Refers to a New Orleans streetcar, symbolizing the characters' emotional journey and fate.

Blanche comes from a wealthy Southern family, but has lost her status and seeks refuge with her sister.

Stanley is a working-class man, often portrayed as rough and physical.

An acting method emphasizing understanding character motivations and inner desires, allowing actors to improvise based on these motivations.

A key theme in the film, contrasting Blanche's aristocratic background with Stanley's working-class roots.

Stanley is grounded in reality and expresses himself physically and brutally.

The conflict between Blanche and Stanley includes a strong, palpable sexual tension.

Marlon Brando's portrayal of Stanley is marked by a powerful, physical presence, highlighting his character's strength and aggression.

Classical cinema typically focuses on the female gaze, but Brando's performance in A Streetcar Named Desire reverses this.

Blanche Dubois, the central character, seeks admiration, youth, and beauty, exhibiting a need for dependence on men.

The conflict between Blanche and Stanley is both social and sexual, resulting from their different backgrounds and perspectives.

The film explores themes of sexuality, violence, desire, the contrast between illusion and reality, and the clash between a romanticized past and a harsh present.

The film, despite exploring complex themes, altered certain aspects to avoid shocking audiences, impacting the portrayal of characters like Blanche, Stanley, and Stella.

Kazan employed the Stanislavski System in the film, giving each character a core motivation that drives their actions, despite cinematic events.

Blanche seeks admiration, youth, and beauty, leading her to cling to reliance on men in a metaphorical sense, as seen in her relationship with Stanley.

The film portrays a relationship marked by conflict and violence between Stanley and Stella, which was somewhat muted to avoid societal backlash.

Despite the limitations, the movie successfully delves into the nuances of sexuality, violence, and desire with an innovative approach for its time.

Acting technique emphasizing inner life and emotional realism.

Training program popularizing Stanislavski Method in US.

Shift in cinema involving expressing hidden emotions and struggles.

Brando's acting showcasing the Stanislavski Method's impact, exceeding the script.

Characters serve to highlight broader human experiences and issues.

Melodrama provides an outlet for shared dissatisfaction and changing relationships.

Actors become instruments of emotional portrayal and deeper meaning.

1950s Cinema demonstrated more complex portrayals of human experiences.