Summary

This document is an art review, examining different art forms and their connections to cultural and historical themes across several countries. It focuses on art forms such as painting, sculpture, and architecture.

Full Transcript

ART REVIEWER NATIONALISM - LOYALTY AND DEVOTION TO ONE’S NATION NATIONALISTIC ART - CREATIVE OUTPUTS - CELEBRATION OF NATIONAL IDENTITY CHARACTERISTICS OF ART: LANDSCAPE - BEAUTY OF THEIR COUNTRY’S LANDSCAPE INDIGENOUS PEOPLE - INDIGENOUS GROUPS ARE A SOURCE OF CULT...

ART REVIEWER NATIONALISM - LOYALTY AND DEVOTION TO ONE’S NATION NATIONALISTIC ART - CREATIVE OUTPUTS - CELEBRATION OF NATIONAL IDENTITY CHARACTERISTICS OF ART: LANDSCAPE - BEAUTY OF THEIR COUNTRY’S LANDSCAPE INDIGENOUS PEOPLE - INDIGENOUS GROUPS ARE A SOURCE OF CULTURAL DIVERSITY - CUSTOMS, TRADITIONS ATTIREE TO HIGHLIGHT THEIR COUNTRY’S CULTURAL HERITAGE PATRIOTIC SYMBOLISMS - EVOKE A SENSE OF DEVOTION AND UNITY TRADITIONAL SYMBOLS AND MOTIFS - SYMBOLS AND MOTIFS MYTHS, LEGENDS, AND FOLKLORE - MYTHOLOGY AND OTHER FOLKTALES CULTURAL REVIVAL OF TRADITIONAL ARTS - PROMOTE AND ENCOURAGE APPRECIATION - CULTURAL PRODUCTS - TRADITIONAL ART PROCESS AND TECHNIQUES HISTORICAL EVENTS AND PERSONALITIES - HISTORICAL EVENTS - NATION’S INDEPENDENCE POLITICAL COMMENTARY - OPINIONS AND INSIGHTS ON SOCIAL AND POLITICAL ISSUES RELIGIOUS ICONOGRAPHY - RELIGIOUS BELIEFS A). TEXTILE T’NALAK - T’BOLI - - IKAT DYEING TECHNIQUE - VALUES OF EMPATHY AND COMMUNITY UNITY PAJ NTAUB - “FLOWER CLOTH” - AMONG ETHNIC GROUP THAT MIGRATES LAOS FROM CHINA - NATURE - SYMBOL OF THE PEOPLE OF LAOS B). PRINTS TRANSFERRING OF IMAGE HO CHI MINH OR UNCLE HO - COMMUNIST ICONOGRAPHY - VIETNAMESE PROPAGANDA POSTER - PROLIFIC 1954-1975 - USED TO ENCOURAGE AND DELIVER MESSAGES OF SUPPORT TO THE FRONT LINERS - HE WAS A GREAT MESSAGE OF THE VIETNAMESE REVOLUTION LEONILE “NIEL” DOLORICON - CONTINUING REVOLUTION - FILIPINO HISTORICAL FIGURES CONTINUING REVOLUTION - RUBBER CUT PRINT ON PAPER - REMINDER OF HEROISM, BRAVERY, AND UNITY - KKK 1). PAINTING -EXPRESSING IDEAS AND EMOTIONS VISUALLY ON A FLAT SURFACE SULAIMAN ESA -ISLAMIC ART TRADITIONS -TO BRIDGE MODERNIZATION AND GLOBALIZATION WITH MALAYSIA'S DEEP ISLAMIC HERITAGE MAKING OF THE PHILIPPINE FLAG -PROMOTION OF IDEALIZATION AND NATIONHOOD -FERNANDO AMORSOLO -THREE WOMEN LEAD BY MARCELLA DE AGONCILLO -SIGNATURE BACKLIGHTING TECHNIQUE -LIGHT COMING BEHIND THE MAIN ELEMENTS WITHIN THE PAINTING -CHIAROSCURO 2). SCULPTURE -USE HARD OR FLEXIBLE MATERIALS TO CREATE THREE-DIMENSIONAL OBJECTS -CAN BE STANDALONE PIECES, PATTERNS ON SURFACES, OR EVEN ENVIRONMENTS SURROUND THE VIEWER SINGAPORE'S MERLION -SINGAPORE'S HUMBLE BEGINNINGS AS A FISHING VILLAGE -DESIGNED BY KWAN SAI KHEONG -SCULPTED BY LIM NANG SENG IN 1964 -THE MERLION'S FISH-LIKE BODY SYMBOLIZES SINGAPORE'S ORIGINS AS A FISHING VILLAGE -KNOWN AS TAMASEK- TASEK (LAKE IN MALAY) -THE STATUE'S HEAD REPRESENTS THE CITY'S ORIGINAL NAME OF SINGAPURA (LION CITY IN SANSKRIT) BONIDACIO AND KATIPUNAN MONUMENT -SYMBOLIZED BONIFACIO'S MILITANT SPIRIT -MANILA'S HEROES PARK -DESIGNED BY SCULPTOR EDUARDO CASTRILLO IN 1998 -KATIPUNAN -K.K.K 3). ARCHITECTURE -PLANNING AND CONSTRUCTING BUILDINGS TAIPEI 101 -101 STOREY BUILDING -SYMBOLIZED MODERN TAIWAN -UP UNTIL 2007, IT WAS THE WORLD'S TALLEST BUILDING, MEASURING 508 METERS -MADE BY: C.Y. LEE AND PARTNERS -INSPIRED BY THE CHINESE PAGODA -AUSPICIOUS ELEMENTS - NUMBER 8 RIZAL MONUMENT -BUILT AT JOSE RIZAL'S SITE OF DEATH -14-METER MONUMENT - MADE BY SWISSCULPTORER DR. RICHARD KISSLING IN 1921 -"MOTTO STELLA" OR GUIDING STAR -UNPOLISHED GRANITE AND BRONZE SYMBOLISM: THE BOOK BEING HELD BY RIZAL: HIS NOVELS NOLI ME TANGERE AND EL FILIBUSTERISMO MOTHER: FAMILY TWO YOUNG BOY READING: EDUCATION 3 STARS: REPRESENT THE MAIN GROUPS OF ISLANDS IN THE COUNTRY (LUZON, VISAYAS, AND MINDANAO)

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