Group 9 PPT Humanities_ BSE - English 1 PDF

Ingres &Texture Raphael Group 9 Presentation  Group 9 Presentors Janice Rose M. Chariz Argel G. Stephanie Uy Trespecios Abendan Taub Jean Auguste Dominique Ingres A painter and icon of cultural conservatism in 19th-century France. His cool, meticulously drawn wor...

Ingres &Texture Raphael Group 9 Presentation  Group 9 Presentors Janice Rose M. Chariz Argel G. Stephanie Uy Trespecios Abendan Taub Jean Auguste Dominique Ingres A painter and icon of cultural conservatism in 19th-century France. His cool, meticulously drawn works constituted the stylistic antithesis of the emotionalism and colorism of the contemporary Romantic school. August 29, 1780 - January 14, 1867, Jean Auguste Dominique Ingres The Apotheosis of Homer (1827) The Princesse de Broglie (1853)  Raffaello Santi Sistine Madonna (1512) Disputation of the Holy Sacrament 1510 April 6, 1483 - April 6, 1520 Raffaello Santi was a master painter and architect of the Italian High Renaissance. Raphael is best known for his Madonnas and for his large figure compositions in the Vatican Abstract Art Abstract art is art that does not attempt to represent an accurate depiction of a visual reality but instead uses shapes, colors, forms and gestural marks to achieve its effect  Landscape The depiction of natural scenery in art. Landscape paintings may capture mountains, valleys, bodies of water, fields, forests, and coasts and may or may not include man-made structures as well as people. Théodore Gericault Was a painter who exerted a seminal influence on the development of Romantic art in France. Géricault was a dandy and an avid horseman whose dramatic paintings reflect his flamboyant and passionate personality. September 26, 1791 - January 26, 1824  Raft of Medusa he Raft of the Medusa (1819) By Théodore Géricault Depicting the survivors of a shipwreck adrift and starving on a raft. Eugène Delacroix One of the greatest French Romantic painters, whose use of colour was influential in the development of both Impressionist and Post- Impressionist painting April 26, 1798 - August 13, 1863, Delacroix and Horse Frightened (1829) Older Art Delacroix's approach to color as an expression of light made him a technical precursor to Greece on the Ruins of Missolonghi (1826) Impressionism The Barque of Dante (1822)  The Last Civilized Artist His work, including seascapes, showed a profound connection to nature, admired by artists like Van Gogh. He was highly literate, engaged with the intellectual elite, and wrote a famous journal, often compared to Leonardo's Notebooks and Van Gogh's Letters. Delacroix is considered the last great humanist painter in the tradition that began with the Renaissance Jacob Wrestling with the Angel (1861) The Journals Delacroix's Journal is one of the great documents in ary history. In his journal, his artworks and his life are discussed.  V E R Sketch S Elaborated Version the tentative U adding details to make it real, draft. S understandable, or pleading. The Artist in Renaissance Peter Paul Rubens (1577-1640) Diego Velasquez (1599-1660) Francis Bacon (1561-1626 James Wolfe (1727-1759) The Artist in Renaissance  Jean-Baptiste-Camille Corot French Painter Landscape Artist “be guided by feeling alone. We are only simple mortals, subject to error ; therefore listen to the advice of others, but follow only that which you can understand and unite in your own feeling. Be firm, be meek, but follow your own convictions. It is better to be nothing than to be an echo of other painters.” July 16, 1796 - February 22, 1875 The Role of the Figure Figures are the visual representation. It is used to make a point or tell a Texture story. It is simply the subject of an artwork. Jean-François Millet French Artist His popular works portray peasants toiling in the rural Texture terrain. He is known for his peasants subjects. October 4, 1814 - January 20, 1875  Art Art versus Illustration Art The expression of ideas and emotions through a physical VS. Illustration Texture medium. Illustration A picture or diagram that helps make something clear or attractive. Narration in Art Narration in art or narrative art is an art that tells a story. The Fitness of The term "medium" the Medium refers to the Texture substance used to create an artwork.  Propaganda in Art Art and propaganda often intersect, as art can be used to spread a political message or ideology. Propaganda aims to influence the thoughts, beliefs, and actions of a target audience, while art can serve as a medium for that message. However, not all art is propaganda, and not all propaganda is art.  Examples Goya's Disasters of the War Geri-cault's Raft of the Medusa Daumier 1808-1869 In his day Honore daumier was thought a cartoonist ( political cartoonist ) Daumier was no mere chronicler or commentator, but one of the three great draftsmen of his time. Still today Daumier is best known as a cartoonist. Countless law offices in this country hang on their walls his depictions of judge, prosecutor, or defendant—with equal irreverence for competence or motivation—based on keen experience in early years as a courthouse assistant. The Republic 1848  Beneath the Cartoon Like Daumier's many political cartoons, like the countless commentaries on bourgeois tastes and attitudes, generally unflattering, these are often sensed (superficially) as being savage and malicious. But this is scarcely ever so. Daumier's ridicule has Texture almost always something underneath it, not compassion merely, but a grasp of moving forces of human nature, an inevitabletide upon which the particular circumstance is only a feature a poignant or amusing fancy of fate. Only perhaps in the realm of art itself does Daumier seek completely to expose or destroy. The New Imagery The images that he creates to replace the classical and romantic ones are paintings, drawings, and lithographs of men smoking, drinking, playing chess; butchers, washer- women, people riding in third-class railway carriages, or emigrants struggling over rough and desolate landscape. There are scarcely more powerful images since Michelangelo and Rembrandt. Instead there is an elemental simplicity of force, combined at the same time with the most extraordinary fervor, energy and sensibility which seem to come from nowhere but within the high-minded, deeply based, and richly experienced life of the man himself. Daumier the Man A photograph of Daumier convinces us at once of a tall and wide intelligence, of a devotion to that which lies around him, of a keen compassion based in Texture suffering; they are basic commentaries on human situations, without name, without context.  The Modern Artist Another category of subjects in Daumier's art cannot go unnoticed. This is the body of works involving people looking at pictures, in the street, in the home of a connoisseur, in the gallery, or in the artist's studio. Although the varying appearances of the artist throughout human history have been as teacher, philosopher, revolutionary, or prophet, still the only way the artist can represent himself—to him-self is as a craftsman, a worker, an entertainer,technician, performer, actor, manipulator, in short the guide kneedeep in the rich river of his material.  Courbet (1819-1877) "A certain dog painted by Courbet is like the story of a poetic and romantic hunt." Grandson of a staunch Republican and unequivocal defender of the artist's right: not to offend others, but to be himself. gustave Texture courbet has Gustave Courbet has sometimes been unfavorably compared with Daumier in that the latter was modest, the former showing bravado in his rejection of the Academy and the state patronage of bad art and artists. Texture The Desperate Man (Self-Portrait) (1843 - 1845)  was modest by nature Political Alienation Potential Daumier Shift to Painting Cartoons' Role vs. Instinctive Painter Courbet Irrepressible Artist Prolific Output The Rebel his role in society was that of rebel, and his resulting contribution to the his- torical career of the artist was profound, still this lay more in his posture—as genuine as it was flagrant—as a man. He was less revolutionary than Dauminer. Courbet's immense contribution to modern art chiefly stems from his later work in landscape and still-life. But what earned him a revolutionary name was the character of subjects which, in his early work he threw before the public in a form and with an advertisement they could not ignore. The Rebel his role in society was that of rebel, and his resulting contribution to the his- torical career of the artist was profound, still this lay more in his posture—as genuine as it was flagrant—as a man. He was less revolutionary than Dauminer. Courbet's immense contribution to modern art chiefly stems from his later work in landscape and still-life. But what earned him a revolutionary name was the character of subjects which, in his early work he threw before the public in a form and with an advertisement they could not ignore. Thank you for Listening