UNIT 4.4 Romanesque Art PDF
Document Details
Uploaded by InstrumentalPine
Tags
Summary
This PowerPoint presentation discusses Romanesque art from approximately 1000-1200 CE, focusing on key aspects like churches, sculptures, and the historical context of the time. It introduces concepts like the Last Judgment tympanum and the Bayeux Tapestry. The presentation emphasizes the religious and artistic influences of the time.
Full Transcript
UNIT 4.4: ROMANESQUE ART 1000 C.E. - 1200 C.E. CULTURE/STYLE This symbol indicates the culture of origin or style of OF ART the work of art KV This symbol indicates that there is a video on Khan Academy...
UNIT 4.4: ROMANESQUE ART 1000 C.E. - 1200 C.E. CULTURE/STYLE This symbol indicates the culture of origin or style of OF ART the work of art KV This symbol indicates that there is a video on Khan Academy V This symbol indicates that there is a video on Youtube, Smarthistory, or Kenney Mencher This symbol indicates that there is an article on Khan KA Academy ROMANESQUE WORKS OF ART: 58. Church of Sainte-Foy (Church) a. Last Judgment (Tympanum) b. Reliquary of Sainte-Foy (Sculpture) 59. Bayeux Tapestry TOTAL: 2 WORKS OF ART ENDURING UNDERSTANDINGS: ❖ Medieval art is studied according to geographic placement, styles, & traditions. There are frequent interconnections between religions, governments, & artistic influences that create a variety of approaches. This unit & the Medieval period include the following: Late Antique & Early Christian Byzantine Islamic (we’ll learn about this later...) Early Medieval Romanesque Gothic ENDURING UNDERSTANDINGS: ❖ Medieval art is studied according to geographic placement, styles, & traditions. There are frequent interconnections between religions, governments, & artistic influences that create a variety of approaches. There is no uniform medieval style. Some periods revive ancient classicism (Greek & Roman); others use geometric & natural designs. Medieval artists are influenced by contemporaries in other parts of Europe, as well as ancient traditions. NOTE: We will be focused in EUROPE throughout this unit! ENDURING UNDERSTANDINGS: ❖ Medieval art is chiefly concerned with the 3 following traits: 1. Religious expression (Christianity) 2. Court life (royalty) 3. Scholarship (we want educated people!) ❖ Knowledge & learning was transmitted throughout Europe through trade, pilgrimage, & military activity (the CRUSADES!) ❖ Medieval architecture is mostly religious (churches, churches, & more churches…) ❖ Medieval painting & sculpture avoid naturalistic depictions (seriously, what is this? →) ❖ At times, medieval religions will reject images (ICONOCLASM) MEDIEVAL ABOUT 1000 EUROPE C.E. ROMANESQUE HISTORICAL BACKGROUND ❖ Europe began to settle into major kingdoms with an emphasis on Christianity ❖ The Crusades acted as an invasion of the Muslim lands to retaliate for the Muslim expansion into Spain and the east ❖ Cities were on the rise once more where trade and the arts could flourish and expand ❖ Religious pilgrimages became popular-- Rome and Jerusalem were popular pilgrimage destinations Many pilgrims took long roads to get to their destinations-- many Romanesque cathedrals and shrines were set up along the way for these pilgrims ROMANESQUE ART BACKGROUND ❖ Feudalism → a mutual relationship between lords & peasants Peasants worked the lords’ land Lords owned the land and guaranteed peasants’ security ❖ Artists → “Middle class” workers ❖ Women → Confined to “feminine arts” Ceramics, weaving, manuscript decoration ❖ Christian works of art → Dominated artist production ❖ “Secular” works of art → Still existed, and crossed lines often with Christian works (symbolism) ❖ ARCHITECTURE → castles, manor houses, monasteries, churches ROMANESQUE ARCHITECTURE CHARACTERISTICS ❖ Structures → Low, massive, solid-looking ❖ Arches → Rounded ❖ Walls → Thick ❖ Windows → Small, placed lower on the walls ❖ Shape of Ground Plan → Cruciform (cross-like) ❖ Plan → Axial/Basilica plan ❖ Interiors → Dark ❖ Vaulting → Rib (newer, not until later!), barrel, groin vaults ❖ Bell Towers → Campanile (separate from the church) VOCABULARY FOR ROMANESQUE ARCHITECTURE ❖ AMBULATORY → Passageway around the apse of a church ❖ JAMB → Side posts of a medieval portal ❖ ARCADE → Series of arches ❖ PORTAL → Doorway (usually supported by columns decorated in Medieval art) ❖ BAY → Vertical section of a church ❖ RADIATING CHAPELS → Projecting that is embraced by a set of columns chapels arranged radially around the and is usually made of arches & ambulatory aligned windows ❖ RIB VAULT → Vault where diagonal ❖ CAMPANILE → Bell tower of an arches form riblike patterns-- Italian building (usually separated in usually form a weblike design Romanesque churches) ❖ TYMPANUM → Rounded sculpture ❖ CLERESTORY → The third, or placed over the portal of a medieval window, story of a church church AMBULATORY Passageway around the apse of a church Series of arches ARCADE supported by columns BAY Vertical section of a church that is embraced by a set of columns and is usually made of arches & aligned window CAMPANILE Bell tower of an Italian building (usually separated in Romanesque churches) CLERESTORY The third, or window, story of a church Rounded sculpture placed over the portal of a medieval church Doorway (usually decorated in Medieval art) TYMPANUM PORTAL JAMB (COLUMN) Side posts of a medieval portal Projecting chapels arranged radially around the ambulatory RADIATING CHAPELS RIB VAULTS Vault where diagonal arches form riblike patterns-- usually form a weblike design ROMANESQUE IMAGE 58: Sainte-Foy at Conques (Facade, Aerial View, Ground Plan). Date: Church → KA 1020-1130 C.E., Tympanum → 1124 C.E. Medium: Stone. Origin/Location: Conques, France. ROMANESQUE KA IMAGE 58: Sainte- Foy at Conques (Interior → Nave & St. Foy Reliquary). Date: Church → c. 1050- 1130 C.E., Sculpture → 9th century. Medium: Interior → stone & paint, Sculpture → gold, silver, gemstones, enamel over wood. Location: Conques, France. IMAGE 58: Sainte-Foy at Conques (The Last Judgment Tympanum). Date: Church → 1050-1130 C.E., Tympanum → 1124 C.E. Medium: Stone. ROMANESQUE Origin/Location: Conques, France. KA IMAGE 58: Sainte-Foy at Conques (Detail of The Last Judgment Tympanum). ROMANESQUE Tympanum → 1124 C.E. Medium: Stone. Origin/Location: Conques, France. IMAGE 58: Sainte-Foy at Conques (Detail of The Last Judgment ROMANESQUE Tympanum). Tympanum → 1124 C.E. Medium: Stone. Origin/Location: Conques, France. ROMANESQUE IMAGE 59: Bayeux Tapestry, from Bayeux Cathedral, Bayeux, France, ca. 1070- 1080; Embroidered wool on linen, 1’ 8” high (entire length of fabric 229’ 8”); Centre Buillaume le Conquerant, Bayeux. KA IMAGE 59: Bayeux Tapestry (Death of King Harold, Cavalry & Foot ROMANESQUE Soldiers, and Preparations for War), from Bayeux Cathedral, Bayeux, France, ca. 1070-1080; Embroidered wool on linen, 1’ 8” high (entire length of fabric 229’ 8”); Centre Buillaume le Conquerant, Bayeux. KA IMAGE 59: Bayeux Tapestry (Death of King Harold, Cavalry & Foot ROMANESQUE Soldiers, and Preparations for War), from Bayeux Cathedral, Bayeux, France, ca. 1070-1080; Embroidered wool on linen, 1’ 8” high (entire length of KA fabric 229’ 8”); Centre Buillaume le Conquerant, Bayeux.