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Questions and Answers
The vocabulary word Slack
is characterised by ______, activity that lacks seriousness, also the quality of being loose or not held tightly.
The vocabulary word Slack
is characterised by ______, activity that lacks seriousness, also the quality of being loose or not held tightly.
idleness
In 'Football at Slack', the speaker focuses on the ball, much like a professional ______ would zoom in on the action during a match.
In 'Football at Slack', the speaker focuses on the ball, much like a professional ______ would zoom in on the action during a match.
videographer
The weather in 'Football at Slack' is personified through phrases like 'mixed its mad oils' and '______ glooms.'
The weather in 'Football at Slack' is personified through phrases like 'mixed its mad oils' and '______ glooms.'
threw
The phrase 'blown ball ______' employs alliteration and repetition to create a sound echoing the ball bouncing.
The phrase 'blown ball ______' employs alliteration and repetition to create a sound echoing the ball bouncing.
The poem 'Football at Slack' uses a ______ structure to represent the chaotic and unpredictable nature of the football game and the weather.
The poem 'Football at Slack' uses a ______ structure to represent the chaotic and unpredictable nature of the football game and the weather.
The use of a ______ and stanza break in 'The ball blew away downwind – // The rubbery men bounced after it' demonstrates the movement of the ball as it blows away.
The use of a ______ and stanza break in 'The ball blew away downwind – // The rubbery men bounced after it' demonstrates the movement of the ball as it blows away.
Ted Hughes' 'Football at Slack' was published in the collection '______ of Elmet' in 1979.
Ted Hughes' 'Football at Slack' was published in the collection '______ of Elmet' in 1979.
Hughes' poem suggests that sports are ultimately a bit of fun, but also an important part of human ______.
Hughes' poem suggests that sports are ultimately a bit of fun, but also an important part of human ______.
According to literary critics, the exact location of the poem is probably in a village in ______, West Yorkshire.
According to literary critics, the exact location of the poem is probably in a village in ______, West Yorkshire.
In the 1970s, when 'Football at Slack' was published, English football was troubled by violent fans called ______.
In the 1970s, when 'Football at Slack' was published, English football was troubled by violent fans called ______.
Despite the difficult weather, the players are happy and wear '______' clothes according to the speaker.
Despite the difficult weather, the players are happy and wear '______' clothes according to the speaker.
The speaker in 'Football at Slack' employs ______, idyllic imagery, which romanticizes life in the countryside.
The speaker in 'Football at Slack' employs ______, idyllic imagery, which romanticizes life in the countryside.
A technical weather term that describes where the Atlantic sea air meets North sea air across the UK, also symbolic of emotional depression, is known as ______.
A technical weather term that describes where the Atlantic sea air meets North sea air across the UK, also symbolic of emotional depression, is known as ______.
The poem suggests we should learn to enjoy the things of the present wholeheartedly, even though the '______ leapt' and 'bicycled in the air'.
The poem suggests we should learn to enjoy the things of the present wholeheartedly, even though the '______ leapt' and 'bicycled in the air'.
The literary device, ______, is personified throughout ‘Football at Slack'.
The literary device, ______, is personified throughout ‘Football at Slack'.
A burst of wind through the gaps in the clouds gathered in the hills, ______ the clouds, made them feel a sense of shock and awe.
A burst of wind through the gaps in the clouds gathered in the hills, ______ the clouds, made them feel a sense of shock and awe.
The inflated ball flew, and the brightly-coloured men jumped like ______, trying to head it up into the air.
The inflated ball flew, and the brightly-coloured men jumped like ______, trying to head it up into the air.
Pastoral art depicts the countryside as a perfect place to live, showing county folk as simple, happy people who are in touch with the ______.
Pastoral art depicts the countryside as a perfect place to live, showing county folk as simple, happy people who are in touch with the ______.
The first stanza contains three dynamic verbs plunging, bounced, and ______ describe the football match.
The first stanza contains three dynamic verbs plunging, bounced, and ______ describe the football match.
An extravagant number of ______ is how the dynamic verbs are characterised.
An extravagant number of ______ is how the dynamic verbs are characterised.
Flashcards
Slack
Slack
Characterized by idleness or lacking seriousness; loose or not held tightly.
Plunging
Plunging
Pushing inwards or falling fast.
Bareback
Bareback
On an unsaddled donkey, horse, or other animal.
Bunting
Bunting
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Merry-coloured
Merry-coloured
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Sprouted
Sprouted
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Downwind
Downwind
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Rubbery
Rubbery
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Gulf
Gulf
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Fiery
Fiery
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Glooms
Glooms
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Steel press
Steel press
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Bobbed
Bobbed
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Atlantic Depression
Atlantic Depression
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Bicycled
Bicycled
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Holocaust
Holocaust
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Pastoral Imagery
Pastoral Imagery
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Dynamic Verbs
Dynamic Verbs
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Repetition
Repetition
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Form
Form
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Study Notes
Overview
- "Football at Slack" is a poem by Ted Hughes centred on an amateur football match.
- The poem uses vivid imagery and language to describe the setting, players, and weather.
- It discusses themes of nature, sports, memory, and the human experience.
Vocabulary
- Slack: Characterised by idleness or lacking seriousness; loose or not held tightly.
- Plunging: Pushing inwards or falling fast.
- Bareback: On an unsaddled animal.
- Bunting: Cloth flags used as decoration.
- Merry-coloured: Jovial, extreme delight.
- Sprouted: To develop or appear suddenly and in large numbers.
- Downwind: In the direction of the wind.
- Rubbery: Elastic, able to bend out of shape and return.
- Gulf: A deep ravine.
- Fiery: Fearsome, volatile.
- Glooms: Depressed mood, partial or total darkness.
- Steel press: A force to be reckoned with.
- Plastered: Stuck on.
- Tread: To step on something (past tense: trod).
- Glitter: Radiant, shimmering with reflected light.
- Bobbed: To appear and disappear, moving up and down.
- Humped: Arched, deformed, curved.
- Atlantic Depression: Weather term for where Atlantic and North Sea air meet in the UK, symbolic of vastness and emotional depression.
- Wingers: Attacking players on the sidelines.
- Bicycled: Football technique of kicking the ball backwards over the head.
- Holocaust: Forceful invasion or massacre.
Story Summary
- Men in bright colours play football on a hilly grassland between deep valleys.
- They jump like water spouts to head the inflated ball.
- The ball hangs in the wind, then falls back.
- Wind gathers, darkening the clouds and creating a sense of awe.
- Heavy rain falls, and the players splash in puddles.
- The landscape changes under the rainy weather.
- Forward players leap, and the goalkeeper dives to save the ball.
- The sun sweeps away the dark weather.
Speaker and Voice
- The speaker uses a third-person omniscient perspective.
- Focuses on the rugged hills, dramatic weather, and behaviour of the players.
- The players seem to enjoy the match despite the conditions, showing sportsmanship.
- The speaker initially focuses on the ball with verbs like "bounced" and "jumped" to maintain momentum.
- Pastoral imagery romanticises countryside life.
- The players remain united and enjoy the experience despite the weather.
- Nature is portrayed as a difficult but impressive force.
- Despite dark images of rain and the sky, the players are happy and wear "merry-coloured" clothes.
Language
- Weather is personified throughout the poem.
- Examples include: "sky mixed its mad oils" and "threw glooms".
- Personification demonstrates the oppressive atmosphere.
Pastoral Imagery
- Pastoral art depicts the countryside as beautiful and perfect, with simple, happy people.
- The sky is compared to a painter's oils.
Dynamic Verbs
- The poem uses verbs related to sporting action to describe the football match.
- The first stanza contains "plunging", "bounced", and "bounce".
- The second stanza includes "jumped", "sprouted", and "blew".
- The fourth stanza has "darkening" and "threw", along with "flew", "bobbed", and "foundering".
Repetition
- Alliteration and repetition are used.
- The phrase "blown ball bounced" repeats the "b" sound.
- Creates an onomatopoeia of a ball bouncing.
Structure and Form
- "Football at Slack" has eight stanzas and uses free verse.
- No fixed rhyme scheme gives it irregular line lengths.
- The irregular line lengths reflect the chaotic nature of the game.
- A dash and stanza break demonstrate the movement of the ball.
- The final two lines create a couplet, shifting focus to the sky.
Context
- Ted Hughes (1930-1998) was a modern poet.
- "Football at Slack" was published in Remains of Elmet in 1979.
- Hughes wrote the poem in middle age.
- This may have influenced the speaker's views of the game.
- The speaker is a spectator.
- The poem may be a reminiscence of a childhood event in Yorkshire.
- English football in the late 1970s was associated with violent fans.
- Hughes portrays football as a happy activity, reflecting on changes in the sport.
Attitudes
- Sports are fun but an important part of human experience.
- The poem has a joyful tone.
- It romanticises the players and their team unity and echoes a modern pastoral poem.
- Nature is powerful and to be respected.
- The skies change, using phrases like "mad oils" and "fiery holes in heaven".
- People should enjoy the moment, even during storms.
Themes
- Man and Nature
- Sports and sportspeople
- Football
- Memories
- Weather
- Fun and Joy
- Identity
- Unity and teamwork
- Storms and rain
- Different perceptions
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